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Art

Air Sea Land: Okuda’s Largest Public Art Project Brings Colorful Sculptures to the Streets of Boston

Seven towering sculptures comprised of brightly colored facets have recently landed on the streets of Boston, courtesy of Okuda San Miguel. The multi-disciplinary Spanish artist, best known for his colorful interventions in and on buildings around the world, installed the series of seven sculptures called Air Sea Land in Boston’s seaport corridor. Okuda’s creations range from eight to twelve feet tall, and include regional wildlife like deer and squirrels, while also integrating mythological elements like a scaly humanoid sea creature and a seagull with arms and legs. Air Sea Land which is Okuda’s largest public art project to date, was curated by Justkids. You can see more from Okuda on Instagram.

 

Art

Carbon Copy: A Glitched Vintage Plymouth Stands on End in a Canadian Parking Lot

Calgary-based artists Caitlind r.c. Brown and Wayne Garrett (previously) create large, public installations that invite people to engage in a shared experience. Their latest work cruised into Edmonton’s Brewery District late last month—a blue 1988 Plymouth Caravelle balanced perfectly on its front bumper and headlights. At first glance the car appears to have stuck a perfect vertical landing after a tragically wrong maneuver, but upon closer inspection one notices glitched segments that protrude from the vehicle’s body and front wheel.

These vehicular manipulations were formed from fiberglass to make the car look as if it had been hastily copied, thus the installation’s name, Carbon Copy. The title is also a comment on mass production and consumer culture, reminding passersby of the rate at which cars are marketed and produced, especially in the car-obsessed cultural of North America. The parking lot is a fitting environment for the 30-year-old vehicle, and makes its position all the more jarring when viewed.

Carbon Copy was commissioned by First Capital Realty and Sun Life Assurance Company of Canada’s Arts Program Initiative, facilitated by Zebra Public Art Management, and fabricated by F&D Scene Changes. At night, the car’s signal and tail lights illuminate, and a scanner bar strobes the surrounding parking lot every 20 seconds. You can take an in-depth look at the inspiration and instillation behind the public work on the vehicle’s blog. (via Edmonton Journal)

Art

The Walls of a Fortress City in Southern France Ripple With Bright Yellow Concentric Circles

Twenty years ago, the fortress city of Carcassonne in southern France was named a UNESCO World Heritage Site. In celebration of the important anniversary, Swiss artist Felice Varini (previously) was commissioned by France’s Centre des Monuments Nationaux to install a massive illusion of concentric yellow circles on the city’s border. The installation, titled “Concentric Concentric,” was installed this spring and will remain up through September, 2018.

Although at first glance the striking yellow marks appear to be painted directly on the surface of the ancient stones—a somewhat alarming gesture for a declared historic site—the circles are actually very thin pieces of colored aluminum, which were carefully adhered to the city’s walls and turrets by local art students. Varini’s bold installation has garnered quite a bit of attention, not all of it positive. In a video interview, included below, the artist explains how he conceived of this particular work. You can see more of his colorful illusions on Facebook. (via Arrested Motion)

Art

Painted Street Carpets Connect Modern Cities to Ancient Ornamentation by Arthur-Louis Ignoré

Arthur-Louis Ignoré, also known as Ali, paints white patterned carpets on public sidewalks and passageways in cities across the world, including recent installations throughout France and Finland. The works are inspired by both geometric and botanical patterns found in ancient ornamentation from a wide range of cultural contexts. By combining the patterns into public works, he showcases the diversity found in our modern cities while providing a domestic aesthetic that contrasts the often brutalist feel of urban environments.

Currently the artist lives in Rennes, France, where a few years ago he painted his largest installation to date. The 10,000-square-foot mandala was painted on the roof of the Social Welfare Family Allowance building, and visually created links between works Ali produced in both Montreal and New York City. You can see more of his painted carpet installations on Instagram and Behance.

Art Design

Defunct Old Cars Given New Life as Pools and Pizza Ovens by Benedetto Bufalino

French artist Benedetto Bufalino (previously) brings functional fun to existing objects that were built with practicality as a primary objective. Since transforming a cement mixer truck into a disco on wheels back in 2016, Bufalino has continued to create unique urban interventions out of cars, phone booths, and other vehicles and objects from daily life.

While some of his creations are meant to be observed as structures (like his modified aquariums), others are built to be used. Bufalino has transformed a gutted sedan into a working wood-burning pizza oven, outfitted a camper van with a family-sized pool, and modified stretch limousines to serve as outdoor seating or ping pong tables.

Rather than restricting his labor-intensive sculptures to rarefied gallery settings, the artist often installs his work in public spaces to be encountered by the unsuspecting general public. To see more of his projects, including behind-the-scenes looks at the builds, follow Bufalino on Instagram (via designboom).

Design

Dachshund Geoffrey Barkington’s Silhouette Immortalized in a Stone Bench

As part of the London Festival of Architecture, a little dog gets a big memorial in the form of a one-ton stone bench. Designed by Patrick McEvoy in memory of a deceased dachshund named Geoffrey Barkington, the bench has been installed in Jubilee Gardens. The Festival of Architecture runs through June 30, 2018, and features over five hundred events around the city of London. (via dezeen)

Art

Multi-Layered Lettering Challenges the Aesthetics of Graffiti in New Works by Pref

British graffiti artist Pref explores words and common phrases through unique multi-layered murals. His 3D text is used to create amalgamations of quippy sayings, often placing one word inside of another to give a piece multiple perspectives. In the work below a turquoise “more” subtly shifts into a salmon “less” simply by a twist of the viewer’s head.

Since he got his start nearly two decades ago, Pref has been interested in challenging graffiti’s aesthetic, working with typography to bring a more accessible appearance to painted text. At first the street artist worked with the negative space between letters, which eventually became letters themselves. This transformed into his signature style of combined texts, which he has been exploring since 2010.

“Since then I have pushed and experimented with this idea of overlapping words, seeing how many I can fit into the space of one word, and then slowly boiling it down and simplifying this idea to become more legible,” he tells Colossal. “This in turn lead more to the use of ‘typography’ throughout my style as you see today. I have always been interested in the idea of graffiti speaking to the general public, rather than just other graffiti writers, and readable letters or a more ‘typographic’ approach has been a good route to that.”

Recently Pref partnered with fellow typographic street artist Gary Stranger to launch a collective titled Typograffic Circle. The group unites artists working in the type-based street art subgenre, and their first self-titled group show is on view through June 3, 2018 at London’s StolenSpace. The exhibition features work by Georgia Hill, Saïd Kinos, All Type No Face, along with Pref and Stranger. You can see more of Pref’s recent work on his Instagram and buy select prints through his Big Cartel.