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Art
A Miniature Arcade, Art Museum, and Dock by AnonyMouse Squeeze into Malmö’s Streets

All images © AnonyMouse, shared with permission
The traveling collective known as AnonyMouse squeaked through Malmö’s bustling streets the last few weeks installing the latest additions to its tiniest cultural scene. After working in cities across Europe, the unidentified group visited the Swedish coast to wedge a miniature art museum, arcade, and shipping dock just big enough for a few mice into the long-established architecture. Built at street level, each minuscule creation is an elaborate and witty rendition of its human-sized counterpart: games like “Feline Fighter 2″ and “Cheese Invaders” are packed into the glowing arcade, while small boats, a cafe, and an ominous flag printed with a mouse and crossbones appear at the inland port.
AnonyMouse is currently headed to its next unannounced destination, and you can follow its latest adventures on Instagram.
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Art
AnonyMouse Wedges Miniature Shops and Restaurants Built For Mice into Busy City Streets

All images © AnonyMouse, shared with permission
In cities across Sweden, France, and the Isle of Man lies a parallel universe fit only for a mouse. Miniature restaurants, record shops, and apothecaries squeeze into ground-level windows on the street next to their human-sized equivalents. The adorable universe is a project from a collective aptly named AnonyMouse, which started crafting the charming scenes in the spring of 2016.
Suggesting that the mice have a symbiotic relationship with the pedestrians on the street, the team repurposes items people throw away, turning a champagne topper into a stool or a matchbox into a table. Twenty-five installments currently exist across Europe, which largely are inspired by Astrid Lindgren’s and Beatrix Potter’s whimsical tales and movies from Don Bluth and Disney. “We thought it would bring a bit of joy to pedestrians passing by, but it grew into something slightly bigger, and as such we’ve probably dedicated more time on each project than we originally envisioned. But that’s just part of the fun,” they say. The team crafts each scene with incredible detail, from recreating iconic record covers to plastering up posters advertising mouse- and rat-based happenings.
As its name suggests, the group’s individual identities are unknown. “We like to think that part of the allure of our installations is that they could be done by anyone,” they say. “And since we do not have a specific agenda with them our identities are unimportant.” AnonyMouse won’t divulge plans for upcoming installations, but you can follow all of its adventures on Instagram.
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Art Craft
Biologically Accurate Sculptures of Animals by Fanni Sandor Are Smaller Than a Fingernail

All images © Fanni Sandor, shared with permission
Fanni Sandor has been fascinated by miniatures since childhood, constructing her first sculpture from toothpicks, candle wax, paper, and glue at six years old. “In my country, there (are) no traditions of the 1:12 scale miniature making. In my twenties, I met the first professional miniaturist’s work through the internet. I was completely fascinated,” she tells Colossal.
Today, the Hungary-based biologist and artist fashions minuscule baby bluejays clamoring for food, a mouse peeking out from a bit of bread, and a waddling family of mallards. Inspired by her background in biology, the miniatures feature incredibly accurate details, and most fit easily on the tip of a finger.
Sandor will spend anywhere from two days to two weeks on a single piece, noting that the robin’s nest alone took three days. Her process is multifaceted and begins with collecting photographs of the species before sketching a prototype. Forgoing molds, the artist employs embossing and pin-ending tools to sculpt the animal figures from polymer clay and wire. After baking, she chisels a few more details, paints, and attaches the fur and feathers where necessary.
In 2016, Sandor become a fellow at The International Guild of Miniature Artisans. To follow her upcoming projects, head to Instagram.
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Photography
Two Mice Photographed in a Comically Dramatic Struggle in the London Underground

“Station Squabble.” Image © Sam Rowley, the Wildlife Photographer of the Year competition, and LUMIX People’s Choice Award
Bristol-based photographer Sam Rowley is dedicated to capturing fleeting moments. After lying down on the platform near London’s Underground and waiting for two mice to appear, Rowley was able to photograph the upright pair as they engaged in a brawl over a morsel of dropped food in a shot titled “Station Squabble.” “He only saw them fight over scraps of food dropped by passengers a few times, possibly because it is so abundant,” said a statement from the Wildlife Photographer of the Year competition, in which Rowley was awarded the 2019 Lumix People’s Choice Award. “This fight lasted a split second, before one grabbed a crumb and they went their separate ways.” To see what transient moments of animal life the photographer captures next, follow him on Instagram. (via Peta Pixel)
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Art
Hyperrealistic Depictions of a Fictional Mouse-Butterfly Species by Lisa Ericson

“Bliss”, Acrylic on Wood Panel, 11″x 14″

“Perch”, Acrylic on Wood Panel, 9″x 12″

“Gatherer II”, Acrylic on Wood Panel, 8″x 10″

“Gatherer I”, Acrylic on Wood Panel, 8″x 10″

“Hover”, Acrylic on Wood Panel, 13″x 16″

“Artista”, Acrylic on Wood Panel, 16″x 16″
Lisa Ericson‘s logo is just as enchanting as her hyperrealistic paintings, a tiny mouse with butterfly wings floating between her first and last name. Ericson works as a multi-hyphenate, utilizing her visual talents as an artist, illustrator, and designer to craft meaningful images for both her client and personal practice.
In her newest series Ericson skillfully depicts her invented species of mouse-butterfly while they explore environments filled with detailed mushrooms, forgotten tin jars, and forest brush while sometimes clutching found objects such as acorns and raspberries.
Ericson’s first exhibition, and one featuring this series, is displayed at Portland’s Antler Gallery alongside Heiko Müller and John Casey until April, 27th. During my research I also learned that Ericson illustrated Ramona Ausubel’s website (one of my favorite contemporary authors), and can be seen here. (via This Isn’t Happiness, Hi-Fructose)
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