short film

Posts tagged
with short film



Animation

Live Action, Sculptural Animation, and Painting Merge in the Dizzying Short Film ‘The Full Story’

October 2, 2019

Laura Staugaitis

Two, three, and four dimensions commingle in “The Full Story” by filmmaker Daisy Jacobs and animator Chris Wilder. In their previous, highly lauded short, “The Bigger Picture”, the duo painted animations on walls, combined with sculpture components like moveable papier maché limbs, and regular ‘real world’ objects.

In their newest film, “The Full Story,” Jacobs and Wilder tell Colossal that they “really wanted to push [themselves] creatively and try new ideas.” In addition to all the elements the duo used in “The Bigger Picture,” the newer film also incorporates human actors to tell the story of two siblings’ experience of their parents acrimonious marriage.

In order to merge the real and imagined, Jacobs and Wilder explain that they made the sets more realistic and the actors more ‘painterly’ to find a stylistic middle ground. “To make the sets more realistic we emphasized textures and brought out shine with lighting and varnish. With the real people we did the opposite–painting their clothes, minimizing shadows on their faces with make-up and making them more graphic with wigs.”

Jacobs and Wilder only animate as a pair, and explain that their work is done “straight-ahead”. Each image is painted over as they animate, which allows no room for error or second takes. To complete the film, Huw Bradford created the soundtrack and a slate of random objects worked as Foley.

You can see Jacobs in action working on “The Full Story” in the time-lapse below, and see more on her Vimeo page.

 

 



Animation

Perspective Goes Out the Window in Dirk Koy’s Space-Warping Experimental Animations

August 14, 2019

Laura Staugaitis

Experimental filmmaker and motion graphics artist Dirk Koy (previously) creates dizzying short films that upend viewers’ expectations of focus and perspective. In one, a high diver seems to remain static while the sky-filled frame twists and spins around him; in another, a building appears to be demolished and constructed with the simple drag of a computer cursor. Koy lives and works in Basel, where he graduated from the Academy of Art and Design. In addition to his own projects and commissions, Koy is also a lecturer on time-based media at the Academy. You can explore more of his unusual videos on Instagram and Vimeo.

 

 



Animation

A New Stop Motion Animation Chronicles a Captain’s Final Journey to the Moon

July 30, 2019

Kate Sierzputowski

The Moon’s Milk is a fantastical stop motion tale by animator Ri Crawford that follows Captain Millipede on his final trip to extract milk from the moon as it begins to separate itself from the Earth. During the journey, relationships between the expedition members complicate, while enchanting connections happen in the liminal space between the sea and moon. The film presents two unique views—the one from the Earth, and the flipped perspective seen from the moon. The score for the film was created by Caroline Penwarden, the sound design by Richard Beggs, and singer Tom Waits served as the story’s narrator. You can take a look behind-the-scenes of film in the video below, and see more of his animations on Vimeo. (via Laughing Squid)

Update: The Moon’s Milk narrative is originally told in “The Distance to the Moon,” a short story written in 1968 by the iconic Cuban-Italian author Italo Calvino. You can listen to actor Liev Schreiber read the story in its entirety on Radiolab.

 

 



Animation

Negative Space: The Vast Emotional Landscape of a Father-Son Relationship Packed into an Animated Short

July 16, 2019

Laura Staugaitis

We’ve written previously about “Negative Space”, and the highly-anticipated stop motion animation short is now available in its entirety on Vimeo. Co-directors Max Porter and Ru Kuwahata explore a character’s relationship with his father over his life, from fanciful childhood memories to the somber realities of aging and adulthood. “Negative Space” is adapted from a poem of the same name by Ron Koertge, which centers on the rituals of packing one’s possessions, passed from father to son.

You can step behind the scenes in a making-of video to see how the heartstring-tugging, Oscar-nominated film was created. Porter and Kuwahata share more of their animated films, including personal and commercial projects, on Vimeo.

 

 



Art

FILTRATE: A Futurist Guerrilla-Style Short Film Shot on an iPhone in Montreal’s Subways

April 16, 2019

Laura Staugaitis

A new short film titled FILTRATE imagines a future completely saturated with technology, where post-human figures interact using rune-like symbols on immersive social media platforms. The film, directed by Mishka Kornai, was created in the public spaces of Montréal’s underground Metro transit system.

The actors in FILTRATE sport futuristic costumes made by Odette Mattha with shimmering tinsel, long strands of party beads, and textured fabrics that match the setting’s architectural details. Mattha’s designs take advantage of the unique feel of different areas of the Metro system: each station was created by a different architect. Though the filmmakers clearly used the spaces during off-peak times, we can only wonder at the surprise of an unsuspecting commuter.

In a statement on the film’s website, the creators explain their impetus for FILTRATE. “If people retreat into smaller and more idiosyncratic groups, what will the evolutionary trajectory of our society look like? As social groups diverge further and further over the course of generations, when does humanity cease to be just one species?”

The whole process took two years to complete, including 43 days of shooting, six months of costume building, and a year of post-production. Despite its high-tech feel, the creators share that FILTRATE was filmed using just an iPhone 7, a wheelchair, a monopod, and a hand stabilizer. You can take a look behind the scenes in an additional making-of video.

 

 



Amazing Photography Science

An Extraordinary Time-Lapse Captures the Microscopic Development of a Single Cell into a Newt

February 7, 2019

Kate Sierzputowski

In Becoming, a time-lapse film by Jan van IJken (previously), a single cell splits. Then it splits again, and again, and again, morphing and quivering as new quadrants continually appear and divide. The cell belongs to an alpine newt, and during most of its transition from a single cell zygote to hatched larva it looks remarkably like a sunny-side up egg. The film’s rapid timeline condenses four weeks of growth into six minutes, presenting a speedy and awe-inspiring glimpse at how we all begin.

“I wanted to capture the origin of life,” van IJken tells Colossal. “What is particularly interesting I think, is that the basics of embryonic development are the same for all animals, including us. I think the way we develop is a true miracle. In my film you can see individual cells move to the place where they belong in the embryo. How is this possible? It is all managed by a precise internal clockwork in each individual cell.”

Van IJken used time-lapse photography and video in combination with a trinocular microscope to precisely observe the details of the newt’s development. You can view more of his work, including a trailer for his first film Facing Animals, on Vimeo.

 

 



Animation

Aerial Images of the Earth Animated into Fast-Paced Sequences by Kevin McGloughlin

January 25, 2019

Kate Sierzputowski

In EPOCH, the new short film by Irish director and animator Kevin McGloughlin, aerial images of the Earth are pieced together to compare the structural similarities of various suburbs, highways, and fields. When flashed one after the next, buildings and roads form circles and squares, while dozens of cul-de-sacs appear to elongate and morph as they flash on screen. The film bears many similarities in form and editing to his twin brother and collaborator Páraic McGloughlin’s short film from last April Arena, which also utilized Google Earth-sourced images to created fast-paced animated sequences. You can view more of Kevin McGloughlin’s shorts on his Instagram and Vimeo. (via Colossal Submissions)