'Fake Food, Real Garbage': A Satirical Store is Fully Stocked with Groceries Made Entirely of Plastic
Wander into a new pop-up grocery store in Downtown Los Angeles, and you’ll find all of the typical options with an unusual twist: freezers stocked with tubs of “Bag & Jerry’s,” a robust produce section with bananas and tomatoes printed with advertisements, and mysteriously gray “polluted sausage” stuck to styrofoam trays.
Dubbed “The Plastic Bag Store,” the witty and satirical installation is the project of Robin Frohardt, who repurposed scores of bottle caps, packaging, and other single-use materials into a full-fledged grocery. Each of the non-edible items—many of which have undergone clever rebrands, meaning you’ll find family-sized boxes of Yucky Shards cereal, cases of Bagorade bottles, and clamshells of Earthbag Farms non-organic spring mix in the aisles—is made entirely with discarded waste that the Brooklyn-based artist, puppet-maker, and designer collected from garbage bins and trash sites.
Paired with a performative component that envisions how future generations will interpret the inordinate amount of waste produced in today’s world, the installation literally displays the longevity of the items many of us use on a daily basis. According to recent estimations, the amount of plastic in the ocean is predicted to exceed the volume of fish by 2050, an ongoing crisis Frohardt wants to make more apparent. “’The Plastic Bag Store’ is a visually rich and humorous experience that hopefully encourages a different way of thinking about the foreverness of plastic, the permanence of the disposable and that there is no ‘away’ when we throw something out,” she says.
The grocery, which debuted in Times Square last fall with the tagline “Fake Food, Real Garbage,” is open at UCLA’s Center for the Art of Performance through July 11. You can find more of Frohardt’s projects, many of which critique mass consumerism and capitalism through a humorous lens, on her site and Instagram. (via Hyperallergic)
Share this story
Coinciding with the European Union’s ban on plastic cutlery slated for July 3, two industrial designers decided to combine their collections for a broad study of the ubiquitous utensil. The ongoing project of Peter Eckart and Kai Linke, Spoon Archaeology is an expansive display of approximately 1,400 pieces of disposable flatware that the pair amassed throughout two decades. Containing typical cutlery and more niche tools like ice cream tasters and cocktail forks, the archive is arranged by color, shape, and purpose in glass cases reminiscent of anthropological studies, relegating the once-commonplace objects to the realm of outdated curiosity.
At once a playful rainbow display of unique design objects and critical indictment of consumerism, Spoon Archaeology, which closed this weekend at the London Design Biennale, is a testament to the pervasiveness of plastics in contemporary society. The designers hope the scope of the collection prompts questions about the impact of single-use items on the environment. “As disposable products, they are mass-produced, cheap, easy to transport, and can be disposed of just as easily as they have been used. Ultimately, they are a symbol of our globalized logistics and throwaway culture,” Eckart told It’s Nice That, noting that the exhibition also marks a larger change in “significant factors in our table and dining culture as well as in the history of technology.”
To make the archive more accessible, Eckart and Linke started an Instagram account dedicated to Spoon Archaeology, where they plan to share more images from the collection in addition to news about where it’s headed next. They also created a color-coded print shown below that lays out a portion of their lot, which you can purchase via email or download for free here. (via Core 77)
Share this story
Greenpeace’s new campaign opens with a single bottle bouncing off Boris Johnson’s head mid-press conference before a waterfall of plastic overwhelms the prime minister and carries him out to the street. The satirical and pressing animation pours the equivalent of the 1.8 million kilograms of waste the U.K. sends to other countries each day into Downing Street, which topples Johnson and Michael Gove as it literally engulfs the British political landscape.
“Wasteminster: A Downing Street Disaster” is the organization’s latest effort to put pressure on the government to enact new policies around recycling and the environment. “Much of (the plastic waste) ends up illegally dumped or burnt, poisoning local people and polluting oceans and rivers,” says Greenpeace U.K. political campaigner Sam Chetan-Welsh. “The government could put a stop to this but so far Boris Johnson is only offering half measures. We need a complete ban on all plastic waste exports and legislation to make U.K. companies reduce the amount of plastic they produce in the first place.”
Conceptualized and produced by Studio Birthplace alongside Park Village, the short film lifts actual quotes from interviews and speeches made by Johnson and the U.K. government, many of which boast about the nation’s success in combatting pollution. While the 3D figures resemble Johnson and Gove, directors Jorik Dozy and Sil van der Woerd say they’re not identical in order to “introduce some distance to these real politicians. After all, they are only dummies. Our intention was not to ridicule politicians, but to place their dummy-personas in a direct conflict with the invisible consequences of their own actions.”
Read more about Greenpeace’s initiative and the film’s production process, which involved lengthy research and the help of CG producers Method & Madness, on Studio Birthplace’s site.
Share this story
“Simultaneously stunning and filthy” is how director Pascal Schelbli describes his 2019 short film “The Beauty.” A cautionary reimagining of the world’s rampant plastic pollution, the arresting animation reenvisions waste as lively sea life: a bubble-wrap fish puffs up, a serpentine tire glides through the water, and an entire school of discarded footwear swims in an undulating mass.
As it plumbs the vast expanse of the littered ocean, “The Beauty” magnifies the enduring nature of waste and lays bare the insidious effects of microplastics as they enter the food chain and impact the overall health of the ecosystem. In a statement, Schelbli describes the motivation behind the film, which won a Student Academy Award in 2020:
Instead of showing another mournful stomach full of plastic bags, I thought, ‘what if plastic could be integrated into the sea life and nature solves the problem?’ The film should take you on a journey, where all our feelings of guilt will disappear. But in the end, we wake up and realize that we need to change something.
To see more of the Zürich-based director’s poignant animations, check out his Vimeo and Instagram, and watch a recent Last Week Tonight segment that dives further into the crisis and explains how recycling isn’t the best solution.
Share this story
Two Imposing Cubes Covered in Yellow Plastic by Artist Serge Attukwei Clottey Respond to Global Water Insecurity
A mottled patchwork of plastic cloaks two cubes that tower over the desert landscape of Coachella Valley. Titled “The Wishing Well,” the bright pair are the work of Ghanaian artist Serge Attukwei Clottey, who created the nine-foot pieces from scraps of Kufuor gallons, or jerrycans, in response to shared struggles with water insecurity that ripple across the world. Resembling a yellow brick road, a paved walkway connects the two woven structures that stand in contrast to the surrounding environment, which faces continual struggles with access to the natural resource.
Clottey’s use of the material is tied to a larger critique of colonialism’s enduring legacy and the ways it continues to affect populations around the world, particularly in relation to the climate crisis. Originally, European colonialists brought Kufuor gallons to Ghana to transport cooking oil. Today, the plastic vessels are ubiquitous and used to haul potable water. “As repurposed relics of the colonial project, they serve as a constant reminder of the legacies of empire and of global movements for environmental justice,” says a statement about the work that’s part of Desert X, a biennial bringing site-specific installations to Southern California.
“The Wishing Well” is one facet of Clottey’s larger Afrogallonism project, which he describes as “an artistic concept to explore the relationship between the prevalence of the yellow oil gallons in regards to consumption and necessity in the life of the modern African.” The Accra-based artist works in a variety of mediums spanning installation, sculpture, and performance that deal with the broader influence of colonialism in Africa. You can see a larger collection of his pieces on Artsy and Instagram.
Share this story
Collectively, we use a staggering amount of single-use plastic each year—we buy one million plastic bottles each minute around the world—most of which ends up in landfills, oceans, and other natural spaces. Nzambi Matee, a 29-year-old entrepreneur from Nairobi, is combatting this global crisis by recycling bags, containers, and other waste products into bricks used for patios and other construction projects.
Prior to launching her company, Gjenge Makers, Matee worked as a data analyst and oil-industry engineer. After encountering plastic waste along Nairobi’s streets, she decided to quit her job and created a small lab in her mother’s backyard, testing sand and plastic combinations. Matee eventually received a scholarship to study in the materials lab at the University of Colorado Boulder, where she ultimately developed a prototype for the machine that now produces the textured bricks.
Made from a combination of plastic and sand, the pavers have a melting point higher than 350°C and are more durable than their concrete counterparts. Matee and her team source much of the raw product from factories and recyclers, and sometimes it’s free, which allows the company to reduce the price point on the product and make it affordable for schools and homeowners. So far, Gjenge Makers has recycled more than 20 tons of plastic and created 112 job opportunities in the community.
“It is absurd that we still have this problem of providing decent shelter–a basic human need,” Matee said in a statement. “Plastic is a material that is misused and misunderstood. The potential is enormous, but its afterlife can be disastrous.”
Right now, the company generates between 1,000 and 1,500 bricks per day, and Matee hopes to expand across Africa. You can see more of Gjenge Makers’ production and finished projects on Instagram. (via designboom)
Share this story
Editor's Picks: History
Highlights below. For the full collection click here.