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Design Food

A New Circular Juice Machine Turns Orange Peels into Bioplastic Cups

September 9, 2019

Laura Staugaitis

Freshly squeezed orange juice is a welcome sight at cafes worldwide. The machines often showcase about-to-be-squeezed oranges with pinball machine-esque wire loading racks and clear cases that allow the consumer to see their juice being made in real time. International design firm Carlo Ratti Associati (previously) takes the immediacy of the experience to another level. ‘Feel the Peel’ is a prototype machine that uses orange peels to create bioplastic, shaping bespoke cups to hold the juice made from the cups’ own innards.

In a press release about the project, Carlo Ratti Associati (CRA) explains that the approximately 9-foot tall machine handles 1,500 oranges, and the peels accumulate in the lower level. The peels are dried, milled, and mixed with polylactic acid to form a bioplastic, which is then heated and melted so that an internal 3-D printer can form each recyclable cup. CRA shares that they will continue to iterate, and are considering creating clothing from orange peels as a future functionality.

Follow along with CRA’s wide-ranging projects on Instagram and Twitter. If you enjoy Feel the Peel, also check out the cone-shaped french fry holders made from potato peels, designed by Simone Caronni, Paolo Stefano Gentile and Pietro Gaeli, as well as Mi Zhou’s toiletry containers made of soap. (via designboom)

 

 



Art Documentary

Repurposing the World’s Plastic Waste: An Interview With Assemblage Sculptor Thomas Deininger

August 28, 2019

Kate Sierzputowski

Every year more than eight million tons of plastic are dumped into our oceans. This anxiety, coupled with fears of a dramatic decline in insect populations and a global climate crisis, fuel the assemblage-based works of Thomas Deininger (previously). In a new short film by gnarly bay, clips of Deininger in his studio are supercut with footage showing the many ways that plastic has laid damage to our world’s sea creatures and environment. It is these bits of mindlessly discarded plastic that the Bristol, Rhode Island-based artist uses to create his sculptural optical illusions—which are often of the exact same animals and insects that the plastic threatens. You can see more of Deininger’s three-dimensional works built from found objects on Instagram.

 

 



Art

‘Full Page Editorial’ Sand Sculpture by Toshihiko Hosaka Implores Japan to Reduce Plastic

June 3, 2019

Johnny Waldman

May 30 is Zero Waste Day in Japan (The name is derived from the numeric pun for 5 (go) 3 (mi) 0 (zero), which can be read as gomi zero, or zero waste). On this day, the Tokyo Shimbun newspaper ran a full-page editorial made to look like a front-page headline titled “Plastics Floating in our Seas” and highlighting the devastating impact that plastic is having on sea life. Everything from the article headline to the images and text were actually carved into sand on a beach in Japan and photographed from above.

The actual editorial that was carved into sand is the work of artist Toshihiko Hosaka (previously), who specializes in sand sculptures. Hosaka worked with local residents and students at Iioka Beach in Chiba prefecture to create the massive sand sculpture. It took 11 days to complete and measures 50 x 35 m (164 x 115 ft). Below is a brief excerpt from the text:

The sea does not speak. So, I will speak in its place. Currently, the lives of many creatures in the sea are being taken. The cause is plastic. Plastic bags, plastic bottles, styrofoam… 8 million tons of plastic used in everyday life are dumped in places like rivers and the ocean every year, and remains floating as garbage. By swallowing or being entangled in plastic garbage, about 700 species of animals including sea turtles, seabirds, seals, and fish are harmed and killed.

The editorial also calls out Japan as for its addiction to plastic:

We Japanese are also largely responsible. Japan produces the second most garbage per person. In order to rectify this, we have to take a good hard look at what is happening in the ocean. We need to think about things we have been ignoring as a result of prioritizing economic growth, everyday convenience, and such.

You can red the entire text in English here. Below are some behind-the-scenes photos and a video from the “newspaper” being created. (syndicated from Spoon & Tamago)

 

 



Food Photography

Elegant Still Lifes of Luscious Fruits and Perfectly Ripe Vegetables Trapped Inside Plastic Packaging

May 28, 2019

Laura Staugaitis

Spanish studio QUATRE CAPS usually focuses on architectural renderings, but for a recent series, titled Not Longer Life, the group turned their attention to the plastic in our food system. In each of the six images, classic still life paintings by artists including Claude Monet, Michelangelo Merisi da Caravaggio, and Juan Sánchez Cotán are given a contemporary update. Recognizable still life elements like strongly directed light and decorative fabrics are maintained. But the perishable fruit that traditionally symbolized the temporary nature of life is now cloaked in plastic preservatives like cling wrap, clamshell containers, and stretchy foam sleeves.

The studio explains to Colossal, “Thousands of products are being commercialized, doubling and tripling a synthetic skin or even worse, taking the place of their natural wrapping skin with a plastic package in order to ‘ease’ their consumption.” If you like this series, also check out the work of Suzanne Jongmans. You can explore more projects by  QUATRE CAPS on Instagram. (via Colossal Submissions)

Update: a reader shared an insightful article that highlights the importance of pre-cut produce in increasing accessibility to nutritious food for people with limited dexterity.

 

 



Design Photography

Dysfunctional Household Objects and Fabricated Flowers Cleverly Created by PUTPUT

April 5, 2019

Laura Staugaitis

Copenhagen-based studio PUTPUT (previously) creates visual puns and quirky tools in their juxtaposition-filled photographs. From salami sunglasses to a chair made of flaming birthday candles, PUTPUT has a “shared and deeply rooted fascination with metaphysical relationships connected to everyday objects”, according to an artist statement on their website. An ongoing series is the studio’s Fabricated Flowers, where plastic and fabric household supplies like garden gloves, shower loofahs, and dish scrubbers stand in for the color blossoms of potted plants. You can see more from PUTPUT on Instagram.

 

 



Design

What’s New Is Old Again: A Classic Norwegian Chair Produced with 100% Recycled Materials

February 6, 2019

Kate Sierzputowski

The newest chair by Nordic Comfort Products (NCP) is a unique and sustainable twist on an old classic. Their R-48 model has furnished schools and offices since the 1960s, but has previously required virgin plastic and a metal base. Their recent addition, the S-1500, was designed by international design firm Snøhetta, and is constructed from nothing new. The marbled green chair is composed of 100% recycled plastic sourced from local fish farming companies’ old fish nets, ropes, and pipes and a subframe made from recycled steel.

The design is a result of a two-year research project by Snøhetta to investigate plastic’s journey through the supply chain and see how it might be repurposed as a building material once it has served its original purpose. Typically NCP uses plastic from China to create their furniture. Their new chairs will create a local, circular economy which puts to use the worn out tools of neighboring businesses while also cutting down on fossil emissions from shipping materials internationally. The chair will be showcased at the Stockholm Furniture and Light Fair from February 5 to 9, 2019. You can see other ways Snøhetta is putting their plastic research to use on their website and Instagram. (via Fast Company)

 

 



Art

Two Hundred and Seventy Plastic Bags Rhythmically Inflate in a New Installation by Nils Völker

November 9, 2018

Kate Sierzputowski

Two hundred and seventy white garbage bags hang like ghosts in the columned hall of Vienna, Austria’s Museum für agewandte Kunst (MAK) for the exhibition Sagmeister & Walsh: Beauty. The piece is by Nils Völker (previously), and is titled after the number of bags present in the installation. Over 1000 precisely installed fans and 45 circuit boards keep their movement on track, helping to rhythmically inflate and deflate the hanging plastic objects. The repetitive crinkling fills the vast hall, creating an audio texture akin to the rustling of tissue paper or the sound of the tide on a sandy beach.

The concave installation is divided into nine segments that each contain two columns of plastic bags. While viewing the piece from the front you can only make out the white mass of plastic. Viewing it from the side or rear however, reveals the massive amount of cables and circuitry needed to make what appears to be such an effortless piece of art function. Two Hundred and Seventy is on view at MAK in Vienna through March 2019.