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Photography

Snapshots by Shin Noguchi Frame Candid and Enigmatic Moments Observed on the Streets of Japan

October 1, 2020

Grace Ebert

All images © Shin Nugochi, shared with permission

Photographer Shin Noguchi (previously), who lives in Kamakura and works throughout Tokyo, has a knack for capturing snapshots of the unusual, baffling, and quirky activities of passersby. A single image often is imbued with layers of serendipity, with one framing both a woman in an elaborate gown and a dazed baby, while another features a screaming child and a man splayed on a public staircase in the background.

Taken around Japan, the photographs appear as objective shots, glimpsing candid moments that are enigmatic and sometimes humorous. “Street photography always projects the “truth”. The “truth” that I talk about isn’t necessarily that I can see, but they also exist in society, in street, in people’s life. and I always try to capture this reality beyond my own values and viewpoint/perspective,” he says in a statement.

One-hundred-thirty of Noguchi’s photographs are compiled in a forthcoming monograph, In Color In Japan, which is currently available for pre-order. The book was printed in two editions, a black and a white, and the former contains an extra, unique image that’s never been shown before and won’t be reproduced in another format. Follow Noguchi on Instagram to see his latest shots from the streets of Japan.

 

 

 



Photography

Through Monochromatic Photographs, Aleksey Myakishev Documents Rural Life in Russia

January 21, 2020

Grace Ebert

All images © Aleksey Myakishev, shared with permission

Born in Kirov and now based in Moscow, photographer Aleksey Myakishev is adept at capturing the simple moments of life and transforming them into alluring black-and-white images. Taken mostly throughout Russia, his projects tend to focus on unassuming subjects as they navigate their daily lives. In one photograph, three figures walk over a snow-covered landscape away from a lit firework, and in another, Myakishev creates an uncanny juxtaposition between a hilly horizon and a man swinging a child by his hands as a winter boot flies from his foot. When describing the dozens of series he’s created, the prolific artist said capturing life in his native country can be complex.

It is always difficult to photograph the place where you live. Nevertheless, sometimes I pick up my camera and go to the streets to capture the city’s pulse. When I look through the camera’s viewfinder, a dialogue with the city takes place. There are lots of everything here, be it people, vehicles, buildings. Sometimes the city looks ugly to me, sometimes beautiful. Through photography I try to find something especial in this city, perceiving the underlying surrealism of what is going on.

Myakishev also has published three books chronicling his monochromatic works. To find more of his documentary-style images, head to his Instagram and keep an eye out for his upcoming project on provincial Russia.

Moscow (2019)

Davydovo (2013)

Arkhangelsk (2018)

 

 



Illustration Photography

Phone Buddies Lurk and Ooze Out of Screens in Embellished Photos by Andrew Rae and Ruskin Kyle

November 21, 2019

Laura Staugaitis

Dripping blobs of oily black, cosmic haze, and octopus tentacles emerge from the screens of smartphone users on the streets of London. Illustrator Andrew Rae teamed up with street photographer Ruskin Kyle to add some visual flair to people immersed in their electronic devices. Some of the protagonists are simply standing on the street using their phones, while other have paired their device usage with competing activities like dog-walking and ramen-eating.

“I always go for a walk on Hampstead Heath in the mornings for inspiration and I found myself nearly bumping into people on their phones,” Rae tells Colossal. Because many people in the area also are out with their dogs, “it started me thinking about the phones as if they are little pets or creatures that they are carrying in their hands.”

Rae shares that the idea percolated over time, and in conversation with his photographer friend, the pair realized the potential in the concept. Initially, Rae tried to completely replace the phones with illustrations, but he then decided to incorporate the physical technology as the source, or a part of, of the imagined creatures. In developing each character, Rae worked from some tried-and-true shapes and concepts from his larger illustration practice, and let each one develop organically.

To keep up with new embellishments of tech-absorbed passersby, follow Andrew Rae on Instagram and see more of Ruskin Kyle’s street photography on the platform as well. Just don’t bump into a stranger while you scroll through! (via My Modern Met)

 

 



Photography

Quirky Juxtapositions Capture Imperfect Human Moments in Photographs by Shin Noguchi

September 27, 2019

Laura Staugaitis

All photographs shared with permission of the artist

Photographer Shin Noguchi spends his time, camera in hand, in Japan’s public spaces, observing and seeking out candid moments that reflect the humorous, heartbreaking, and bizarre realities of the human experience. Noguchi shares with Colossal that he values the existential affirmation of human life that he gleans from his work, accepting his and others’ situations as they are. The artist shies away from the term ‘street photographer’, as he views his work as more of a sociological experience.

“To shoot people with a camera is, for me, is like saying hello,” the photographer explains. “Sometime I use my mouth for it, sometime I use my eyes, and sometimes my camera, that’s it. I just really enjoy ‘talking’ or making conversation with people in the street, and if I use a camera for it, I always use the viewfinder; I never use hip-shots to hide myself.”

Noguchi tells Colossal that he was raised in a very creative household, and quickly fell in love with photography as a teen when his father gave him an old Fujica camera. Of the innumerable memorable moments Noguchi has encountered over the years, two memories stand out in particular.

After an exhausting day one February, in which the photographer had spent four hours shooting during heavy snowfall in Kamakura, he passed by a life-size mascot of a Kentucky Fried Chicken store, with the snow-crested Colonel Sanders offering a quiet, seemingly reassuring smile. On another winter’s day, Noguchi observed a craftsman carrying dozens of shoji (paper-paned interior doors) out of a Shibakoen temple for routine re-covering. Growing tired from his repetitive labors, the man finally punched a hole in the paper to make the shoji easier to carry.

You can follow along with Noguchi’s visual discoveries on Instagram and explore his extensive portfolio on his website. (via The Guardian)

 

 



Photography

A New Book Reveals a Colorful Side to Vivian Maier's Renowned Street Photography

November 14, 2018

Kate Sierzputowski

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Nanny and self-taught photographer Vivian Maier (1926–2009) (previously here and here) kept nearly 150,000 photographic images, including street photography and self-portraits, hidden from the world until an estate sale in 2007 revealed a large bulk of her secretive hobby. Since 2010 her photographs have been widely exhibited in galleries and museums across the world, and were the subject of the 2013 documentary Finding Vivian Maier, which was nominated for an Academy Award.

Although her mostly Chicago and New York-based photographs have become infamous in the decade since their discovery, her color images have been less prevalent due to the technical challenges involved in their development and recovery. This month the largest monograph of her full-color photographs was published by Harper Collins, which includes images pulled from the roughly 40,000 Ektachrome color slides spanning the last 30 years of her life. Vivian Maier: The Color Work explores over 150 of her colorful images with details that have been gathered about her story and photographic process. The book also features a forward by photographer Joel Meyerowitz and text by Colin Westerbeck, a former curator of photography at the Art Institute of Chicago.

“Maier was a self-invented polymath of a photographer,” writes Westerbeck in the book. “The one advantage Maier gained from keeping her photography to herself was an exemption from contradiction and condescension. She didn’t have to worry about either the orthodoxy or the approval of her peers.”

Vivian Maier: The Color Work was created in partnership with Howard Greenberg Gallery in New York City, who will be presenting an exhibition of the same title opening November 14, 2018 and running through January 5, 2019. Several of the color photographs included in the exhibition will be presented for the first time. You can see more of Maier’s black and white and color photography on this portfolio site dedicated to her collection, and you can purchase a copy of the new book on Amazon. (via Chicago Magazine)

Self-portrait, Chicago, February 1976. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicago, February 1976. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location unknown, May 1958. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location unknown, May 1958. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

New York City, 1959. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

New York City, 1959. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location unknown, 1960. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location unknown, 1960. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Chicago, 1962. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Chicago, 1962. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicagoland, October 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicagoland, October 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Chicagoland, 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Chicagoland, 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicago, January 1979. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicago, January 1979. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

From Vivian Maier: The Color Work, by Colin Westerbeck. Copyright © 2018. Images reproduced here with permission from Harper Design, an imprint of HarperCollins Publishers

From Vivian Maier: The Color Work, by Colin Westerbeck. Copyright © 2018. Images reproduced here with permission from Harper Design, an imprint of HarperCollins Publishers

 

 



Photography

Dramatic Perspectives Capture Uniquely Juxtaposed Beachgoers in Street Photography by Moises Levy

October 26, 2018

Laura Staugaitis

Giant 1

Giant 1, all images via Moises Levy

Mexico City-based photographer and architect Moises Levy captures unique moments of human and animal interaction in his street photography, most often centered around activities at the beach. By shooting at a low angle, Levy captures slackline and tightrope walkers in the frame of someone’s legs, or a horse at just the right pace to make it seems as if a woman has walked directly underneath its snout. All of his images are backlit to create high contrast black and white images that present his figures more as silhouettes than subjects. You can see more of his beach photography on Instagram.

Funny Feet

Funny Feet

Above

Above

Trapped

Trapped

Levitation

Levitation

Horse 1

Horse 1

Hungry Dog

Hungry Dog

Top of the World

Top of the World

Horse 2

Gime Five

Gime Five