with mixed media
Artist Ava Roth loves working on collaborative projects. But her studiomates aren’t fellow two-footed friends. Rather, Roth pairs with her backyard honeybees to create mixed media collages combining embroidery, beadwork, fabric, tree bark, and honeycomb. The Toronto-based artist builds artworks inside the comb frames, and the bees complete the pieces by encasing them in organic honeycomb patterns. “This project is a collaboration in the truest sense. It involves careful listening, respecting the bees, and cooperating with them entirely, from the choice of materials, size, timing and scope of design,” Roth tells Colossal. “My intention is to celebrate the extraordinary work of the honeybee and match it with sewings that invoke their delicate and ephemeral comb.”
The artist explains that she had been working in encaustic, a painting technique that incorporates wax, for several years, and decided to start collaborating with her bees as she learned more about Colony Collapse Disorder and sought to uplift and honor the bee’s work.
The threadwork in this collection mirrors the fragility and beauty of the honeycomb in which they are encased. By placing the embroideries in hoops, I am also giving a nod to a tradition of women’s work. Since the working bees are all female – and not making ‘fine art’, the finished pieces are very much in the tradition of marginalized women’s work, and sewing in particular. Because both the bees work and traditional women’s work have been largely functional, their beauty and significance have been easily overlooked.
Roth tells Colossal that it took a great deal of trial and error to solve for the variables like what materials the bees respond to instead of destroying, how long to keep the pieces in the hive before honey is deposited, and conveying to the insects which areas they should or shouldn’t build comb. The artist shares that she worked closely with Master Beekeeper Mylee Nordin on strategizing and implementing the project. Shown here are works from her abstract series; Roth also works in this mode with more representational images, which you can see on her website.
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Artist Arghavan Khosravi creates multi-part worlds in her carefully composed paintings. Contemporary human figures commingle with ghostly limbs and classical Greco-Roman sculptures. Bright red lines of string, Persian decorative motifs, and found textiles connect the disparate figures. The artist begins each painting with an intensive brainstorming and research phase, which results in a detailed sketch that outlines about 85% of the completed work.
“Before I start a new painting, I keep thinking about what I want to say in it. It can have a specific narrative or just convey a mood or feeling—it mostly reflects on a memory, life event or something I have recently read,” Khosravi explains. “While I have this general idea/theme in my mind, I go through a lot of source images and put aside those that trigger something in my mind. I juxtapose those images to come up with the main visual structure and composition.”
One of Khosravi’s main sources of inspiration is societal issues in Iran: “Human rights and, more specifically, women’s rights issues, patriarchy, and some levels of gender apartheid. I am more interested in addressing these concerns in a symbolic and subtler way and have an indirect approach.” She also studies and incorporates art historical traditions, ranging from Persian miniature painting and Islamic architecture to medieval painting and ancient sculpture.
The artist shares with Colossal that she began to take art seriously at the early age of 12, but felt pressure to pursue a more practical career like engineering. She pivoted slightly with a commercial creative career: after studying graphic design in college, Khosravi worked in the field for almost a decade, while also earning a Master’s in Fine Arts in illustration, and illustrating nearly two dozen children’s books. Last year, Khosravi achieved her dream of becoming a painter and completed her Master’s in Fine Arts in painting at the Rhode Island School of Design.
Khosravi has most recently exhibited in a group show at the Museum of Contemporary Art Yinchuan in China, and in SPRING/BREAK, a part of New York’s Armory week. You can see more of her detailed, multi-layered paintings on Instagram. (via Booooooom)
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Canadian artist Ellen Jewett (previously) is known for her elaborately decorated polymer sculptures that combine wildlife with flowers, plants, and trees. Jewett, whose educational background is in animal science and behavior, uses her deep understanding of how creatures move through the world to inform her fantastical artworks. In one sculpture, ferns unfurl from the tail of a peacock, while a marsh of cattails grows from the abdomen of a dragonfly in another.
With her most recent sculptures from winter 2018 and spring 2019, Jewett shares with Colossal that she is starting to explore the use of unnatural colors. In doing so, Jewett seeks “to more deeply probe the emotional dimensions of my subjects. I want the emotional presence of the animal to be clearly present even if the precise interpretation remains indiscernible.”
The artist’s work will be shown in a show opening May 11, 2019 at the Urban Nation Museum of Contemporary Art in Berlin, as well as at the MESA Contemporary Arts Museum in Arizona and the Beinart Gallery in Melbourne in September and November, respectively.
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Seattle-based sculptor Michael Alm forms lifelike animal sculptures from carved and shaved wood, often adding realistic features such as glass eyes to complete the anatomical studies. The works imitate the natural gestures of the animals he sculpts, such as “Jack Rabbit (Lepus Californicus),” which captures the animal mid-stride.
By presenting the animal in movement we are better able to see the tension explored through thin wood strips that gracefully cross over and under each other like muscular fibers. “The gaps in the veneer accentuate the tension in the form while lightening the visual weight of the creature,” he tells Colossal. “In this piece (Jack Rabbit), I’ve highlighted the elements which contribute directly to the animal’s movement and eliminated any excess. As a result, the form looks both strong and delicate much like the animal itself.”
Alm is also a furniture maker by trade, and the byproducts of this work serves as the bulk of the material for his sculptures. After milling wood he has plentiful strips to reuse in his sculptures. “These strips are extremely flexible and when layered up they remind me of muscle and sinew,” he continues. “The more I played with this material, the more I realized the amazing number of ways it could be used.”
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The textured paintings and assemblages of artist Gregory Euclide (previously) combine organic and man-made materials to present the rapid changes happening to the landscapes around us. In his upcoming solo exhibition Preservation Paradox at Hashimoto Contemporary the Minneapolis-based artist examines the contradictions found in our simultaneous desire to protect some areas of nature while destroying others. The exhibition includes pieces from his most recent series Scrapes. The abstracted landscapes include some of the toxic materials used to create common artworks, such as paint and styrofoam.
“Acrylic paint, a petroleum product, is used to generate the illusion of land or water when in a pile or scraped across the surface, as well as thinned out and used to generate the illusion of landscape,” the artist explains in a press release for his exhibition.
His pieces include large swaths of paint set on top more traditionally painted landscapes, exploring both the landscape and the material that was used to replicate it. Preservation Paradox opens on September 8 and runs through September 29, 2018 at Hashimoto Contemporary in San Fransisco. You can explore more of Euclide’s recent work on Instagram and Behance.
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Canadian-born artist Andrew Salgado (previously here and here) presents a new body of work composed of towering portraits that span over eight-feet-tall. The mixed media works incorporate materials as diverse as paperback books and miniature cacti—objects that bring even more texture to the cross-hatched oil and pastel faces portrayed on each canvas. The works are included in his solo exhibition A Room With a View of the Ocean which runs through August 20 at Lauba House in Zagreb, Croatia. You can see more of Salgado’s mixed media works on his Facebook and Instagram.
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Highlights below. For the full collection click here.