hyperrealism

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with hyperrealism



Art

Crumbling Buildings and Graffiti-Covered Walls Are Meticulously Documented in Oil Paintings by Jessica Hess

May 10, 2019

Laura Staugaitis

Oakland-based painter Jessica Hess documents landscapes and built environments in moments of transition. Combining open skies and lush plant life with crumbling walls and frayed rebar, Hess finds equivalency in growth and decay. The artist, who works in oil paint, shoots photos while exploring abandoned locales, and uses these real life references to build her carefully framed worlds on canvas.

Hess graduated from Rhode Island School of Design and has been exhibiting nationally for over 15 years. Her solo show, The Chaos Aesthetic, is currently on view at Hashimoto Contemporary in San Francisco, and runs through May 25, 2019. You can keep up with Hess’s impressive exhibition schedule, which includes four additional shows this year on her website, and see more of her work on Instagram.

 

 



Art

Hyperrealist Rorschach “Paint” Blots Rendered in Colored Pencil by Cj Hendry

April 9, 2019

Laura Staugaitis

Artist Cj Hendry (previously) rocketed to fame in 2017 with her unbelievably realistic colored pencil drawings of daubs of paint. For her upcoming solo show, which opens on April 10 in Brooklyn, the artist continues in her signature style, focusing on precisely rendering the imprecise nature of Rorschach blots. Each drawing by Hendry balances hyperrealism with abstraction and depicts a vibrant mirror image of a mix of squished paint, recreated in colored pencil.

The show is housed in an all-white inflatable bounce house, a playful nod to the test’s origins as a psychological diagnostic tool.  RORSCHACH runs through April 21, 2019. You can see more of Hendry’s in-progress and completed drawings on Instagram. (via Trendland)

 

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Art

Japanese Art Collective ‘Mé’ Creates a Hyperrealistic Landscape of Ocean Waves at the Mori Art Museum

March 4, 2019

Kate Sierzputowski

It’s hard to comprehend Contact, the new installation by Japanese art collective  (pronounced Mé), headed by Haruka Kojin, director Kenji Minamigawa, and production manager Hirofumi Masui. Light from a window behind the work dapples sculptural waves with pockets of sunlight, making it appear as if it is actually rippling before your eyes. If it wasn’t for the walls that contain the deep blue piece, one might assume they’ve created a real wave machine inside the Mori Art Museum where the work is currently installed.

The work is a part of Roppongi Crossing, a triennial series of exhibitions that provide an overview of Japan’s contemporary art scene. You can see more works from this year’s presentation of works from 25 artists and collectives on Mori Art Museum’s website, which founded the exhibition series in 2004. Contact is on view through May 26, 2019. (via Spoon&Tamago)

 

 



Art

Hyperrealistic Drawings by Arinze Stanley Capture Surreal Moments and Powerful Emotions

October 25, 2018

Andrew LaSane

Black Noise, 2018. Arinze Stanley

Self-taught Nigerian artist Arinze Stanley (previously) is a wizard when it comes to putting charcoal and graphite to paper. The artist creates hyperrealistic portraits at a scale just larger than life, spending hundreds of hours detailing his subjects’ skin, hair, and sweat so that the works are nearly indistinguishable from black and white photographs. The artist recently opened a solo exhibition of new drawings at Jonathan LeVine Projects in New Jersey titled Mirrors, which seeks to pull viewers in so that they can connect with and see themselves in the subjects.

From new takes on familiar works like in Negro Mona Lisa (below), to drawings with more surreal elements like Black Noise (above), the emotion that Stanley is able to depict in the faces and gestures is compelling even from a distance. Getting up close to one of his pieces adds to its weight, as the viewer’s brain tries to reconcile the amount of labor that went into each work.

In an artist statement on his website, Stanley explains that his art is “born out of the zeal for perfection both in skill, expression and devotion to create positive changes in the world.” In a press release for his current exhibition he tells Jonathan LeVine Projects that the process of drawing is “like energy transfer,” and that by transferring his energy through graphite, each blank piece of paper becomes art. Mirrors is on view through November 11 at the gallery’s space at Mana Contemporary in Jersey City, New Jersey. You can see more of his portraits on Instagram.

Negro Mona Lisa, 2018. Arinze Stanley

Faustina, 2018. Arinze Stanley

A Lady in Black, 2017. Arinze Stanley

Losing Dream, 2017. Arinze Stanley

Mindless, 2018. Arinze Stanley

Mirror 000, 2018. Arinze Stanley

Painful Conversations, 2018. Arinze Stanley

 

 



Art

Unusual Animals Brought Together in New Hyperrealistic Paintings by Lisa Ericson

May 16, 2018

Laura Staugaitis

Flock

New work from Lisa Ericson (previously) continues the Portland-based artist’s hyperrealistic compositions of animals. Set on deep black backgrounds, her paintings showcase unusual combinations of peacefully co-existing fauna. Pelicans support rabbits, snakes, and ocelots, while tree frogs and songbirds find homes on the shells of turtles. Her most recent paintings are on view through May 25 at Antler Gallery in Portland, in a show titled Invisible Promise, alongside work from Scottish artist Lindsey Carr. You can see more from Ericson on Instagram.

After The Flood

Stowaway

Distant Shore

Uneasy Truce

Oasis

Haven

 

 



Art

Towering Hyperrealistic Cactus Paintings by Lee Kwang-ho

December 1, 2017

Christopher Jobson

Cactus No.95, 2015. Oil on canvas. Courtesy Johyun Gallery.

Korean painter Kwang-ho Lee (previously) depicts larger-than-life cacti in oil paintings that stand up to 8-feet tall. Every thorn, bloom, and branch is painted with excruciating accuracy, bringing the most minute elements into hyperrealistic focus. Lee studied painting at Seoul National University and is represented by Johyun Gallery.

Untitled 1266, 2017. Oil on canvas. Courtesy Johyun Gallery.

Untitled 6202, 2016. Oil on canvas. Courtesy Johyun Gallery.

Untitled 1212, 2017. Oil on canvas. Courtesy Johyun Gallery.

Cactus No. 93, 2015. Oil on canvas. Courtesy Johyun Gallery.

Cactus No. 91, 2015. Oil on canvas. Courtesy Johyun Gallery.

Cactus No. 92, 2015. Oil on canvas. Courtesy Johyun Gallery.

Cactus No. 98, 2015. Oil on canvas. Courtesy Johyun Gallery.

Cactus No. 71, 2011. Oil on canvas. Courtesy Johyun Gallery.

Cactus No. 96, 2015. Oil on canvas. Courtesy Johyun Gallery.

 

 



Art

Giant Dabs of Thick Oil Paint Captured as Hyperrealist Colored Pencil Drawings

August 16, 2017

Kate Sierzputowski

Australian artist Cj Hendry (previously) tricks the eye with her hyper-realistic drawings, works that recreate the appearance of thick swabs of brightly colored paint. To achieve the dimensionality and sheen of fresh oil paint she layers dry pigment atop colored pencil, accurately portraying the liquid medium’s viscosity.

The series, Complimentary Colors, is far different than the artist’s previous style, which for several years had been exclusively black and white. You can view pieces from her past and present, as well as a series of billboard-sized works, on the artist’s Instagram. (via My Modern Met)