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Art
Thousands of Meticulously Layered Strips of Metal Bring Selçuk Yılmaz’s Big Cat Sculptures to Life

“Jaguar.” All images © Selçuk Yılmaz, shared with permission
Thousands of thin, intricately placed metal strips form powerful wildlife portraits by Selçuk Yılmaz (previously). Adding new meaning to “big cats,” his recent series explores the legendary power, courage, and resilience of jaguars, lions, and the prehistoric saber-tooth tiger. A painstaking process of hammering, layering and welding individual pieces links realistic representation and the addition of artistic elements, such as the regal adornment on the forehead of the lion, which is titled “King.”
Minimal, abstracted contours delineate the form of Yılmaz’s saber-tooth tiger, a huge cat that roamed what is now North and South America for millennia until they became extinct about 10,000 years ago. Combining a realistic face with a simple outline, the artist draws attention to its snarling expression and the fact that we can only imagine what the early mammals actually looked like. In “Jaguar,” a lifelike portrayal of a muscular feline interacts with the light through layered textures. “Since light and metal have opposite properties, they can create an interesting balance and contrast when they come together,” the artist tells Colossal. “It gives the feeling that light has a soul.”
Find more of Yılmaz’s work on Instagram and Behance.

“King”

“Saber-tooth Tiger”

Detail of “Saber-tooth Tiger”

Detail of “Saber-tooth Tiger”

“Jaguar”

The artist with “Jaguar”

“Saber-tooth Tiger” in progress
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Art Design
Rick Salafia’s Wildly Shaped Aluminum Rulers Measure Impractical Proportions

All images © Rick Salafia
With dramatically bowed edges, coiled shapes, and fragments jutting in opposite directions, Instruments by Rick Salafia defies many standards of measurement. The ongoing series, which currently comprises more than 200 works, disregards the one-foot rectangle in favor of a playfully diverse array of shapes. Semi-circles stretch like a croissant, ends expand into wide, asymmetric forms, and a segment stretching just a few inches breaks free from the rest of the metal tool. While the pieces in Instruments take on impractical shapes and proportions, the individual inked lines and numbers remain relatively uniform, evoking the systemized nature of a typical ruler.
Salafia produced each work in an edition of three and has some available in his shop. You can find more from the series on his site.
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Art
Intricate Sculptures by Zheng Lu Suspend Splashes of Water in Stainless Steel

“Water in Dripping – Group of Warblers” (2022), stainless steel, 102 3/8 x 68 7/8 x 122 inches. All images © Zheng Lu, shared with permission courtesy of HOFA Gallery
Harnessing the energy of water in motion, Zheng Lu’s metallic sculptures appear frozen in time. The Beijing-based artist defies utilitarian or industrial associations with steel, creating tension between the material and the fluid forms. Challenging our expectations and understanding of physics, smooth, chrome-like surfaces reflect the surroundings and change in the light as the viewer moves around them, further adding to the perception that the sculpture itself is in motion. In some of the works, Zheng composes surfaces of thousands of Chinese characters derived from historical texts and poems, nodding to early Chinese philosophers who studied physical principles of the natural world to better understand cosmological mysteries.
Zheng’s exhibition Liquid Narratives runs March 16 to 29 at HOFA Gallery in London, marking the artist’s first show in the U.K., and you can find more of his work on his website.

“Water in Dripping – Heartflower” (2022), stainless steel, 39 3/8 x 35 3/8 x 61 3/8 inches

Detail of “Water in Dripping – Heartflower”

“Water in Dripping – Yong” (2019), stainless steel, 92 7/8 x 30 1/4 x 40 1/2 inches

“Water in Dripping – Music and Dance” (2022), stainless steel, 59 x 40 1/8 x 76 inches

“Water in Dripping – Water is Silent” (2022), stainless steel, 61 x 48 3/8 x 92 1/2 inches

Detail of “Water in Dripping – Water is Silent”

“Water in Dripping – Winter Rain” (2019), stainless steel, 46 1/2 x 48 x 76 3/4 inches
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Art Craft
Metal Sculptor Shota Suzuki Crafts Exquisitely Detailed Blooms That Express the Passing of Time

All images © Shota Suzuki, shared with permission
Tender stems bear lush blooms and windswept leaves gather around new growth in artist Shota Suzuki’s delicate metal sculptures. Rendered in painstaking detail, the forms are inspired by flora around his home and studio in Kyoto, such as Japanese maple trees and dandelions that have gone to seed. “Recently, I have been adding rain and wind to my work,” he tells Colossal, sharing that he’s inspired by the way nature demonstrates the passing of time. He adds silvery water droplets to ginkgo leaves, ruffles the petals of flowers, or portrays a branch of cherry blossoms as if it has blown from a tree.
An early interest in jewelry led Suzuki to study metalworking, and the exquisite detail of florals and foliage suited his ability to work on a small scale. A wide range of patinas create a life-like appearance, achieved by combining an array of chemicals that produce specific hues and textures, including traditional Japanese copper coloration methods such as niiro. “I don’t want to create works in which time stands still,” he says. “I want to express a moment in time.”
Suzuki’s work is included in Natural Mastery: Lacquer and Silver Works from Japan at Stuart Lochhead Sculpture in London from December 1 to 9. You can find more work on his website and Instagram.
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Art
Mysterious Creatures Emerge from Recycled Materials in Sculptures by Spencer Hansen

“BADU” and “FINCH” in collaboration with Jason Siegel. All images © Spencer Hansen, shared with permission
Long-legged creatures don otherwordly masks in sculptures by Bali-based artist Spencer Hansen, whose work explores identity and connection through a cast of uncanny characters. Using primarily natural, found, and recycled materials like wood, metal, bone, plant fibers, and ceramic, he draws inspiration from surrounding environment and frequent travels. Originally from Idaho, he relocated to Bali where he built a workshop that houses studios and live-work space for a team of skilled artisans who help to bring the pieces to life.
Alongside business partner Shayne Maratea, with whom he founded independent clothing and art company BLAMO, Hansen often collaborates with artists and photographers to merge sculpture and performance. Intended to inspire curiosity and play, the characters are carved and assembled in a variety of scales, from toy-like figurines to life-size suits, with mysterious faces.
Hansen will be showing work with Skye Gallery at Aqua Art Miami at the end of this month and has a solo exhibition opening in December at Samuel Lynne Galleries in Dallas. You can find more of his work on his website and Instagram.

“BOBA”

“Eternal Embrace” collaboration with Naomi Samara. Suit worn by Aleph Geddis. Hands: Naomi Samara, Chantal Ka, and Shayne Maratea

Left: “EQUUS.” Right: “Tikus”

Left: Head of “LELA.” Right: “M11 Topeng Barat”

“LELA”

“M11,” “M12,” and “M13”
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Art Craft
Expressive Wildlife Portraits are Captured in Elegant Scrap Metal Sculptures by Leah Jeffery

All images shared with permission © Leah Jeffery. Photographs by Katie Jeffery
When it comes to scrap metal, Hogansville, Georgia-based artist Leah Jeffery has honed an instinct for transforming old bike parts, cutlery, and offcuts into a captivating menagerie of expressive animals. During her senior year of high school, she began exploring different trades, and after signing up for a welding class, discovered a natural skill with metalworking. She became interested in re-using discarded materials, and her first project was a great horned owl, which spurred an ongoing series portraying an array of wildlife.
Now working as Bruised Reed Studio, her practice centers around the proverbial turning of trash into treasure. “There is something about taking what was discarded and giving it new life,” she says. “I use any scrap metal I can find—mostly old bicycle parts and flatware, or people will give me their random metal junk.” Each sculpture is one-of-a-kind, formed from in a wide variety of textures, densities, and patinas to expressively capture an eagle’s intense gaze, a butterfly’s wings, or a sloth’s lazy grin.
You can follow Bruised Reed Studio on Instagram, and find more work on her website.
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