From parking lots to skate parks, Melbourne-based artist Kitt Bennett paints large illustrative murals on an unconventional surface: the ground. The almost literal “street” art is best seen from a bird’s eye view and features people, objects, and skeletons that contort around their respective spaces as if they fell from the sky.
Bennett’s murals are painted much like the walls of a house. The artist uses large buckets of paint and rollers to cover the large areas and adds shading, highlights, and outlines to create the illusion of depth. A statement on his website explains that Bennett’s work is “often conceptually driven as exploring topics of individuality, existence and the mysterious phenomena that surrounds us inspires him to create art.” To see more of his ground paintings and other works on more traditional surfaces, follow Kitt Bennett on Instagram.
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Jim F. Faure, who goes by Jim Skull, introduces his decades-long practice with his pseudonym. The Paris-based sculptor focuses exclusively on human skulls. Using innumerable strands of colorful thread, Murano glass beads, rope, and even porcupine quills, Faure creates an entirely new “skin” for the skeletal forms. Each skull’s covering also trails off into dramatic cascades that shape-shift depending on how the skull is displayed.
Faure transforms the surface of an object that often strikes fear into a visually enticing decorative object, inviting the viewer to study the divots and contours of our shared anatomical structure. In an artist statement, the sculptor cites his upbringing in New Caledonia in the South Pacific, followed by wide-ranging international travels in New Zealand, India, and Hong Kong as informing his fascination with the ritual and cultural aspects of the human experience. You can see more of Faure’s work on his website.
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What Will Be Remembered in the Face of All That is Forgotten is a sculptural neon work by the New York City-based artist Tavares Strachan made between 2014-2015. The five-foot-tall piece includes pulsating neon that mimics the racing of blood through veins, stainless steel to hold the skeleton in place, and a total of seven transformers. The flashing circulatory system is a glowing reminder of English scientist Rosalind Franklin’s contributions to the field of science, mainly the discovery of DNA’s molecular structures. The work was originally included in the solo exhibition Seeing is Forgetting the Thing that You Saw at Anthony Meier Fine Arts in San Francisco, which examined individuals whose names have been omitted from common accounts of history despite their great accomplishments.
Strachan, in partnership with LACMA Art + Technology Lab and SpaceX, also recently launched a sculpture honoring Robert Henry Lawrence Jr., the first African-American to train as an astronaut with NASA. Although Lawrence never made it into space, a 24-karat gold urn with his bust titled “Enoch” will orbit the Earth for seven years in a sun-synchronous orbit. You can see more of Strachan’s sculptural work, and keep up-to-date on the location of Enoch, on Instagram.
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