gouache

Posts tagged
with gouache



Animation Art

A Hand-Painted Moth Animation by Allison Schulnik Explores Motherhood and Metamorphosis

June 5, 2019

Kate Sierzputowski

A moth, or maybe many, mutates through several different forms throughout the course of painter, filmmaker, and ceramist Allison Schulnik‘s 2019 short film MOTH. The work is somewhat haunting in its painted portrayal of a constantly evolving subject. It transforms into larvae, serpents, other brightly colored moths, and a human to the song Gnossienne No. 1 by Erik Satie, performed by Nedelle Torrisi. The film was inspired by a moth that hit Schulnik’s window, and is described as “wandering through the primal emotions of birth, motherhood, body, nature, metamorphosis, and dance.”

Each animated paper slide is hand-painted with gouache and the project took the Sky Valley, California-based artist over 14 months to make. MOTH is currently on view as a part of the group exhibition Suffering From Realness at MASS MoCA through January 1, 2020. You can see more work by Schulnik on Instagram and Vimeo.

 

 



Art

Quirky Portraits by Bill Mayer Imagine Flora and Fauna as High Society Humans

June 28, 2018

Laura Staugaitis

Des Fleurs Qui Mordent

Fusing charming portraits of wildlife with the severe trappings of historical costume, Bill Mayer creates darkly fantastical worlds in his detailed gouache paintings. A frog poses in royal dress, a pearl-draped mouse looks ready for a ball amongst massive wedges of cheese, and a rhinoceros stands ready to defend his territory in a suit of armor. The accomplished illustrator lives in Decatur, Georgia and has had a long career as a commercial artist. In an interview with WOW X WOW, Mayer reflected on his concept development:

For me, the most important element of the painting is the concept. The medium you use is just a way of furthering that original concept or finding some elements that add an intelligence to the work. Most of the time I start with small thumbnails which help me sort out the basic visual, a starting place. It probably comes from years of commercial work where you have to show your ideas before you start on a piece… Sometimes I will pull a piece of acetate over a painting and try to figure out what was bothering me and try a few things. Sometimes I will scan them in and use Photoshop, try some things, then go back and paint that way.

The artist continues on to explain that he doesn’t draw much distinction between being an illustrator or a fine artist, and he has only recently begun to show his work in gallery settings. You can see more of Mayer’s vast portfolio, including commercial work and digital illustrations, on his website. (via Supersonic)

The Pathogen

Queen of the Flies

Tulip Head

Cheeseball  

Tortoise and Hare

Land of Plenty (left), The Warrior No. 2 (right)

The Black Sun

Winter’s Muse