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Design
A Prismatic Installation of LED Lights Mimics a Chameleon’s Color-Changing Scales

All images © SOSO, shared with permission
Hundreds of individual cells shaped like bursting stars comprise a new kaleidoscopic installation by the creative studio SOSO. A project for a San Diego real estate company, “Chameleon Wall” imitates the small reptile by changing color in a dynamic dance of pigment and light. As seen in the video below, the LED-illuminated work seamlessly shifts from gold to teal to bright pink in an array of organic patterns. SOSO shares that “Chameleon Wall” also has an interactive component and is capable of interpreting SMS messages from viewers and crafting a pixelated field of color related to the prompt.
For more of the studio’s digital projects, visit its site.
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Art
Lively Kinetic Sculptures by Yunchul Kim Pulse with Iridescent Color-Changing Cells
Seoul-based artist Yunchul Kim echoes the heaving, lively motion of breath in his glimmering kinetic sculptures. Part of the ongoing Chroma series, the mixed-media works are reactive: small motors bend the transparent polymer material and cause an iridescent, color-changing ripple that pulses across the piece. Often suspended in a gallery space, the sculptures are knotted or shaped like a vortex, as in “Chroma V,” which references “subjects and symbols of culture and disciplines, such as ancient murals, nature, literature, art, philosophy, and science,” Kim says.
Alongside aesthetic concerns, engineering and the mechanics of each structure play a crucial role in the construction process. The resulting works are immersive and multi-sensory as the motors emit various sounds that correspond with the visual changes. “Chroma V,” for example, is comprised of 382 individual cells each containing its own device that subsequently produces hundreds of different reactions across the eight-meter work. The artist shares:
In the studio, I spent a lot of time trying to realize this, not to fit the artwork to the machine but to make a machine that fits the idea of the artwork, with numerous attempts and experiments. After the individual mechanical devices are completed, a work process in which software and mechanical devices connect is necessary to create an artistic event to enable communication between them.
This generative nature informs Kim’s practice, and he often transfers aspects of earlier projects into his next work. “When one piece is finished, this process does not stop but becomes a potential idea for the next new piece,” he says.
Kim has several exhibitions upcoming, including this March at Shenzhen Museum of Contemporary Art and Urban Planning, in June at CERN Science Gateway in Geneva and Science Gallery in Melbourne, and this fall at Madre Museum in Naples. Until then, explore more of Kim’s work on YouTube, Instagram, and his site.

“Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters

“Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters. Photo by Roman März

“Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters. Photo by Roman März

Detail of “Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters. Photo by Roman März

Detail of “Chroma III” (2021), acrylic, aluminum, polymer, LED, motor, and microcontroller, 230 x 140 x 170 centimeters
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Art Craft Design
Precise Details and Architectural Contrasts Highlight Layla May Arthur’s Narrative Paper Sculptures

“Where We All Meet” (2022), paper sculpture, 1 x 1 x 1 meter. All images © Layla May Arthur, shared with permission
Wielding the fundamentals of set design, Layla May Arthur assembles elaborate architectural spaces and visual narratives from paper. The Netherlands-based artist focuses on the interplay between light and shadow in intricate, three-dimensional dioramas that emphasize storytelling in window displays, brand identities, and gallery presentations. In pieces ranging from delicate, individual sculptures of staircases to large-scale, immersive installations, she instills a sense that the viewer is a part of the interactions of figures within each scene.
Since graduating from university in 2021, Arthur has focused on projects that emulate the visual drama of theatrical presentations, setting the stage for products in boutique windows and brand collaborations in addition to museum exhibitions. “I really enjoy being able to handcraft artworks to be used in photoshoots or installations where my work reaches an audience who might not ordinarily seek out art in an art space,” she tells Colossal. “I have had incredible clients so far who have given me huge creative freedom in acting as both art director and artist.”
Arthur emphasizes each incision, angle, and pattern of the meticulously cut pieces of white paper by spotlighting or illuminating from within. “I love being able to create an artistic experience which is part of the everyday and highlights the possibilities of craftsmanship,” she says.
Find more of Arthur’s work on her website, Behance, and Instagram, where she often shares videos of her process.

“THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021), paper and light Installation

“Where We All Meet” (2022)

Details of “Where We All Meet” (2022)

“Shop Window Set Design for Mary Jane Schoenenboetiek” (2021), paper sculpture

Details of “THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021)

Detail of “THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021)

Detail of “THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021)

Detail of “THE STORYTELLER, THE LISTENER, AND OUR STORY” (2021)

“Forgotten Places – Remembered“ (2022), paper sculptures, 20 x 20 centimeters

Detail of “Shop Window Set Design for Mary Jane Schoenenboetiek” (2021), paper sculpture

“Jersey; My Childhood Home” (2019), paper cutting, circumference 754 centimeters x 200 centimeters

Panels from “Jersey; My Childhood Home”

Installation view of “Jersey; My Childhood Home”
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Photography
Mikko Lagerstedt Photographs the Quiet Grandeur of Snowy Nordic Landscapes

“Winter Solitude.” All images Mikko Lagerstedt, shared with permission
Underneath soft light from the moon or the early morning sun, Finnish photographer Mikko Lagerstedt (previously) captures the quiet magic and mystery of Nordic landscapes. Ice clings to tree branches, an aurora streaks through the sky, and vast fields of snow cover the ground in scenes that are both serene and full of grandeur.
Part of the In The Solitude series, many of the images shown here are single-exposure photos edited in Lightroom, although a few utilize multiple shots to convey the majestic nature of the region. Lagerstedt tends to focus on the unique colors and textures of the area, including stars dotting a deep blue sky, lines etched into the earth’s surface by the wind, and strips of pastel light.
The photographer plans to offer prints of the collection this year, and you can find news about that release, in addition to an archive of his work, on his site and Instagram.

“A Cold Night in the North”

“A Passing Moment”

“In the Mist”

“Infinite”

“Resilience”

“Searching”

“Solitude”

“Stained Ice”

“Windswept”
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Art
Holiday Lights Warm the Dark Winter Nights of Jeremy Miranda’s Paintings

All images © Jeremy Miranda, shared with permission
Colorful lights strung on trees and lining gutters cast a welcoming, vibrant glow on dreary, winter evenings in Jeremy Miranda’s paintings. The Maine-based artist (previously) is known for his dreamlike works of landscapes and interiors that incorporate both the domestic and outside world, and elements of nostalgia, intimacy, and memory echo throughout the scenes. Often illuminating the magical in the mundane, Miranda has been creating a growing collection of holiday paintings during the last few years that center on Christmas trees and decorated homes, capturing the warmth of the season as it shines through stark, frigid nights.
The artist has a few prints available through Sebastian Foster, and you can follow his work on Instagram.
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Art Design
A Massive Illuminated Eye of 100,000 Lights Twinkles Above a Madrid Plaza

All photos by ImagenSubliminal / Miguel de Guzman + Rocio Romero,, courtesy of Brut Deluxe, shared with permission
Now on view in Madrid’s Plaza de Canalejas is a gleaming eye that peers both downward at those who pass underneath its red-and-blue canopy and upward at the sky. Extending across more than 2,000-square-meters, the temporary site-specific installation is the project of design studio Brut Deluxe, which strung 100,000-plus LED lights into a web of color that hovers nine meters above ground. Mimicking the center of an eye, “Iris” is comprised of the main concentric circles pocked by anatomical anomalies like wrinkles and grooves, with flickering bulbs spread across its expanse.
Watch the video above too see the dynamic elements in action, and explore an archive of Brut Deluxe’s projects on its site. (via designboom)
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Editor's Picks: Animation
Highlights below. For the full collection click here.