short film

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with short film



Animation Craft

Six-Year-Old Tulip Navigates a Wooly Garden in a New Animation by Andrea Love

February 14, 2020

Grace Ebert

Andrea Love (previously) is back with a new heart-felt animation detailing the journey of a six-year-old girl named Tulip. An adaptation of Hans Christen Anderson’s Thumbelina, the 8-minute short film will chronicle Tulip’s adventures navigating a dense garden after being born from a flower. “We wanted to create a contemporary adaptation of Thumbelina that allows Tulip to be a child, free from a love-story ending and able to find home in more places than one, while maintaining the original story’s themes of risk, adventure and magic,” a statement about the project says.

The Washington-based artist is collaborating with illustrator Phoebe Wahl, and the pair are raising money for the project on Kickstarter. They released two snippets from the longer piece that show a bullfrog hopping onto a lily pad sending ripples through the wooly water and another following pink-cheeked Tulip as she moves aside vines and brush. To find out what happens on Tulip’s journey and to get a peek at the creatures she meets along the way, head to Love’s Instagram.

 

 



History Photography

A Digital Conversion Miraculously Clarifies a Historic 1896 Film to Look Like It Was Shot Yesterday

February 6, 2020

Grace Ebert

The left image is from the original film, and the right is from Denis Shiryaev’s remaking

Denis Shiryaev has found a way to clarify the world’s earliest films and their signature grainy textures. He transformed the historic 1896 The Arrival of a Train at La Ciotat Station into a 50-second film that suddenly reveals distinct faces of the passengers scrambling to get on the train, in addition to details on the locomotive that otherwise were undistinguishable in the original version. According to Peta Pixel, Shiryaev first used Topaz Lab’s Gigapixel AI to upgrade the film’s resolution to 4K, followed by Google’s DAIN, which he used to create and add frames to the original file, bringing it to 60 frames per second.

Made in France, the 35 mm film bears a legend stating that the first viewers of the silent production were so frightened by the moving train that they all ran out of the room. It was created with an all-in-one camera that served as a printer and projector. Watch the original black-and-white video shown below, and then Shiryaev’s remaking underneath.

 

 



Animation

Mesas Shoot Through Cloud-Filled Skies in ‘American Totem’

January 28, 2020

Grace Ebert

Panning the expansive desert, “American Totem” captures the mesas scattered across the beige- and rust-colored landscape but with an unearthly twist. Pillars ascend from their flat tops, reaching up through the clouds toward a pale blue sky in the short film, which combines real footage and digital effects. Created by London-based artist Theodore John, aka mustardcuffins, the moving columns shoot through dissipating clouds as the sun rises and sets, casting shadows across the sand and rocks. As night sets in, the film speeds up, morphing the dark sky into one filled with shooting stars. Find more multi-media projects from the artist and motion graphics designer on Instagram and Behance.

 

 



Animation

A New Short Film Demonstrates the Difficulty of Escaping City Life

January 23, 2020

Grace Ebert

Breaking free from urban life is no easy feat for the main figure in “Le Silence de la rue,” or “The Silence of the street.” The monochromatic film produced by Miyu Productions, which is led by Emmanuel-Alain Raynal and Pierre Baussaron, details the stark dichotomy of spending time in unaltered natural spaces and in a dirty, bustling neighborhood. Opening with a blooming flower, the gloomy film turns to a black being who struggles to stay afoot in the dense streets as a horde of anonymous figures push by. Wave-like elements envelop him until he’s transported to a tiny boat at sea, where he momentarily finds peace. But soon enough, he’s hurled back into the crowd before finally losing his dark hue and joining others as they pile onto the public bus, proving his inability to escape city life.

The 2D digital animation was directed by Marie Opron in 2019 and is set to music by composer Francois Poitou. Find more of the company’s illustrated projects on Vimeo.

 

 



Photography

Snails Paint the Town in Miniature Scenes Crafted by Aleia Murawski and Sam Copeland

January 17, 2020

Grace Ebert

All images © Aleia Murawski and Sam Copeland, shared with permission

Illinois-based Aleia Murawski and Sam Copeland have a knack for creating miniature—and slimy—worlds just big enough for their tiny acquaintances to glide through. The creative duo is known for constructing realistic domestic settings featuring plastic covered furniture and a messy painting studio occupied by snails for its stills and short films. Now, though, the artists are pushing the critters beyond their comfortable homes for a fun night out. The snails are shot sliding up to a limo, basking under the glimmer of a disco ball, and gobbling up a cheeseburger in a quaint diner.

“It is a really fun challenge for us to come up with these scenes and to find different ways to execute it so it feels believable and lived in, despite its fabrication,” Murawski told Colossal. The bowling scene utilizes a ball controlled by a magnet that the creators shot frame-by-frame as it moved along the alley. That set took multiple days to get right, she says, from using coffee stir sticks to build out the floor to employing a vacuum-foaming machine to construct each chair.

Murawksi says the duo’s process is “very rooted in play and experimentation. We are always looking for new ways to construct different elements in a scene and trying varied techniques to create depth and motion in our work.” To keep up with the snails’ shenanigans, head to Murawski’s Instagram. You can even buy a print of their slippery adventures to add to your collection.

 

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Animation Craft

Wool Characters Share in Love’s Hardships in Stop-Motion Film by Anushka Naanayakkara

December 26, 2019

Grace Ebert

A new stop-motion film chronicles the excitement, messiness, and tragedy of love. Directed by BAFTA-winning animation director Anushka Naanayakkara, “A Love Story” depicts two characters who are made of wool, lace, and other fabric remnants as they navigate an entangled relationship. At the beginning, small pieces of string from each face weave into the other, altering their compositions with every interaction to demonstrate the relationship’s effects. Soon the two become so entwined that their faces exhibit completely different patterns and colors. Lastly, an ambiguous dark force appears to envelope the pair and ultimately severs their tangled bonds.

Although the film features love’s tribulations, the director said she wanted to “bring comfort to audiences who have been through a similar experience” in an interview with Short of the Week. The short film was produced by the National Film and Television School in the UK. More of Naanayakkara’s heartfelt projects can be found on Vimeo. (via Short of the Week)

 

 



Documentary Food

Déguste: A New Short Film Showing the Beauty and Brutality of Commercial Kitchen Work

November 1, 2019

Laura Staugaitis

Alternating between sensual, almost biological macro shots of raw ingredients and the harsh, dully-lit environs of a commercial kitchen, Déguste captures the dual reality of working as a professional chef. The majesty, beauty, and limitless potential of natural ingredients—mushrooms, red meat, fresh greens—are right at hand for the commercial cook. But the unrelenting pace of orders in, orders up, dishing out multiple copies of the same meal at once, and juggling the dangers of sharp and hot tools cuts in again and again. Déguste gives viewers a glimpse at how the sausage gets made, so to speak, in the restaurant world, with an electrifying soundtrack of atmospheric sounds. Created by Paris-based studio Insolence Productions, the short has been lauded at multiple film festivals. See more from Insolence on Vimeo

 

 

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