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Art Design
Shantell Martin’s Signature Lines Grace a Meditative Limited-Edition Candle Collection

Photo by Eli Schmidt. All images courtesy of Shantell Martin, shared with permission
The ever-optimistic artist Shantell Martin (previously) brings her meditative, joyful line drawings to a collection of limited-editions candles. Minimal faces, birds, flowers, fish, and pithy affirmations like “You Time” and “Relax” grace the glass and ceramic vessels made in collaboration with Joya Studio. With burn times of 3,000 and 8,7000 minutes respectively, the candles release uplifting, stimulating scents with notes of shaded green tea, ocean air, heliotrope petals, and vanilla flowers.
Both designs are hand-poured in Joya’s Brooklyn studio, and the porcelain edition contains layers that emit different fragrances after 10, 30, or 60 minutes, making each piece both a timekeeper and a source of warm light. “My wish is that these candles can burn in the background during your creative process, much like a playlist, invigorating your senses and bringing you back to self,” the artist says.
Shop the collection on Joya’s site, and follow Martin’s latest collaborations on Instagram.

Photo by Joya Studio

Photo by Joya Studio

Photo by Joya Studio

Photo by Joya Studio

Photo by Joya Studio

Photo by Joya Studio

Photo by Eli Schmidt

Photo by Joya Studio
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Art
Thread Infused with Scent Embellishes Embroidered and Woven Textiles to Stimulate Memories

“Jasmine I” embroidery on silk organza with jasmine-scented yarn dyed with hibiscus,
beetroot, indigo, and turmeric, 36 x 54 inches. All images © Pallavi Padukone, shared with permission
Scent, memory, and emotion are inextricably bound together in the human brain, making it possible that a single sniff evokes feelings of delight, comfort, and calm associated with an experience. Pallavi Padukone uses this inherent connection in Reminiscent, a series of 11 fiber-based works infused with naturally derived fragrances, all of which the textile artist and designer equates with her hometown of Bangalore, India.
Part aromatherapy and part nostalgic stimulus, the fiber pieces hang from the ceiling as delicate, sheer curtains that are accessible from all sides. Padukone weaves and embroiders using thread that’s covered in a wax-and-resin substance she developed through trial-and-error. “The testing phase for the coated yarn involved sampling weave structures and embroidery techniques that were best suited for the yarn. I kept a record of swatches as a test of their durability and how long the scent and color last when exposed to heat and light,” she says.

“Sandalwood,” handset and machine embroidered sandalwood scented yarn dyed with cutch and beetroot over layered organza silk dyed with cutch, rojo quebracho, walnut, madder, and iron, 13.5 x 15 inches
Infused with clove, vetiver, jasmine, citronella, sandalwood, or rose, the cotton yarns also are hand-dyed naturally, pulling out the golden color of turmeric and rusty tones from cutch and beets to pair with a corresponding aroma. “It’s ironic that I happened to choose scent during a time when wearing masks is the new normal,” Padukone tells Colossal. “While the beauty of olfactory art is that it has to be experienced in person, I use textiles, patterning, and color as a way to visually represent my depiction of the fragrance’s personality.” A yellow and green patchwork, for example, emits the grassy, lemon-like aroma of citronella, while sweet, musky sandalwood is paired with thick, abstract coils of yarn on sepia-toned silk.
Although the scents are embedded in many of the works, tiny accessible pockets cover the undyed organza in “Jasmine II,” ensuring Padukone can replace the flower buds. She’s currently exploring other methods that allow replenishment considering most fragrances last between one and three months. The transience of sent, though, is part of its appeal. She explains:
I find beauty in impermanence and how each textile’s color, structure, fragrance changes over time. In this collection, I have incorporated handspun recycled sari silk and cotton for my weaves and embroider on organza silk. I am drawn to the sheerness of the fabric, the way it interacts with light to visually evoke the ephemeral experience of fragrance.
Padukone lives and works in New York, and you can see more of Reminiscent and other textile-based projects on her site and Instagram.

“Citronella I,” handwoven pre-dyed cotton and citronella scented yarn dyed with turmeric, indigo, and chili, 16 x 40 inches

“Sandalwood,” handset and machine embroidered sandalwood scented yarn dyed with cutch and beetroot over layered organza silk dyed with cutch, rojo quebracho, walnut, madder and iron, 13.5 x 15 inches

Photo by Olivia Koval

Photo by Olivia Koval

“Jasmine I” embroidery on silk organza with jasmine-scented yarn dyed with hibiscus, beetroot, indigo, and turmeric, 36 x 54 inches.

“Jasmine II,” un-dyed silk organza, jasmine buds, 41 x 44 inches
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Design
Smell Like A Million Books With Powell’s Books New Fragrance ‘Eau de Bookstore’
Waft this new scent for hints of wood, violet, and… musty paperback? Powell’s Books, the beloved independent shop in Portland, recently announced a limited-edition perfume that smells just like its seemingly endless rows of new and used titles. “This scent contains the lives of countless heroes and heroines. Apply to the pulse points when seeking sensory succor or a brush with immortality,” Powell’s says about the forthcoming release.
Termed an “Eau de bookstore,” the unisex fragrance was spurred by customers saying they missed the aroma of the shop during the ongoing pandemic. The packaging of Powell’s by Powell’s even resembles a bright red hardback that can sit inconspicuously on a shelf with other titles.
If you’re in the United States, you can pre-order a bottle now. As Powell’s notes on Instagram, you’ll smell “like a million books.” (via Kottke)
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