Samantha Keely Smith

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Art

Figures Flow Along Swirling Streams of Color in Samantha Keely Smith’s Vibrant Abstract Landscapes

April 19, 2023

Kate Mothes

An abstract painting with a fuzzy figure of a young boy or man toward the bottom in a swirl of color.

“Calling Out Across the Distance” (2023), oil on canvas, 60 x 68 inches. All images © Samantha Keely Smith, shared with permission

In vibrant oil paintings evocative of roiling oceans or atmospheric vistas, Samantha Keely Smith relies on confident, swift strokes to guide the composition. Hovering between abstraction and depictions of landscapes (previously), tonal contrasts and complementary colors emphasize dramatic movements suggestive of crashing waves or storms. “All of my work explores the idea that the line between our conscious and unconscious (experiences) is often blurry and that occasionally we are able the straddle both sides at once,” she tells Colossal.

Smith’s recent work has evolved into a looser, more freeform style that has taught her the value of experimentation or going with the flow. “Most importantly, I have given myself permission to completely fail occasionally and not feel bad about it,” she says. “I will sometimes pull a canvas off the stretcher and throw it away. In the past, I would fight to the bitter end to try to save something that just wasn’t working, which was ultimately a waste of my time and effort.”

 

An abstract painting with a fuzzy figure of a figure in a swirl of color.

“And Now I See You” (2023), oil on canvas, 60 x 68 inches

Along with the more relaxed and confident approach, Smith now incorporates figures in her works. As an extension of her ongoing series Imagined Landscapes, she explores themes relating to presence and the subconscious in the form of bodies floating along a current that appear partially submerged. “Like a radio station coming in and out of tune, they exist as much in our reality as they do in that ‘other’ world,” she says, sharing that the addition of figures her pieces tapped into her own and loved ones’ health challenges.

Smith examines the emotional and mental toll of caring for her parents, who both suffered from prolonged illnesses. Now 54, she explores the fuzzy state between consciousness and “going under,” reflecting on being hospitalized for four months with a life-threatening illness at age 21. The painful experience instilled an appreciation for the fragility of life and the immense capacity humans have to feel hope. “The existential and the personal are intertwined in my work,” she says. “I believe that through art, we have the opportunity to accentuate our commonalities and to bring people together by sharing these personal experiences that are, at the same time, universal experiences.”

Find more of Smith’s work on her website, and follow updates on Instagram.

 

An abstract painting in swirls of yellow, orange, brown, and blue.

“The Soaring Kind” (2022), oil on canvas, 60 x 78 inches

An abstract painting with a partially visible figure who appears to be floating.

“Here I Lay Me Down” (2023), oil on canvas, 60 x 68 inches

An abstract painting in swirls of yellow, orange, brown, and blue.

“I’ll Rise” (2022), oil on canvas, 64 x 78 inches

An abstract painting in swirls of yellow, orange, brown, pink, and blue.

“Light Into Darkness” (2022), oil on canvas, 60 x 78 inches

An abstract painting in swirls of yellow, orange, pink, brown, and blue.

“Illuminate (Ourselves)” (2022), oil on canvas, 56 x 72 inches

An abstract landscape painting in swirls of yellow, orange, brown, pink and blue.

“Something More” (2021), oil on canvas, 60 x 68 inches

An abstract painting in swirls of yellow, orange, brown, and blue.

“A Blink Away” (2021), oil on canvas, 36 x 48 inches

 

 

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Art

Artist Samantha Keely Smith Explores Powerful Collisions of Dark and Light in Her Abstract Elemental Paintings

February 2, 2016

Christopher Jobson

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Yield, 54″ x 72″, oil and varnish on canvas, 2014.

When encountering paintings by artist Samantha Keely Smith (previously) it’s nearly impossible to escape the mystery and gravity depicted by a violent clash of abstract brush strokes. Ocean waves crash atop foreboding bodies of water, plumes of fire seem to battle clouds in the sky, and swirling storms shield distant secrets just over the horizon. Smith refers to her paintings as ‘internal landscapes,’ part of an ongoing examination of an externalized inner conflict. “My newer works try to boldly portray the struggle I’ve always tried to address in my work between order and chaos, dark and light, and positive and negative impulses,” Smith shares, “along with addressing what feels like a shifting and unpredictable landscape due to global warming.”

You can see a gallery of her most recent paintings on her website and follow progress in her studio via Instagram.

Update: Smith now offers limited edition prints through her website.

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Headlong, 56″ x 72″, oil and varnish on canvas, 2015.

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Crux, 50″ x 60″, oil and varnish on canvas, 2015.

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Interference, 56″ x 60″, oil and varnish on canvas, 2015.

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Manifold, 60″ x 72″, oil and varnish on canvas, 2015.

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Clearing, 56″ x 72″, oil and varnish on canvas, 2015.

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Issue, 60″ x 72″, oil and varnish on canvas, 2015.

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Pulse, 60″ x 72″, oil and varnish on canvas, 2016.

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Samantha in the studio working on Kindred, 2011. Photo by Thomas Feiner.

 

 



Art

Internal Landscapes: Sweeping Abstract Oceans by Samantha Keely Smith

April 28, 2014

Christopher Jobson

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Artist Samantha Keely Smith paints abstract oceanic landscapes that are at once menacing and serene, a clash of light and color that she refers to as “internal landscapes.” Using oil paint, enamel, and shellac, Smith uses an additive and subtractive process by partially destroying her progress several times before completion. This cyclical process, much like the timeless crash of ocean tides against the shore, adds an additional level of texture to her work. She shares in a 2013 interview with NeverLazy Magazine:

My images are not at all real places or even inspired by real places. They are emotional and psychological places. Internal landscapes, if you will. The tidal pull and power of the ocean makes sense to me in terms of expressing these things, and I think that is why some of the work has a feel of water about it. My work speaks of things that are timeless, and I think that for most of us the ocean represents something timeless.

Currently based in New York, Smith generally doesn’t work with galleries but instead interacts directly with collectors. You can see more recent work on Tumblr and Facebook. (via My Modern Met, Incomplete)

Update: Smith now offers limited edition prints through her website.

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