luke jerram

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Art Science

An Enormous ‘E.coli’ Floats Through the National Museum of Scotland at 5 Million Times Its Actual Size

August 10, 2022

Kate Mothes

“E.coli”. All images © Luke Jerram. Photo by Neil Hanna, courtesy of the artist and National Museum of Scotland

In the National Museum of Scotland in Edinburgh, an enormous single-cell organism floats among the Victorian iron colonnades of the cavernous Grand Gallery. Bristol-based multidisciplinary artist Luke Jerram often explores the nature of scale and perception in his pieces (previously), and the latest installation of his inflatable sculpture “E.coli,” which has been displayed in locations around the U.K., spans 90 feet, representing the bacterium at 5 million times its actual size. (If humans were to scale up just as enormously, they would be about 5.5 miles tall!)

Escherichia coli (known as E.coli) is a group of mostly beneficial bacteria that live in the intestines of animals and humans. Some types can occasionally cause severe illness, usually transmitted on food. Jerram’s sculpture prompts visitors to re-examine their relationship with “germs,” elevating and celebrating the importance of bacteria for both health and science.

“E.coli” is on view as part of Edinburgh Art Festival through August 31. You can find more of Jerram’s work on his website.

 

Photo by Luke Jerram

Photo by Luke Jerram

Photo by Neil Hanna

 

 



Art Science

In ‘Glass Microbiology,’ Sculptures Explore the Science Behind Modeling Viruses and Bacteria

February 25, 2022

Grace Ebert

T4 Bacteriophage 2011. All photographs © Luke Jerram, shared with permission

Digital models of bacteria and viruses are essential for scientists communicating vital health information to the broader public. Paired with news articles and government guidelines, the depictions offer powerful visuals for otherwise invisible harms, and although accurate in shape and structure, many renderings often feature colors chosen at the artist’s discretion—this includes the now-infamous depiction of the red, spiked SARS-CoV-2, which was named a Beazley Design of the Year.

Back in 2004, artist Luke Jerram began questioning the impact of this creative license, asking whether people believed that microbes are inherently vibrant and how exactly viewers are supposed to tell which renderings feature accurate colors and which are alterations. This interest sparked his ongoing Glass Microbiology project, which creates models of viruses like Zika, smallpox, and HIV as clear sculptures.

 

E.coli

Created approximately 1 million times larger than the actual cells, Jerram’s works highlight the intricate and unique structures without obscuring a viewer’s impression based on color. He collaborates with virologists from the University of Bristol to ensure the form’s accuracy before being glassblowers Kim George, Brian Jones, and Norman Veitch help mold the delicate shapes, starting with the coiled nucleic acid at the center and later the outer proteins. Together, they’ve created dozens of models so far, including the long, worm-like ebola and a T4 bacteriophage with a rectangular head and multiple legs.

“Of course, by making it in glass, you create something that’s incredibly beautiful. There’s a tension there, between the beauty of the object and what it represents,” the U.K.-based artist said in an interview. “By making the invisible visible, we’re able to feel like we have a better sense of control over it.”

Jerram’s microbes are on view in two exhibitions this month: as part of Hope from Chaos: Pandemic Reflections at the ArtScience Museum in Singapore and at Henry Moore Institute’s A State of Matter. Explore the vast collection and dive into the science behind the works on the Glass Microbiology site.

 

Ebola

Zika Virus

Malaria 2015

SARS Corona

Smallpox, Untitled Future Mutation, HIV

 

 



Design Science

The Museum of the Moon: An Illuminated 23-Foot Lunar Replica Currently Touring the World

September 13, 2018

Laura Staugaitis

Photo: Carl Milner

Multidisciplinary artist Luke Jerram has created several exacting 23-foot replicas of the moon, which are currently touring the world as Museum of the Moon. The lunar project has been installed in public spaces ranging from China and Finland to the United Arab Emirates and Australia, and is accompanied by music from composer Dan Jones. Locations vary and include indoor and outdoor spaces as well as festivals, to intentionally alter the interpretation and experience of the project for viewers around the world.

To create the large illuminated sculptures, the British artist used a massive image (nearly 70 feet wide) of the moon created by NASA’s Astrogeology Science Center. The image itself was taken by a NASA satellite carrying the Lunar Reconnaissance Orbiter Camera, which was launched in 2010. Each centimeter of Jerram’s replicas represent 5 kilometers of the moon’s surface.

Jerram also shares in a statement, “As it travels from place to place, it will gather new musical compositions and an ongoing collection of personal responses, stories and mythologies, as well as highlighting the latest moon science.” This information is compiled on Museum of the Moon online research page. You can find out where the moons will be next on the museum’s website and see photos with the #museumofthemoon hashtag. (via designboom)

Photo: Gareth Jones

Photo: Leeds Living

Photo: Neil James

Photo: Robert Sils