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Art

An Immersive Inflatable Labyrinth of Light and Color by Architects of Air

June 29, 2019

Andrew LaSane

All images via Architects of Air

Designer and Architects of Air founder Alan Parkinson’s latest architecture maze, Daedalum, is a 153-foot long inflatable structure, recently installed in London as a part of the Greenwich + Docklands International Festival. Light fills the labyrinth’s tunnels through colored panels made of translucent material, bathing the interior in bright and ethereal hues.

Parkinson’s maze is comprised of 19 interconnected egg-shaped domes. Named for the father of Icarus and the designer of the minotaur’s labyrinth from Greek Mythology, Daedalum is one of several traveling luminaria created and installed in over 40 countries since 1992. A highlight of the network of color-soaked roams is the ceiling of its Main Dome, which features a 600-piece pattern inspired by Rome’s Pantheon.

“I design the structures to create a particular encounter with the phenomenon of light,” Parkinson told Dezeen. “I devise an architecture to encourage a sense of wonder.” On his use of inflatables as a medium, the designer said that it is “transient and aspires to be utopian in a way that permanent architecture, with its feet on the ground is often not allowed to be.” He added that as designers he and his team still have to “engage with the parameters that actual architecture engages with–wind-loading, drainage, temperature control and wheelchair accessibility.” (via Dezeen)

 

 



Art

Light Shines Through a Rainbow-Tinted Geometric Panel Installation by Art Duo Luftwerk

June 9, 2019

Andrew LaSane

Photographs: John Faier and Peter Tsai, courtesy of Luftwerk

Chicago-based art duo Luftwerk recently opened a site-specific exhibition titled Parallel Perspectives inside of the McCormick House, the Elmhurst Art Museum’s contemporary art center and historic house designed by Mies van der Rohe. Petra Bachmaier and Sean Gallero installed acrylic panels, RGB LEDs, and diffusers that interact with the light in the space to create a kaleidoscope of colors and geometric shapes that respond to Mies’ architecture.

The McCormick House was designed with modularity in mind so that duplicates of the structure could be built in other locations. The plate glass walls are where prospective owners could flex their individuality by taking advantage of various color tint options. Luftwerk began the design process by moving the tinted surface idea to the interior. The conceptual pieces fill the space with blues, yellows, reds, greens, and other layered hues, which change as the light and color alter perspective.

Parallel Perspectives is a step in our own direction using his basic philosophies,” Luftwerk said in a statement. “This exhibition combines ideas of Johannes Itten’s color theory and the basic concepts of the Bauhaus: with the geometry of a square as a prevalent form and playing with one-point perspective and 90-degree angles. It has given us an opportunity to elaborate on the ideas of Mies and develop them into our own shape and format.”

Parallel Perspectives is on view at the McCormick House now through August 25, 2019. To see more of Luftwerk’s continued exploration of light and color, follow the duo on Instagram.

 

 



Photography

Restless Cities Cycle Through Day and Night in Time Slice Videos by Dan Marker-Moore

May 1, 2019

Laura Staugaitis

Global metropolises known for their 24/7 energy glimmer around the clock in captivating time slice videos by Dan Marker-Moore. The skylines of Los Angeles, Kowloon, London, and Shanghai move through dawn, daytime, and dusk in precise slivers that capture specific moments of natural and man-made light. In an interview with Adorama, the photographer explains that he usually uses between 20 and 40 unique images to strike a balance between providing noticeable visual shifts and containing the busyness. The resulting images convey the endless motion of city life while also forming unusual geometric shapes that center around specific architectural details like LA’s Griffith Observatory or London’s Big Ben clocktower.

Marker-Moore, who is based in Los Angeles, works as a photographer, cinematographer, producer, and director. In addition to his vast trove of personal and editorial projects, he also has a decade of experience in animation and motion graphics for commercials. Marker-Moore is passionate about the technical aspects of still and moving images, and shares extensive notes on his blog and Lightroom tutorials on YouTube. You can see more from Marker-Moore on Instagram, and also check out his worldwide pay phone documention.

 

 



Art Design

Interactive Beams of Light Examine Movements of the Human Body During Milan Design Week

April 11, 2019

Kate Sierzputowski

All images by David Zanardi

Ergonomic design company Humanscale analyzes the structure of the human body to create health-conscious furniture that eases tension during long office hours. For this year’s Milan Design Week the company invited collaborator Todd Bracher to design an interactive installation that would speak to how our bodies operate in space. The piece, appropriately titled Bodies in Motion, mirrors the movements of its guests with 15 spotlights that swirl in tandem with users’ limbs.

The work is a reinterpretation of the original scientific method of motion perception developed by Swedish psychophysicist Gunnar Johansson in 1973. Johansson observed movements by placing lights on different points of actors’ bodies and then recording their movements in the dark so he could interpret their actions without distraction. Bodies in Motion uses a more complex system developed by Studio TheGreenEyl to bring the experiment into the 21st-century. The collaborative installation is open from 10 AM – 6 PM daily through April 14, 2019 at Salon del Mobile. (via dezeen)

All images by David Zanardi

 

 



Art

Luminescent Sculptures by Shih Chieh Huang Reference the Spectacular Attributes of Deep Sea Creatures

March 26, 2019

Kate Sierzputowski

"T-24-L (Detail)" (2016-17), Mixed media, 12 x 14 x 14 feet, photo by Vince Ruvolo, all images courtesy of the artist and Ronald Feldman Gallery, New York

“T-24-L (Detail)” (2016-17), Mixed media, 12 x 14 x 14 feet, photo by Vince Ruvolo, all images courtesy of the artist and Ronald Feldman Gallery, New York

Taiwanese artist Shih Chieh Huang (previously) produces day-glow sculptures that illuminate, expand, and deflate—creating a whirling light show that both excites and relaxes the mind. His kinetic sculptures are powered by computer cooling fans and circuit breakers which are prominently incorporated into the works. Dozens of transparent plastic tentacles, LED lights, glowing liquids, and mechanical features give the pieces the appearance of bioluminescent underwater creatures who have adapted to survive in the far corners of the sea.

Huang told Colossal that his current solo exhibition Incubate at Ronald Feldman Gallery in New York addresses chaos, order, growth, and pattern, and uses brand new materials such as continuous wire, a peristaltic pump for neon liquids, and a urethane belt. His work will be included in the upcoming group exhibition Useless: Machines for Dreaming, Thinking, and Seeing at the Bronx Museum starting this upcoming Wednesday, March 27 and running through September 1, 2019. You can see more of Huang’s glowing sculptural works on his website and Instagram. A tour of his current exhibition at Ronald Feldman Gallery, which closes April 13, 2019, can be seen in the video below.

Incubate installation view (2019), photo by Vince Ruvolo

Incubate installation view (2019), photo by Vince Ruvolo

"VT-34-BTB (red angel eye)" (2017-18), Mixed media, 144 x 156 x 36 inches, photo by Megan Paetzhold

“VT-34-BTB (red angel eye)” (2017-18), Mixed media, 144 x 156 x 36 inches, photo by Megan Paetzhold

Incubate installation view (2019), photo by Vince Ruvolo

Incubate installation view (2019), photo by Vince Ruvolo

"VT-36" (2017-18), Mixed media, 10 x 10 x 12 feet, photo by Megan Paetzhold

“VT-36” (2017-18), Mixed media, 10 x 10 x 12 feet, photo by Megan Paetzhold

Incubate installation view (2019), photo by Vince Ruvolo

Incubate installation view (2019), photo by Vince Ruvolo

Incubate installation view (2019), photo by Vince Ruvolo

Incubate installation view (2019), photo by Vince Ruvolo

 

 



Art

Curved Lenses Multiply Everyday Views of Paris in a New Mobile Installation by Vincent Leroy

March 22, 2019

Laura Staugaitis

All photographs © Vincent Leroy

Slow Lens is the newest piece from French artist Vincent Leroy, who often explores optics and light in his large-scale installation work. The piece is suspended from above, and a network of curved, translucent lenses distorts the viewer’s perspective. Displayed en plein air, the connected lenses slowly rotate and ofter multiplied visions of the surrounding environment. Leroy installed and documented Slow Lens in various locations around Paris, including in highway lanes that were vacant due to pollution-induced city traffic restrictions.

The artist shares with Colossal that he seeks to spark a focus on detail, and inspire contemplation and dreaming, and notes that the work is particularly abstract when viewed at night. You can watch a brief video below that shows Slow Lens in motion. Vincent Leroy is represented by Denise Rene Gallery in Paris. The artist shares more of his work on Instagram. (via Colossal Submissions)

 

 



Animation Art

A Geometric Light Projection by Joanie Lemercier Invites Viewers to Take a Trip Through the Stars

March 18, 2019

Kate Sierzputowski

Constellations is a light-based audio-visual installation by Joanie Lemercier that explores the great expanse of our universe through the presentation of morphing geometric shapes and bright glowing orbs. The three-dimensional light work is projected onto water, which gives it a rippling, holographic effect, further intensified by an electronic soundscape produced by Paul Jebanasam. “It’s an exploration of the stars, constellations and the vastness of the cosmos, suggesting the beauty of geometry, simple and complex structures of the universe,” explains Lemercier. The project was first shown in Bristol, UK in March 2018 at Layered Realities in Millennium Square, and is produced by Juliette Bibasse. You can see a full preview of the Constellations in the video below, and follow the tour schedule on Instagram and Twitter.