needlework

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Craft

Delicate Knots, Velvet, and Beads Entwine in Julia Shore’s Mossy Embroideries

January 25, 2023

Kate Mothes

Embroideries made to look like moss that also incorporates real moss, surrounded by beads and thread.

All images © Julia Shore, shared with permission

Dappled with French knots, glinting materials, and pieces of moss, botanical embroideries by Julia Shore replicate the forest floor’s supple textures in fiber and beads. The Los Angeles-based artist also uses hand-dyed velvet, wool, felt, and sequins to add a variety of hues ranging from emerald green to golden yellow. “I tried to capture its intricacy—all the different shades and forms of moss; its soft and calming nature,” she says.

Shore’s next series of moss pieces will be released on Etsy in February. She shares embroidery tutorials on YouTube and has kits and downloadable patterns available for purchase on her website. You can also follow more updates on Instagram.

 

An embroidery made to look like moss that also incorporates real moss. Pictured held in someone's hand surrounded by beads and thread.

An embroidery made to look like moss that also incorporates real moss, pictured surrounded by natural moss.

An embroidery made to look like moss that also incorporates real moss, pictured surrounded by beads and thread.

An embroidery made to look like moss that also incorporates real moss, pictured surrounded by natural moss.

A photo of a moss-like embroidery

A photo of a multiple moss-like embroideries

An embroidery made to look like moss that also incorporates real moss, pictured surrounded by natural moss.

 

 

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Art Craft Design

Danielle Clough Reimagines Sportswear and Athletic Gear in Vibrantly Expressive Embroideries

January 24, 2023

Kate Mothes

Am embroidered portrait of eyes surrounded by colorful, loose threads.

All images © Danielle Clough, shared with permission

Utilizing vintage tennis rackets, T-shirts, and tie-dyed fabrics as canvases, Danielle Clough’s expressive embroideries (previously) sport summery motifs like flamingo pool floats, bright citrus, and bucket hats. The artist continues to expand upon the traditional hoop as the framing device and considers how the medium translates to unexpected surfaces like surfboards or apparel. And she isn’t afraid to experiment: her design for a surfboard—a bird perched on a large flower with a stem that trails into loose threads—didn’t go as planned when the time came to apply the piece to the physical board. However, the learning experience shaped the way she approaches future projects.

A recent series of vibrant human eyes stitched onto Adidas shirts comprise a collaboration with the brand to produce limited-edition wearable artworks. “The brief was broad: to create a sense of individual expression through the community,” Clough explains. “This collection of ‘expressions’ looks out from the wearer’s chest. Standing alone, but all together; a part of a group, like a bouquet.” She has also been experimenting with different threads and watercolor, focusing on the fabric background as an important part of the overall composition.

Clough says, “I’m currently working with a South African clothing brand called Poetry on creating a collection for spring using a variety of techniques to translate my work onto apparel,” and shares that she is also collaborating with Florida-based boxing glove maker 1V1 to create embellished mitts. Toward the end of this year, Clough will also present a series of workshops at Paradigm Gallery in Philadelphia. Find more of her work on her website, and follow the latest updates on Instagram.

 

A series of tennis and badminton rackets that have embroidered flowers in the nets.

A series of tennis and badminton rackets that have embroidered flowers in the nets.

Am embroidered portrait of eyes surrounded by colorful, loose threads.

Embroidered flowers in the net of a vintage tennis racket.

A series of portraits of eyes embroidered onto t-shirts which are rolled up to display all of the portraits.

Two images of embroidered flowers in the nets of vintage tennis rackets.

An embroidered portrait of a young woman wearing a bucket hat in profile, on a blue and purple watercolor base.

Embroidered lemons on a colorful watercolor base.

Am embroidered portrait of eyes surrounded by colorful, loose threads.

A pink flamingo embroidered on a blue fabric.

An embroidery of a bird perched on a large flower, on a blue background.

A detail of an embroidered bird.

An embroidery of a bird perched on a large flower, on a blue background.

 

 



Craft Design

Mila Textiles Reimagines the Balaclava in Vibrant Beadwork and Embroidered Visages

January 3, 2023

Kate Mothes

An individual wearing a balaclava embellished with beads and embroidery.

All images © Mila Textiles, shared with permission

Masks have long been associated with myriad cultural functions from ceremonial rites and dramatic performances to defense and protection from disease or inclement weather. For London-based designer Kamila, who works under the name Mila Textiles, ski masks—also known as balaclavas—provide a fitting canvas for elaborately embroidered, wearable compositions.

A 19th century military staple, balaclavas saw a sartorial rise in 2021. The practical knitwear item takes its name from the Ukrainian port town of Balaclava, a key battle site during the Crimean War of 1854, and in the 20th century, the garment became a trope in movies and television depicting burglaries and heists. Kamila’s colorful reinterpretation of the mask relaxes these associations. “I want my work to make my audience feel happy, forget about their stresses for a bit, and chill,” she tells Colossal.

Kamila draws inspiration from her local environment, sharing that “living in London means I am constantly surrounded by events, museums, and galleries where I can take pictures of anything that gives me creative ideas.” The vibrant hues and textures of coral and marine life are another influence, especially in the context of cartoons. “I try to include creatures in my designs because this brings comfort to me, almost as cartoons would,” she says. Bright colors are paired with beads and layers of thread to produce playful patterns around the wearer’s eyes.

In addition to balaclavas, Mila Textiles produces meticulously embellished bags and pouches featuring faux fur and patterned fabrics. New items are listed in the shop on her website, and you can follow more of her work on Instagram.

 

An individual wearing a balaclava embellished with beads and embroidery.

An individual wearing a balaclava embellished with beads and embroidery.

Two photos of an individual wearing a balaclava embellished with beads and embroidery.

An individual wearing a balaclava embellished with beads and embroidery.

An individual wearing a balaclava embellished with beads and embroidery.

An individual wearing a balaclava embellished with beads and embroidery.

An individual wearing a balaclava embellished with beads and embroidery.

A detail of beadwork and embroidery.

 

 



Art Craft

Surreal Narratives Unfold in Natural Settings in Michelle Kingdom’s Enigmatic Embroideries

May 3, 2022

Kate Mothes

“Skies have a way of falling” (2022). All images © Michelle Kingdom, shared with permission

Immersed in dreamlike surroundings, figures interact with nature and participate in enigmatic rituals in embroideries by Michelle Kingdom (previously). The Los Angeles-based artist continues to explore what she describes as “psychological landscapes,” portraying a diverse range of figures in ambiguous activities and settings that are intricately composed from thread. Drawing on the rich traditions of needlework, she takes a more freeform approach to the medium in which stitching becomes a tool for sketching, honoring its history while subtly subverting convention.

Often gathered together, Kingdom’s subjects appear to be performing vital tasks or observing fascinating or momentous occurrences, yet their intentions are mysterious. Her compositions combine elements of nature, geometry, and allegory. In her statement she writes, “Memories, histories, and mythologies collide amid an undercurrent of political turbulence. Entwined, these influences explore power, relationships and self-perception.”

The artist is currently working toward a solo exhibition with bG Gallery in Santa Monica in early 2023. You can find more work and follow updates on her website and Instagram.

 

“After all, it was only make believe” (2021)

“Securely Fastened” (2021)

“True Blue” (2021)

“We grow accustomed to the dark” (2021)

“As if they stood under glass” (2021)

“Exchanging Heaven for Earth” (2021)

“No Respite” (2020)

“The Orbit of Paper Moons” (2021)

 

 



Art Craft

Vintage Cross-Stitch Motifs Conceal Common Household Objects in Sculptures by Ulla-Stina Wikander

July 27, 2021

Grace Ebert

All images © Ulla-Stina Wikander, shared with permission

Pastoral landscapes and quiet domestic scenes stitched into vintage textiles envelop Ulla-Stina Wikander’s needlepoint sculptures. Using rotary phones, kitchen appliances, or an antique gramophone as her foundation, Wikander (previously) molds the cross-stitch works around her chosen object, cloaking it in a blanket of color and texture while preserving its original shape. Multiple facets of domestic life intersect in the revitalized pieces, which bring the age-old craft traditionally associated with home decoration and items commonly found in kitchens and garages together into reinterpreted forms.

Splitting her time between Stockholm and Kullavik, Wikander shares that she’s started to work with sports equipment and more elaborate tools, which you can see on Instagram. You can browse her available works at Philadelphia’s Paradigm Gallery, and see her pieces in person through August 6 at Jane Lombard Gallery in New York and at M Contemporary Gallery in Sydney in the coming months.

 

 

 



Art

Domestic Objects Wrapped in Needlepoint Scenes by Ulla Stina Wikander

January 8, 2018

Laura Staugaitis

Underneath each of artist Ulla Stina Wikander‘s needlepoint objects is a real, once-functioning appliance, accessory, or tool. Wikander (previously) tends to select objects with traditional associations to domestic life, like sewing machines, ironing boards, and hair dryers. The artist, who is based in Sweden, combines the retired objects with historical cross-stitch patterns, which she also collects. Each piece is finished with colorful rick-rack detailing to help define the edges and describe the original shape. Wikander recently updated her website with many new works, and you can also follow her on Instagram. (via Cross Connect)

 

 

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