shadows

Posts tagged
with shadows



Design

An Engineer Creates Images Hidden Inside Translucent Windows Exposed Only by Light

August 25, 2021

Grace Ebert

What appears to be a smooth acrylic tile suddenly reveals a 2- or 3D figure when illuminated by the sun or an artificial light source. The magical window, which is the inventive design of aerospace and software engineer Matt Ferraro, relies on caustic patterns, the physical phenomenon that casts shadows and bright spots when light filters through a glass or other transparent object. By slightly altering the curvature of the acrylic surface by no more than two millimeters at any spot, Ferraro transformed the seemingly blank square into an extraordinary light-activated device that produces a holographic cat.

The San Francisco-based engineer details the physics behind the two-dimensional aspects of the design in a post on his site, although he hasn’t yet elucidated how the hologram functions. Follow him on Twitter to keep an eye out for that explanation.

 

 

 



Illustration

Timely Editorial Illustrations by Eiko Ojala Elegantly Explore the World's Most Pressing Topics

August 18, 2021

Christopher Jobson

All images © Eiko Ojala, shared with permission

Climate change, the pandemic, politics, and social unrest: these are just a few of the topics artist Eiko Ojala (previously) has been asked to depict for some of the world’s largest and most respected publications. Using his immediately recognizable style of paper and shadow, the Estonia-based illustrator wants the viewer “to have a feeling that they would like to touch the illustration with their fingers.” As the world has grown in complexity over the last decade, so has Ojala’s work. His most recent pieces for Apple, The New Yorker, and New Scientist contain multitudes of layers and symbols that crystalize around a central metaphor.

Outside of editorial work, Ojala also focuses on personal work, such as his Hugs series that helped raise money for Peaasi, an organization that supports mental health issues amongst Estonian youth. You can explore more of his work on Behance and pick up select prints on Saatchi Art.

 

 

 



Art History

Learn the Shadow Puppetry of Japan's Edo Period with Hiroshige's Delightful Woodblock Prints

June 2, 2021

Grace Ebert

Master the playful art of shadow puppetry with a little help from Utagawa Hiroshige (1797–1858). The prolific ukiyo-e artist, who is best known for his poetic woodblock prints of the Tōkaidō and views of Edo, also created an instructive series of omocha-e, or toy pictures intended for kids, that demonstrates how to twist your hands into a snail or rabbit or grasp a mat to mimic a bird perched on a branch. Appearing behind a translucent shoji screen, the clever figures range in difficulty from simple animals to sparring warriors and are complete with prop suggestions, written instructions for making the creatures move— “open your fingers within your sleeve to move the owl’s wings” or “draw up your knee for the fox’s back”—and guides for full-body contortions.

Prints of the eight-figure chart shown above, which Hiroshige released in 1842, are available from Flashbak, and you can explore a massive archive containing thousands of his works on The Minneapolis Institute of Art’s site. (via Present & Correct)

 

 

 



Photography

Conceptual Photographs by Can Dagarslani and Sophie Bogdan Fall at the Intersection of Joy and Absurdity

July 10, 2020

Grace Ebert

All images © Can Dagarslani, shared with permission

A Berlin-based creative duo, photographer Can Dagarslani and model Sophie Bogdan consider the curvature and adaptability of the human body in a series of quirky, spirited photographs. Generally shot outdoors with only natural light, each image employs heavily composed elements of color, space, perspective, and texture, whether captured through a trail of black balloons, a playful shadow figure, or a rigid Bogdan resting on a mossy terrain. The conceptual photographs explore the intersections of social dynamics, relationships, identity, and love.

In a note to Colossal, Dagarslani says his background in architecture influences how he frames the spatial aspects of his works, often considering symmetry, perspective, and the subject’s posture and placement. The photographer derives inspiration for his vivid colors and textural elements from more subtle sources, like attention to the mundane objects and moments of his daily life.

Follow both Dagarslani’s and Bogdan’s work on Instagram, and flip through a larger catalog of Dagarslani’s photographs, which have culminated in a book. (via Ignant)

 

 

 



Art Illustration

Shadowy Geometric Shapes Rendered with Meticulous Crosshatching by Artist Albert Chamillard

May 4, 2020

Grace Ebert

All images © Albert Chamillard, shared with permission

Tucson-based artist Albert Chamillard (previously) spends hours, if not days or weeks, crosshatching cylinders, sliced cubes, and three-dimensional arrows. Rendered on vintage ledgers and graph paper, each geometric shape relies on the density of the artist’s pen markings to create works that appear to stand straight up off the page.

Chamillard describes his process as absorbing, often occupying him for hours at a time as he meticulously draws line after line. “A much longer process is developing the drawing in pencil first so it looks ‘right,’ meaning it fits within the page and balances the shape and looks like it belongs there,” he says. “Composition is a huge part of my work, and if it doesn’t fit on a page correctly, I won’t bother finishing it.” Despite being non-representational, the works also hold information like a diary or journal. “When I’m drawing, I thinking about everything else in my life, and usually title them in a way that conveys that snapshot of time for me, so I can look at my older drawings and know roughly what was going on.” The artist hopes to convey the necessity of devotion and patience in creative work. 

Each monochromatic drawing has a meditative and hypnotic effect, and Chamillard’s fascination with light and shadow began in 2017 when he started rendering three-dimensional shapes. Since then, though, he’s shifted his intention. “I am currently focused on drawing fabric, specifically folded fabric, and translating it into drawings using the same crosshatching technique I’ve been using 6 or 7 years,” he says. “I’m also experimenting with larger drawings comprised of multiple sheets of ledger paper.”

Often sourcing his materials from thrift stores and yard sales, the artist tells Colossal it hasn’t been as easy to obtain old notebooks in recent years. “They have since become much more difficult to find, so I rely on Etsy if I want a specific one, and I’ve also had the benefit of strangers on Instagram sending me ones they find (If you have an old ledger you want to see go to a good home, please contact me!).”

To see more of Chamillard’s volumetric drawings, and perhaps to share some of those papers you’ve got piling up in the attic, head to Instagram.

 

 

 



Design

Sunlight Streams into a Windowless Church Made of Wooden Slats in Japan

April 20, 2020

Grace Ebert

All images © Taira Nishizawa

The understated inside of a church in Shizuoka, Japan, lacks the traditional iconography and ornate trimmings often found in similar spaces. Designed by Tokyo-based architect Taira Nishizawa, Sunpu Church is a windowless building made mostly of slatted pine. The open roof allows sunlight to fill the space and cast moving shadows depending on the time of day. It also creates a direct view upward to the sky.

Because the modest building is located next to a busy railway, Nishizawa soundproofed the outer walls to ensure a quiet space for worshipers. In an interview with Arch Eyes, he spoke about his conceptualization process.

The Church Sun-Pu required specific spatial qualities. Just thinking functionally about a church, it’s not much different from a classroom. But the space must feel very different, so I needed a strategy to control that environment directly…I manipulated the performance of the external walls and roof to control the light and sound conditions, which are what distinguishes a church from a normal classroom or meeting place.

Despite its singular cross and intricate entrance panel, the red cedar facade is similarly stark and has turned gray since it was built in 2008. Follow what Nishizawa’s up to on Twitter, and check out the book chronicling his wooden projects. (via Jeroen Apers)