Rune Guneriussen
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Art Photography
Illuminating Remote Landscapes, Rune Guneriussen Tells a Story of Nature and Transformation

“A raven wails across the lowlands.” All images © Rune Guneriussen, shared with permission
Tucked away in forests and along shorelines, Norwegian artist Rune Guneriussen’s mystical, illuminated installations appear to spontaneously emerge from within the landscape. Lamps, blocks, and salvaged wood comprise an array of elaborate sculptural works that he meticulously arranges among trees, along bluffs, and in the sand. He is interested in a process that explores the relationships between objects, location, narrative, and the time that the work is made.
As the environment is increasingly altered by the effects of the climate crisis, Guneriussen’s observations have gradually transformed how he translates those relationships in his practice. During the past four years, the artist (previously) transitioned from using obsolete products to creating all of his sculptures from scratch with primarily reclaimed wood. He increasingly incorporates stark, geometric forms evocative of high-rise buildings or office lighting. By contrast, in “Fiery wingless and into growing regard,” a group of luminescent, spirit-like forms drifts across the forest floor as daylight fades.
While still using lamps, Guneriussen says, “for me, it has been a process of developing a scenery which has evolved with the time we live in. Being an artist for 20 years, always working in and with nature, it has been a story of going from optimism to seeing our nature in a dystopian manner… I have felt nature change to a degree I cannot recognize.”
Explore an archive of the artist’s work during the past two decades on his website, and follow updates on Instagram.

“Salvaged by traces of affection”

“Fiery wingless and into growing regard”

“Comprehensively thorough concern of stupidity”

“Lona”

“A detached protector of antigrowth”

“Pursuing elevated growth”

“Escalating climacteric expansion”

“Engineering a grey city” (2019)
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Art Photography
Surreal Book and Lamp Installations by Rune Guneriussen Illuminate Norway’s Forests

At no time defeat sunrise, 2014
Norwegian artist Rune Guneriussen (previously) moves elements of domestic life into the outdoors, producing large installations built from books, lamps, and other displaced objects. His works are placed in remote areas of Norway’s forest, and either balance precariously in a selected location or illuminate a particular patch of the surrounding wooded environment.
“It is not as much photography as it is about sculpture and installation,” says Guneriussen in an artist statement. “…This process involves the object, story, space and most important the time it is made within. It is an approach to the balance between nature and human culture, and all the sublevels of our own existence.”
You can see more images from the conceptual artist’s outdoor installation series, which date back to 2005, on his website and Facebook. (via Ignant)

Protest art on separation, 2014

A plague on my stem, 2013

Discipline considered an option, 2012

Globe clustered confluence, 2013

When man leaves men behind, 2013

A 15-minute title, 2013

The heirs motivational speech, 2013

The beauty of the elderly, 2013

Acknowledge a new found grace, 2013

Accurate elliptical discourse, 2013

A finalized independent time, 2013
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Art Photography
New Rural Light and Book Installations by Rune Guneriussen
A grid of physical entities, 2012
A capacity to breed and recover, 2011
Circle of reception, 2011
An upward displacement, 2010
Resound with an echo, 2011
Revisit the revolution, 2012
Second system of ethics, 2012
Science of planting forest, 2010
Norwegian conceptual artist Rune Guneriussen (previously) explores a fascinating balance of human culture and nature with his outdoor installations of electric lamps, stacked books, chairs, and phones that appear to have gathered in small herds and swarms as if suddenly sentient. Each work is assembled and photographed on-site without any digital intervention in various rural locations around Norway. Guneriussen just updates his website with nearly two dozen new photos of works over the past three years (the photos are scattered around the site, but it’s well worth the clicking) and also opened a show at Rheingalerie Bonn gallery which runs through November 10. (via my modern met)
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