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Design History
Recently Digitized Journals Grant Visitors Access to Leonardo da Vinci’s Detailed Engineering Schematics and Musings

Codex Forster II , Leonardo da Vinci, late 15th – early 16th century, Italy. Museum no. Forster MS.141. © Victoria and Albert Museum, London
The Victoria and Albert Museum (V&A) in London recently published scans of two of the Leonardo da Vinci notebooks so website visitors can digitally zoom and flip through the drawings and musings of the Italian Renaissance painter, architect, inventor, and sculptor. Jumbled together in the delicate journals are thoughts on both science and art—detailed charts and speculations contained on the same pages as observational sketches of hats or horse hooves.
Da Vinci is believed to have started recording his thoughts in notebooks during the 1480s while he was a military and naval engineer for the Duke of Milan. The writing included in the notebooks was produced in 16th-century Italian “mirror-writing,” which one reads right to left. Scholars have debated the reasoning behind this style, believing it was either a way to code his thoughts, or simply make writing easier as a left-handed artist. “Writing masters at the time would have made demonstrations of mirror-writing, and his letter-shapes are in fact quite ordinary: he used the kind of script that his father, a legal notary, would have used,” an article on the V&A’s website explains. “It is possible to decipher Leonardo’s curious mirror-writing, once the eye has become accustomed to the style.”
The collective title for the five notebooks in the V&A’s collection is the Forster Codices. This digitized set contains his earliest (1487-90, Milan) and latest (1505, Florence) notebooks in the museum’s collection. The name for the journals comes from John Forster who bequeathed the valuable works to the museum in 1876. The V&A plans to digitize the three other notebooks found in the two volumes Codex Forster II and III, for the 500th anniversary of Leonardo’s death in 2019. You can learn more about the series of notebooks in the collection on the V&A’s website. (via Boing Boing)

Codex Forster II (page 10 verso), Leonardo da Vinci, late 15th – early 16th century, Italy. Museum no. Forster MS.141. © Victoria and Albert Museum, London

Codex Forster II (page 123 verso), Leonardo da Vinci, late 15th – early 16th century, Italy. Museum no. MSL/1876/Forster/141/II. © Victoria and Albert Museum, London

Codex Forster III (page 23 recto), Leonardo da Vinci, late 15th – early 16th century, Italy. Museum no. MSL/1876/Forster/141/III. © Victoria and Albert Museum, London

Codex Forster II (page 75 recto), Leonardo da Vinci, late 15th – early 16th century, Italy. Museum no. Forster MS.141. © Victoria and Albert Museum, London

Codex Forster II (page 91 verso), Leonardo da Vinci, late 15th – early 16th century, Italy. Museum no. MSL/1876/Forster/141/II. © Victoria and Albert Museum, London

Codex Forster III (page 9 recto), Leonardo da Vinci, late 15th – early 16th century, Italy. Museum no. Forster MS.141. © Victoria and Albert Museum, London

The Three Volumes of Codex Forster, Leonardo da Vinci, late 15th – early 16th century, Italy. Museum no. MSL/1876/Forster/141. © Victoria and Albert Museum, London
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Art
Handmade Sketchbooks Teeming with Colorful Calligraphy, Diagrams, Sketches, and Travel Ephemera by José Naranja
José Naranja creates beautifully detailed sketchbooks by collaging elements of photography, writing, stamps, and his own precise drawings of everything from poison mushrooms to a bird’s eye view of his dream studio. The ex-aeronautic engineer began working with sketchbooks after he discovered pocket-size Moleskine notebooks in 2005 and realized they were the perfect vessel to document his daily experiences and develop his wildest ideas. After 13 years of using the same style of notebook, Naranja now crafts his own by hand.
“It creates a special link between my journals and me,” Naranja told Colossal. “Drawings of calligraphy are just useful tools to express ideas They are the visible layer in the whole notebook as a piece, a mandala, and it’s the final artwork. Every detail in the process should be taken into consideration because I give the best effort. At the moment they have given me back only good news.”
The sketchbook artist also sells edited copies of his best work in a compilation called The Orange Manuscript, which you can find on his website. You can see up-to-date sketches and follow his travels (which happen nearly year-round) on his Instagram.
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Craft Design
New Japanese Paper Notebooks Featuring Vintage Science Illustrations Merged with Hand-embroidery
Since we last checked out Athens-based Fabulous Cat Papers (previously) they’ve released a whole new series of notebooks that incorporate vintage science/medical illustrations printed on Japanese paper with hand-stitched embroidery. The notebooks come in a variety of sizes and options for blank, ruled, and graph papers.
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Craft
Notebooks Adorned with Hand-embroidered Blood Vessels, Insects, and Geometric Patterns
Athens-based Fabulous Cat Papers offers a wide range of hand-made notebooks with embroidered Japanese paper covers featuring anatomical, floral, and geometric designs, all stitched by hand. What you see here is just a peek, see much more here. (via Demilked, Lustik)
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Editor's Picks: Science
Highlights below. For the full collection click here.