Artificial Blooms: Digital Botanics Showcase the Fractals, Tessellations, and Repetitive Features of the Natural World
From tessellations to spirals and symmetry, the Cologne-based duo behind Shy Studio has been reproducing the mesmerizing patterns of the natural world through a series of lifelike botanics. Artificial Bloom is an ongoing project by Misha Shyukin and Hannes Hummel that features still-life florals and animated clips of petals slowly unfurling.
The digital renderings showcase the complexity of organic structures while also highlighting the fractals and endless intricacies inherent to nature’s designs. “We are only two artists, and when one of us had some spare time, we would pick a flower or plant from our Pinterest board as a base and start developing our own artistic interpretation of it,” Shyukin shares with Colossal. “It was fascinating to find that a lot of floral and plant structures follow certain mathematical rules, which we could replicate and apply to our own structures.”
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Painted on Vintage Postcards, Flora and Fauna Celebrate Farming Traditions and Wildlife of the Midwest
Twenty-seven years ago while studying at the University of Illinois, illustrator Diana Sudyka (previously) retrieved a bundle of postcards from a dumpster. The ephemeral correspondence revealed a relationship between farmers and workers from the Harvard area and a man named John Dwyer, either their accountant or investor who lived throughout Chicago, Cicero, and Berwyn. Dated from 1939 to 1942, the short letters generally contained information about livestock sales and farm expenses.
Now based in the Chicago area, Sudyka repurposes the envelopes as canvases for her watercolor and gouache paintings of flora and fauna native to the Midwest. “I have a strong attachment to the envelopes for various reasons, not least of which is that I was born and raised in Illinois, and spent a good deal of time in rural areas of the state,” she shares with Colossal. The penmanship, patina, and markings on the paper all inform her decisions to reflect a particular shrub or beetle duo amongst the remaining postmark and stamp. “I am drawn to the beauty of the handwriting on the envelopes, and the variation in the inks used,” she says, also noting her affinity for the assembled artworks of late artist Joseph Cornell.
Through delicate depictions of squirrels and long-legged herons, the illustrator connects her own experience enjoying the region’s bucolic settings with the decades-old content of the letters. “I often think about the wildlife that I saw as a child in those rural areas, unaware at the time of how much agriculture had already altered the land. And now as an adult, so much of both wildlife and those family farms are gone. The envelope paintings are my homage to both,” she says.
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Caring for pets has a lengthy list of physical and mental health benefits, and studies show that folks who aren’t quite ready to commit to a rambunctious pup can find similar solace in a marine pal. The aquatic enthusiast behind Foo the Flowerhorn recently released a video series documenting the DIY building process for a home ecosystem, in addition to capturing the organisms’ intrepid natures. Conveying thoughtful methods for balancing inter-species relationships, the tutorial is also an example of aquascaping, or the art of aquarium design (dive into the world of competitive aquascaping here).
Beginning with a 7.6-gallon aquarium, the video chronicles the assembly of a volcano-shaped rock formation, which serves as a filter despite being enveloped by algae, and a custom-built cover to keep the adventurous creatures inside. Every species is introduced to the ecosystem in a specific order to ensure their chances of survival. The plants, snails, Amano shrimp, and tetras are added early on, with the territorial Siamese Fighting Fish following after ten days. “Adding a betta into this mix is risky. He is a chirpy little fellow, and I’m a little worried about the shrimp, especially. He has tried to catch the tetras here and there but soon realized that there is absolutely no chance of him catching one,” the designer said. (via The Kids Should See This)
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Overflowing with Flora and Fauna, Collaged Paper Installations Comment on Earth's Dwindling Biodiversity
Sprawling across paint-chipped walls and tiny alcoves, the collaged installations of artist Clare Börsch mimic overgrown jungles and whimsical forest scenes. Layers of flora, fauna, and the occasional gemstone or human figure comprise the amorphous paper artworks as they transform spaces into fantastical ecosystems.
In a note to Colossal, Börsch shares that she began her artistic practice as a way to translate her dreams, which are often lucid and informed by memories and a strong tie to nature, into physical objects that others could immerse themselves in. “Growing up in Brazil, I had the ocean, rivers, and jungles that always existed in stark contrast to the industrial cities (I lived in Sao Paulo). So my earliest and most formative memories are of lush, humming tropical ecosystems —and the encroaching industrial landscapes of Brazil’s cities,” she says.
The Berlin-based American artist sources her many of the vintage photographs from open source archives, including the Biodiversity Heritage Library (previously), Pixabay, and Unsplash. Some of the botanical elements she draws or photographs herself before cutting around the organic elements and assembling them in new, sometimes bizarre, compositions.
Despite the vibrancy and lively qualities of the three-dimensional collages, Börsch uses her artworks to reflect on the ongoing climate crisis and destruction of biodiversity, commentary that’s laced with themes of decay and death. She explains:
This came into focus for me when I made a series of collages and then later realized that many of the species in the vintage illustrations had already gone extinct. Humanity has wiped out 68% of all our planet’s biodiversity since 1970, so working with vintage illustrations can be very heartbreaking as much of the diversity in these gorgeous old naturalist prints has been wiped out by human activity.
Since then, Börsch has been collaborating with scientist Louisa Durkin, of the Nordic Academy of Biodiversity and Systematics Studies, to identify ways the artworks can spark awareness and dialogue about environmental issues. “I often say that I do not want my art to be a funerary dirge for everything we could have saved,” she says.
In recent months, Börsch has been working on a commissioned series that will culminate in a forthcoming book, titled Why Do Tigers Have Whiskers? And Other Cool Things About Animals, which is scheduled for release by Thames & Hudson in May 2021. Follow the artist on Instagram to see her latest projects, including an immersive installation commenting on regenerative approaches to tackling problems of biodiversity, which she plans to unveil in early November. (thnx, Elsie!)
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The anonymous pair behind Frank Moth (previously) characterize their layered digital collages as “nostalgic postcards from the future.” Using vintage photographs, the artistic duo merges retro visuals with natural elements like botanics and outer space to create playful composites that range from futuristic to romantic. “Our work almost always revolves around introspection, soul searching, and universal themes like eternity and human vices,” they share with Colossal.
Based in Veria, Greece, the pair sources images of tropical plants and starry expanses from a variety of sources, including library and museum databases and other photograph-centered websites that offer copyright-free works. “We still have our own huge inventory of images that we have been growing and expanding for many years, after endless digging and searching in databases of very old photos and scanned clippings of old magazines from the 60s and 70s,” they say.
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Hong Kong-based illustrator Ceci Lam envisions a whimsical dream world of mushroom-headed figures, adventures through tropical landscapes, and cozy nights in. Her drawings feature anonymous characters who are full of personality, whether daring and bold as they peer up at towering cacti or more subdued in their plant-filled homes.
Lam shares with Colossal that her Miss Mushy series was inspired after she spotted white-capped mushrooms on the roadside one day during her commute, a surprise considering the pollution in the area. The next day, the spores disappeared, spurring the illustrator to imagine a fantasy world for the small fungi to occupy. Full of quirky characters, the series is comprised of individuals defined by the color and textures of their caps, details that match the interiors of their homes and their outfits.
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