Sinuous, intertwined wildlife bridge worlds of the living and the dead in Lauren Marx’s intricate multi-media work. Twisting fox heads, disemboweled deer, and lambs bursting with flowers and birds are rendered with watercolor, ink, pen, and colored pencil. Marx often places her animal compositions on semi-abstract backgrounds, awash with grey tones that give a sense of weightlessness to the dense drawings by evoking fog or clouds.
The artist, who resides in her hometown of Saint Louis, Missouri, cites frequent trips to the Saint Louis Zoo, biology classes, and National Geographic television shows as cultivating her lifelong interest in animals. Her latest body of work debuts December 14, 2019, at Corey Helford Gallery. The show, titled Chimera, is an evolution from her previous pieces, combining multiple animals into each artwork to combine their symbolic meanings.
“Chimera further explores my concepts of fauna representations of emotions, personal mental health, family, and self,” Marx shares in a statement. “I am creating a mythological world, centered around North American flora and fauna, to better expresses my image of who I am, how I am perceived, my struggles with mental health, and to explore self-healing.”
Marx studied Fine Art at Webster University and draws inspiration from zoology, mythology, scientific illustration, and Northern Renaissance themes. The artist shares with Colossal that in 2020 she wants to continue to challenge herself technically and conceptually, and that works in the Chimera show brought her practice to new levels in terms of scale and complexity.
See Chimera through January 18, 2020, at Corey Helford Gallery in Los Angeles, and explore more of Marx’s intricate illustrative artwork on Instagram. The artist also offers prints and stickers on Etsy.
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Using a combination of pencil, crayon, and gouache, Bristol-based illustrator Rosanna Tasker creates evocative illustrations that convey lively energy and fantastical nostalgia. In Tasker’s illustrations, female figures are often the protagonists, with animals and plants playing supporting roles. Strong geometric shapes, concentrated mark-making, and carefully considered negative space in tightly controlled color palettes form dynamic imagery.
Tasker, who is 25, studied illustration at University of the West of England, Bristol. In an interview with Irina & Silviu, the artist explained that she found her artistic voice by “unlearning everything I was told at school and college about how I should draw. That stuff is important too, and I do believe in learning the rules before breaking them, but to find your own unique style you definitely have to return to your uninhibited childhood roots and rediscover what comes naturally to you,” she shared.
Tasker works full-time as an illustrator, with a roster of editorial and publishing clients including The New York Times, The Guardian, and Tangent Books. Her prints and greeting cards are available from Etsy and Toi Art Gallery, where a selection of works are in the gallery’s Unstoppable Women show. Take a peek inside Tasker’s studio in this interview, and follow along with her latest projects on Instagram.
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A moth, or maybe many, mutates through several different forms throughout the course of painter, filmmaker, and ceramist Allison Schulnik‘s 2019 short film MOTH. The work is somewhat haunting in its painted portrayal of a constantly evolving subject. It transforms into larvae, serpents, other brightly colored moths, and a human to the song Gnossienne No. 1 by Erik Satie, performed by Nedelle Torrisi. The film was inspired by a moth that hit Schulnik’s window, and is described as “wandering through the primal emotions of birth, motherhood, body, nature, metamorphosis, and dance.”
Each animated paper slide is hand-painted with gouache and the project took the Sky Valley, California-based artist over 14 months to make. MOTH is currently on view as a part of the group exhibition Suffering From Realness at MASS MoCA through January 1, 2020. You can see more work by Schulnik on Instagram and Vimeo.
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Fusing charming portraits of wildlife with the severe trappings of historical costume, Bill Mayer creates darkly fantastical worlds in his detailed gouache paintings. A frog poses in royal dress, a pearl-draped mouse looks ready for a ball amongst massive wedges of cheese, and a rhinoceros stands ready to defend his territory in a suit of armor. The accomplished illustrator lives in Decatur, Georgia and has had a long career as a commercial artist. In an interview with WOW X WOW, Mayer reflected on his concept development:
For me, the most important element of the painting is the concept. The medium you use is just a way of furthering that original concept or finding some elements that add an intelligence to the work. Most of the time I start with small thumbnails which help me sort out the basic visual, a starting place. It probably comes from years of commercial work where you have to show your ideas before you start on a piece… Sometimes I will pull a piece of acetate over a painting and try to figure out what was bothering me and try a few things. Sometimes I will scan them in and use Photoshop, try some things, then go back and paint that way.
The artist continues on to explain that he doesn’t draw much distinction between being an illustrator or a fine artist, and he has only recently begun to show his work in gallery settings. You can see more of Mayer’s vast portfolio, including commercial work and digital illustrations, on his website. (via Supersonic)
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