What began as an early pandemic project designed to use up scrap fabric has resulted in an ingeniously designed field of color and geometries. “Tiny Bubbles” is a kaleidoscopic work by Marla Varner of Penny Lane Quilts in Sequim, Washington, that’s comprised of hundreds of curved pieces stitched into an abstract, variegated pattern of tiny rounds nestling into larger forms.
In total, the sewn work utilizes 1,320 individual pieces and took more than a year to complete. “Quilted during the pandemic, these tiny bubbles kept me occupied while isolated in my own small bubble. All of the quarter circles were traced from templates, cut with scissors, and pieced by hand. The curved units were then assembled by machine,” she says.
Varner will show “Tiny Bubbles” and the colorfully meandering patchwork titled “Crevices” at QuiltCon 2022 in Phoenix next month. In addition to those pieces, she’s also been working on a temperature quilt and smaller functional goods like potholders, which you can see below. For more on her meticulous process, head to Instagram and her site. (via Kottke)
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Brooklyn-based artist Bisa Butler (previously) uses brightly colored cotton, wool, and chiffon fabrics with bold patterns to piece together quilts featuring detailed portraits of Black people. The materials and themes connect American subjects with their African roots and tell visual stories of history and culture.
Butler is a New Jersey-born African American artist with Ghanian heritage. A closer look at her portraits reveals intricate mosaics of shapes and patterns and complex multi-hued skin tones. For her James Baldwin-inspired piece “I Am Not Your Negro,” Butler created a portrait of a man seated in a pose similar to Rodin’s “Thinker” and a warm complexion inspired by The Fire Next Time, an important book written by Baldwin that was first published in 1963. “I used reds and oranges in his complexion to indicate this while this man sits calmly [there] is fire inside,” Butler said in a statement. “I use colorful imaginative colors in my figures because I am connecting color to emotion and I want their images to indicate a personality, mood, and temperament.”
The artist’s quilts also incorporate nods to Black wedding traditions, references to historically Black colleges and universities, and other elements that speak to the Black and African American experience. The Katonah Museum of Art is set to host the artist’s first solo museum exhibition with approximately 25 of her quilts on display from March 15 to June 14, 2020.
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Artist Bisa Butler draws from an array of vibrant patterned fabrics to create portraits of everyday people. She eschews representational colors, favoring layered jewel-toned hues to form the skin of her Black subjects, and often groups figures together into strong silhouettes.
“I have always been drawn to portraits,” Butler explains in a statement on her gallery’s website. “I was the little girl who would sit next to my grandmother and ask her to go through her old family photo albums. I was the one who wanted to hear the story behind every picture. This inquisitiveness has stayed with me to this day. I often start my pieces with a black and white photo and allow myself to tell the story.”
Butler studied fine art at Howard University. In a video interview by BRIC TV, the artist explains that she began using fabric in her paintings in college, and then converted to quilting as a way to continue her dedicated art practice while protecting her young daughter from toxic materials and fumes.
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