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Art Craft Design

Native Argentine Landscapes Explored in New Hand-Tufted Rugs by Alexandra Kehayoglou

September 20, 2018

Kate Sierzputowski

"Santa Cruz River" (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm, Presented at National Gallery of Victoria (NGV) Triennial | Melbourne, Australia 2018. Commissioned and acquired by the National Gallery of Victoria, Melbourne.

“Santa Cruz River” (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm, Courtesy of The National Gallery of Victoria.

Textile artist Alexandra Kehayoglou (previously) creates functional works of art that explore the natural landscapes of her native Argentina. Her selected locations are often ones tied to political controversy, such as the Santa Cruz River, or areas dramatically altered by human activity, such as the Raggio creek. Kehayoglou uses her craft as a chance as a call for environmental awareness, embedding her own memory and research of the disappearing waterways and grasslands into her hand-tufted works.

Each tapestry uses surplus materials from her family’s factory, which has manufactured industrial carpets for more than six decades. The one-of-a-kind carpets are often installed against the wall, with a section of the work trailing along the floor so visitors can walk or lay on the woven rugs.

In December 2017, her piece Santa Cruz River was included in the National Gallery of Victoria Triennial in Melbourne. The installation showcased her research behind the future damming of the river and her own interpretation of the harm that will continue to influence the surrounding area. Later this month Kehayoglou will present a new site-specific tapestry that explores the tribes of Patagonia in the group exhibition Dream at the Chiostro del Bramante in Rome. You can see more of her work on her website and Instagram.

"Santa Cruz River" detail (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm

“Santa Cruz River” detail (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm

"Santa Cruz River" detail (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm

“Santa Cruz River” detail (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm

"Hope the voyage is a long one" (2016), Textile tapestry (handtuft system), wool

“Hope the voyage is a long one” (2016), Textile tapestry (handtuft system), wool

"Hope the voyage is a long one" (2016), Textile tapestry (handtuft system), wool

“Hope the voyage is a long one” (2016), Textile tapestry (handtuft system), wool

"No Longer Creek" (2016), Textile tapestry (handtuft system), wool, 820 x 460 cm, Presented at Design Miami/ Basel, 2016 | Basel, Switzerland. Commissioned by Artsy. Courtesy of Artsy & The National Gallery of Victoria.

“No Longer Creek” (2016), Textile tapestry (handtuft system), wool, 820 x 460 cm, Presented at Design Miami/ Basel, 2016 | Basel, Switzerland. Commissioned by Artsy. Courtesy of Artsy & The National Gallery of Victoria.

"Santa Cruz River II" (2017), Textile tapestry (handtuft system), wool, 205 x 150 cm

“Santa Cruz River II” (2017), Textile tapestry (handtuft system), wool, 205 x 150 cm

 

 



Art

Life-Size Animals Emerge from Persian Rugs in Perception-Defying Sculptures by Debbie Lawson

August 7, 2018

Laura Staugaitis

“Red Bear”

British sculptor Debbie Lawson works in the space between two and three dimensions, forming wild animals that emerge from old-fashioned rugs. The artist builds her animals from scratch, using chicken wire and masking tape, and then covers them with identical or near-identical Persian carpets to create the illusion that the creature is fused with the hanging rug.

Lawson explains to Colossal, “I have always ‘accidentally’ spotted images in patterns, on textured walls and floors made of wood or lino – any material really. It’s an obsession that I decided to explore in the studio, using first wood grain and then carpet to make work in which the pattern morphed into an actual image or form…More recently I have focussed on animal forms to explore the idea of camouflage, and of its opposite: display.”

Red Bear is on display until August 19 2018 at the Royal Academy of Arts in London as part of the 250th Summer Exhibition curated by Grayson Perry. Persian bear is permanently displayed (along with a moose in the same style) at London’s Town Hall Hotel. You can see more of Lawson’s finished works and take peeks into her studio process on Instagram. (via Hi-Fructose)

“Red Bear Head”

“White Stag”

“Red Bear Head” and “White Stag” (detail)

“Persian Bear”

 

 



Design

A Plush Rug Recreates the Grids and Greenways of Manhattan in Colorful Wool

May 22, 2018

Laura Staugaitis

To make it a bit less exhausting to walk across New York City, South African furniture designer Ollie de Wit has recreated the island of Manhattan in a plush, colorful rug. Different pile heights are incorporated to create a sense of dimension, differentiating low-pile streets and waterways from medium-pile housing blocks and tall-pile treetops. The 2 x 3 m (approximately 6.5 x 10 feet) wool rugs are limited to an edition of 25 and are available in Shift Perspective’s online store. You can see more of the studio’s projects and design inspiration on Instagram. (via Colossal Submissions)

 

 



Art Design

Nature-Based Textiles by Vanessa Barragão Highlight Ecosystems Above and Below the Sea

December 29, 2017

Kate Sierzputowski

Portuguese textile artist Vanessa Barragão produces carpets and tapestries from a variety of different techniques, creating multi-faceted landscapes with the use of latch hooking, crochet, weaving, basketry, and felt. Her environmental works present imitation coral, fungi, and algae as three-dimensional elements in plush contexts such as the circular work viewed above which she calls Earth Rug. The piece was developed for this year’s Milan Design Week and spans nearly 15 feet in diameter.

You can shop Barragão’s smaller coral-decorated textiles on her Etsy Shop, and view more of her larger works on her Instagram and Behance. (via Lustik)

 

 



Art

New Hand-Painted Persian Carpets With Vibrantly Hued Details by Jason Seife

December 28, 2017

Kate Sierzputowski

With a steady hand and several fine-point brushes, Miami-based artist Jason Seife (previously) produces paintings that mimic the ornate patterns found in Persian carpets. Seife presents the same geometric symmetry seen in historic designs, yet takes his own liberties with the colors of ink and acrylic paint chosen for each work. The vibrant hues selected are not ones traditionally found in Persian textiles, but are his way to imbue his own state of mind into each piece.

Seife is currently represented by Robert Fontaine Gallery. You can see more of his carpet-based paintings on Instagram. (via Booooooom)

 

 



Art

Ephemeral Rugs Formed From Oklahoma’s Red Earth by Rena Detrixhe

March 19, 2017

Kate Sierzputowski

Oklahoma-based artist Rena Detrixhe creates installations from finely sifted dirt, ephemeral rugs that she stamps with ornate patterns. The dirt used for the works is collected by hand from her surrounding Oklahoma landscape, bringing an important context to the earth-based faux textiles.

“This rich red earth is the land of the dust bowl, the end of the Trail of Tears, land runs and pipelines, deep fault-lines and hydraulic fracturing,” said Detrixhe in her artist statement. “There is immense beauty and pride in this place and also profound sorrow. The refining and sifting of the soil and the imprinting of the pattern is a meditation on this past, a gesture of sensitivity, and the desire for understanding. It is a meticulous and solitary act.”

By using this fleeting form Detrixhe questions the permanent decisions that have been made to the region’s environment. One of her red dirt rugs is currently a part of the group exhibition Shifting Landscapes at Form & Concept in Santa Fe, New Mexico through May 20, 2017. You can view a time-lapse video of Detrixhe installing one of her rugs in the video below. (via Colossal Submissions)

 

 



Art

Hyperrealistic Paintings of Bulging, Decorative Rugs by Antonio Santin

February 2, 2017

Kate Sierzputowski

"corona" (2015), oil on canvas, 59x98.5 inches, all images via Antonio Santin

“corona” (2015), oil on canvas, 59×98.5 inches, all images via Antonio Santin

Antonio Santin produces works that are nearly impossible to identify as paintings, hyperrealistic depictions of decorative rugs covered in complex floral arrangements and patterns. Each piece is composed of thousands of paint strokes that mimic the texture of a rug’s weave, thick segments of oil paint that transform his nearly five-foot long canvases.

Adding another layer of difficulty to the detailed paintings, Santin includes bulges and creases that appear to obscure large masses beneath his 2D surfaces. Previously working with still lifes, Santin told The Creators Project that the rugs were a way for him to get rid of the figure within his works while still holding on to the outline of its shape. He calls his rug series “figurative paintings without a figure,” eerie pieces that give an illusion of a body hidden beneath the surface.

The New York-based artist was born in Madrid, Spain in 1978, and graduated with a degree in Fine Arts from the Universidad Complutense de Madrid in 2005. You can see more of his rug paintings on his website and Instagram. (via The Creators Project)

“alicia” (2014), oil on canvas, 73×110 inches

"flushing meats" (2014), oil on canvas, 56x98 inches

“flushing meats” (2014), oil on canvas, 56×98 inches

"festland" (2014), oil on canvas, 52x97 inches

“festland” (2014), oil on canvas, 52×97 inches

"incest coin" (2015), oil on canvas, 78 inches

“incest coin” (2015), oil on canvas, 78 inches

"dystopian blues" (2014), oil on canvas, 78x90 inches

“dystopian blues” (2014), oil on canvas, 78×90 inches

"Claire" (2014), oil on canvas, 94 1/2 inches

“Claire” (2014), oil on canvas, 94 1/2 inches

"Claire" (detail) (2014), oil on canvas, 94.5 inches

“Claire” (detail) (2014), oil on canvas, 94.5 inches