painting

Posts tagged
with painting



Illustration

Corner Shops and Cathedrals Get Equal Attention in Zhifang Shi’s Travel Watercolors

June 12, 2019

Laura Staugaitis

Using a combination of watercolor and ink, Zhifang Shi creates vignettes of the places he encounters in his worldwide travels. The Shanghai-based artist works en plein air, painting atop a portable palette to document storefronts, architectural features, boats, and trolley cars. Washes of color add depth and movement to Shi’s loose, gestural contour lines, and his focus on points of entry and modes of transit invites the viewer into the artist’s world. You can keep up with Shi’s wide-ranging travels and resulting urban sketches on Instagram.

 

 



Art

Found Stones Peer Back at Viewers with Painted Eyes

June 11, 2019

Laura Staugaitis

Australian painter Jennifer Allnutt focuses on portraits in her art practice, and most of her subjects are shown from the tops of their heads down to their collarbones. But one of Allnutt’s series defies the norms of bust portraiture. Her ocular rocks feature extremely realistic renderings of eyes. On some of her larger rocks, Allnutt completely envelops each eye with a lid, lashes, and skin. But on many of her smaller pieces, the eye is incomplete, running off the edge of the stone and giving the sense that it is a fragment of a complete face. The artist sometimes returns the painted rocks to the places she found them to surprise passersby.

Allnutt studied Visual Arts at the University of South Australia and most recently exhibited her work at Marfa Gallery in Melbourne. You can see more of her paintings on Instagram and Facebook. (via designboom)

 

 



Art Illustration

Over Fifty Artists Showcase Work Within Notebook Spreads for the 8th Annual ‘Moleskine Project’

June 7, 2019

Laura Staugaitis

Juan Travieso

Back for an eighth year, the annual Moleskine Project, curated by Rodrigo Luff and Spoke Art, brings together a diverse slate of artists all working within the confines of a Moleskine notebook. Featuring over fifty artists from around the world, this year’s exhibiting artists include Laura Berger (previously), Kevin Peterson (previously), and Martine Johanna. Luff describes the mission of the show as “a tribute to how artists have developed and grown by using sketchbooks to dive deeper into the personal realms that fuel their artwork. An energetic visual dialogue of imagery flows from frame to frame, forming a collective sketchbook that allows us to appreciate the radically individual approach taken by each artist.”

The Moleskine Project show opened on June 1 and runs through June 22, 2019 at Hashimoto Contemporary in San Francisco. You can keep up with the bi-coastal gallery’s upcoming events on Instagram and Facebook.

Loribelle Spirovski

Martine Johanna

Jayde Cardinalli

Laura Berger

JP Neang

Kevin Peterson

Hope Kroll

Zach Oldenkamp

 

 



Animation Art

A Hand-Painted Moth Animation by Allison Schulnik Explores Motherhood and Metamorphosis

June 5, 2019

Kate Sierzputowski

A moth, or maybe many, mutates through several different forms throughout the course of painter, filmmaker, and ceramist Allison Schulnik‘s 2019 short film MOTH. The work is somewhat haunting in its painted portrayal of a constantly evolving subject. It transforms into larvae, serpents, other brightly colored moths, and a human to the song Gnossienne No. 1 by Erik Satie, performed by Nedelle Torrisi. The film was inspired by a moth that hit Schulnik’s window, and is described as “wandering through the primal emotions of birth, motherhood, body, nature, metamorphosis, and dance.”

Each animated paper slide is hand-painted with gouache and the project took the Sky Valley, California-based artist over 14 months to make. MOTH is currently on view as a part of the group exhibition Suffering From Realness at MASS MoCA through January 1, 2020. You can see more work by Schulnik on Instagram and Vimeo.

 

 



Art

Candid Charcoal and Oil Paint Portraits of South African Children by Nelson Makamo

May 30, 2019

Kate Sierzputowski

Nelson Makamo, "We are Angels with Dirty Faces," all images by Andile Buka

Nelson Makamo, “We are Angels with Dirty Faces,” all documentation by Andile Buka

Johannesburg, South Africa-based artist Nelson Makamo (previously) uses paint and charcoal to create works that capture the candid nature of childhood. His subjects are often South African children, including his 11 year-old cousin Mapule Maoto who is commonly featured in his drawings, watercolors, monotypes, and oil paintings. The gestural pieces aim to present a child’s perspective, with playfully drawn flowers presented in the subjects’ hands or hair and big, round glasses on their faces.

Recently the artist created a new piece of Maoto for the cover of Time Magazine. His solo exhibition, which includes these paintings and more, will be shown at Loo&Lou in Paris through July 27, 2019. You can see more of his paintings of children and other subjects on his website and Instagram.

"A Gaze in Inverse"

“A Gaze in Inverse”

"To Paris with Love"

“To Paris with Love”

"Decoration of the Youth"

“Decoration of the Youth”

"Untitled"

“Untitled”

"Untitled"

“Untitled”

"Women of Coulour"

“Women of Coulour”

Photograph by Solomon Moremong

 

 



Art

Detailed Portraits of Tahiti’s Third Gender by Kehinde Wiley Challenge Gauguin’s Problematic Depictions

May 25, 2019

Andrew LaSane

Portrait of Geysha Kaua, 2019 Huile sur lin / Oil on linen 151,5 x 122,5 cm 59 3/4 x 48 1/4 in. photo : Diane Arques / ADAGP, Paris, 2019

American artist Kehinde Wiley (previously) has unveiled a new series of paintings of Tahiti’s Māhū community, a group of Polynesians classified as a third gender between male and female. Presented at Galerie Templon in Paris, the colorful portrait series challenges a collection of 20th century works by Paul Gauguin, removing elements that Wiley considers problematic and exploitative side effects of colonialism.

Wiley takes issues with Gauguin’s depictions of the Māhū for being unrealistic fantasies that sexually objectify the community for the sake of his White audience back home. The paintings in his “Tahiti” series incorporate tribal patterns, bright colors, plants, and poses inspired by Gauguin’s work, but these distinctive elements were chosen by the models themselves as a form of “self-presentation.”

Portrait of Kea Loha Mahuta,II, 2019 Huile sur lin / Oil on linen 162,5 x 213,5 cm 64 x 84 in. photo : Diane Arques / ADAGP, Paris, 2019

“I am interested in transformation and artifice,” the artist said in a statement. “My newest exhibition will engage with the history of France and its outward facing relationship to black and brown bodies, specifically relating to sexual proclivity. Gauguin features heavily in the imagination of France and her global interface–with that comes an entire history of complicated gazing. I interrogate, subsume, and participate in discourse about Māhū, about France, and about the invention of gender.”

The “Tahiti” exhibition opened on May 18 and will remain on view at the gallery (along with a new video work) through July 20, 2019. Follow Kehinde Wiley on Instagram to see what else he has been up to, including preparing for his upcoming Black Rock Senegal residency.

Portrait of Kea Loha Mahuta, 2019 Huile sur lin / Oil on linen 92 x 78 cm 36 1/4 x 30 3/4 in. photo : Diane Arques / ADAGP, Paris, 2019

Portrait of Moerai Matuanui, 2019 Huile sur lin/ Oil on linen 183 x 153,2 cm 72 x 60 3/8 in. photo : Diane Arques / ADAGP, Paris, 2019

Portrait of Shelby Hunter, 2019 Huile sur lin / Oil on linen 183 x 244 cm 72 x 96 1/8 in. photo : Diane Arques / ADAGP, Paris, 2019

Portrait of Tuatini Manate,III, 2019 Huile sur lin / Oil on linen 180 x 241,5 cm 70 7/8 x 95 1/8 in. photo : Diane Arques / ADAGP, Paris, 2019

Portrait of Tuatini Manate, 2019 Huile sur lin / Oil on linen 114,5 x 92 cm 45 1/8 x 36 1/4 in. photo : Diane Arques / ADAGP, Paris, 2019

The Siesta, 2019 Huile sur lin / Oil on linen 183 x 244 cm 72 x 96 1/8 in. photo : Diane Arques / ADAGP, Paris, 2019

 

 



Amazing Art

Rainbow Village: An Entire Community in Taiwan Hand-Painted by a Single Man

May 23, 2019

Laura Staugaitis

When Huang Yung-Fu learned that the village where he had lived for decades was slated for demolition, the Taiwan resident decided to showcase the continued vibrancy of his home. Huang was the last remaining resident of the community that had once housed 1,200 households, mostly Chinese Nationalist veterans like Huang, who had been defeated by Mao Zedong’s Communist regime. By the mid-2000’s, real estate developers had bought out many residents to be able to raze the area, with Huang as the last holdout. Left on his own, the elderly veteran, who also has a strong creative streak, started painting every available surface of his surroundings. Walls, rooflines, and pathways became canvases for multi-colored Chinese characters and figurative motifs.

Since beginning the open-ended project about ten years ago, Huang’s community has become known as Rainbow Village and he, the Rainbow Grandpa. In 2010 a local university student came across Huang’s vibrant paintings and helped raise awareness for the Rainbow Village. Over a million tourists visit each year and the Taiwanese government has since pledged to keep the village intact. (via My Modern Met)