pianos

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Art Music

In ‘No Strings,’ Willie Cole Transforms Instruments into Abstract Animals and Figurative Sculptures

March 17, 2022

Grace Ebert

“Piano Bird” (2021), piano legs, keys, and wiring, 34 x 32 1/2 x 42 inches. Photo by Joerg Lohse. All images courtesy of Alexander and Bonin, New York, shared with permission

Artist Willie Cole is known for transforming discarded materials into sculptures with a tenor of interrogation. Much of his three-dimensional work revolves around found objects like high-heels, plastic bottles, or ironing boards that he turns into pieces of cultural commentary, addressing issues of mass production, historical legacies, and identity. The items tend to guide the formation of his assemblages, he says, sharing that, “the objects that I use I see as them finding me, more so than me finding them… I see an object and suddenly I recognize what I can do with the object. So in that sense, there is an energy or spirit connection to the object. I am exploring the possibilities of these objects.”

Cole’s solo show No Strings, which opens this April at Alexander and Bonin in New York, exemplifies this approach. The artist, who’s currently living and working in New Jersey, recovered guitars, saxophones, and pianos from Yamaha’s recycling program and through his usual alchemy, has created anthropomorphic creatures and abstracted figures from their parts: he converts hammers into tail feathers and spliced acoustic bodies into dogs and anonymous musicians. The pieces are expressive and tied to the endurance of America’s past, particularly drawing a connection between the guitar’s shape and the yokes forced on people who were enslaved.

In addition to the upcoming No Strings show, you can see a few of Cole’s sculptures in the ongoing Before Yesterday We Could Fly: An Afrofuturist Period Room at The Met, and explore more of his works on his site and Instagram.

 

“Yamaha Dog 1” (2021), Yamaha 3/4 size acoustic guitar parts, 23 1/2 x 12 x 29 inches. Photo by Joy Whalen

“Two-Faced Blues” (2021), Yamaha acoustic-electric guitar parts, 23 x 29 x 15 1/2 inches. Photo by Joy Whalen

“Yamaha Dog 2” (2021), Yamaha 3/4 size acoustic guitar parts, 18 5/8 x 11 x 27 inches. Photo by Joy Whalen

“Picker” (2022), Yamaha 3/4 size acoustic guitar parts, 27 x 15 x 15 inches. Photo by Joy Whalen

“Joy” (2021), Yamaha 3/4 size acoustic guitar parts, 44 1/2 x 22 x 7 1/2 inches. Photo by Joerg Lohse

“Strummer” (2022), Yamaha 3/4 size acoustic guitar parts, 28 x 16 1/2 x 15 inches. Photo by Joy Whalen

 

 

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Dance Music

A Trio of Dancers Brave Icelandic Temperatures in a Stunning New Music Video for Pianist Hania Rani

April 8, 2020

Grace Ebert

Set against a snow-sprinkled mountain range in Iceland, composer and pianist Hania Rani plays meditative sostenutos on a lone piano in an enthralling new project. Directed by Paris-based filmmaker Neels Castillon, F Major begins with Rani and a figure in the distance before turning its focus to three dancers shot in succession. Their bodies swell and dip across the wind-blown landscape, similar to the musical dynamics.

In a note on the piece, Castillion said Rani’s prolonged runs, the dancers’ hypnotic moves, and the serene landscape proved an unparalleled combination.

Listening to Hania’s music over and over, I began to dream of a single sequence shot that would follow her music floating in the wind of an unreal Icelandic landscape. I asked each dancer to give a personal interpretation of Hania’s song. We were very lucky to succeed in this insane artistic performance despite the great cold (minus 7 Celsius). It was such a moment of truth.

“F Major” is part of Rani’s anticipated album Home, which is scheduled for release in May. More work from the pianist, who splits her time between Warsaw and Berlin, can be found on Instagram and Spotify. To keep up with Castillion’s dreamy pieces, check out his Vimeo and Instagram.

 

 



Craft Design Music

Classic Compositions Performed on a Miniature Paper Piano by Aliaksei Zholner

May 22, 2019

Kate Sierzputowski

Aliaksei Zholner (previously) is known for making fully functioning models from cardboard and paper. His latest piece is a miniature 18-key piano that is tuned to play popular and classical pieces such as Fryderyk Chopin’s Polonez b-moll, Ludwig van Beethoven’s Für Elise, and Scott Joplin’s The Entertainer. The “strings” of the piano are created from paper strips connected to a tension mechanism similar to a guitar and struck by hammers made from paper and cardboard. The black cardboard body is branded with Zholner’s name above the keys in the style of popular piano makers such as Bösendorfer and Bechstein. A more detailed explanation of the construction (in Russian) is available on the Only Paper forum, and you can view more of his paper demonstrations on his Youtube channel.

 

 



Design Music

Twenty Instruments Reconstructed to Play Through the Keys of a Vintage Piano

January 30, 2019

Kate Sierzputowski

We’ve all tinkered around on a keyboard that, when a button is pushed or settings tweaked, gives us a chance to play the sound of a flute or drum. When the Ukrainian band Brunettes Shoot Blondes purchased a vintage, albeit broken, grand piano they decided to recreate this concept in analog form. The group secured twenty instruments to the inside of the piano and its sides so they could effectively play each as they pressed certain keys. The creation was developed as a way to perform their new song “Houston” live, rather than having an entire band as back-up like they might in the recording studio. Keys connect to drums, tambourines, cymbals, and castanets while additional mechanical devices play stringed instruments like the cello and two violins. You can view more of the band’s performances on Instagram and Youtube. (via Laughing Squid)

 

 



Art

Secondhand Armchairs and Loveseats Reconstructed Into Dripping Multi-Media Sculptures by Nina Saunders

December 12, 2018

Kate Sierzputowski

Danish artist Nina Saunders creates sculptures that drip, tip, and spill what appears to be amorphous contents onto the ground, turning domestic objects of comfort and kitsch into sculptural pieces unintended for practical use. Her works typically involve secondhand furniture like armchairs and love seats, with the occasional melting piano thrown into her multi-media practice. Floral fabrics run from chair to floor, while the shiny black exterior of a piano seems to leak from its position on the balcony of a busy mall.

No matter what alteration Saunders makes to her collected furniture objects, they are always rendered unusable, with cushions ballooned to an abnormal proportion or legs leaning to an unnaturally slanted angle. Several of her works were included in the recent Hang-Up Collections Exhibition at Hang-Up Gallery in London alongside works by Banksy, David Shrigley, Bonnie and Clyde, and several others. You can see more of Saunders’ sculptural works on her website.

 

 



Art Music

An Antique Piano Cut in Half, Connected Only by a Wishbone

June 28, 2016

Christopher Jobson

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We’ve long marveled at artist Maskull Lasserre's masterful ability to carve anatomical details into everyday objects. One of his recent sculptures, titled Improbable Worlds, is no exception. For this piece the Canadian artist split an old upright piano in two, slicing through every last component leaving only a single point of connection: a tiny wishbone carved from the wooden piano back. The visual tension created by the piece is astounding, let alone the head-scratching question of how he technically accomplished it, knowing that if the weight of the piano shifted just slightly the piece would snap in half.

You can see more of Lasserre’s recent artworks in his portfolio.

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