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Art Craft

Canning the Sunset: Hundreds of Jars of Dyed Sand Preserve the Swirling Colors of a Skyline Before Dusk

December 2, 2021

Grace Ebert

All images © Carly Glovinski, shared with permission

There’s a human impulse to preserve life’s blissful moments—a quick scroll through your camera roll will probably give you plenty of evidence—one Carly Glovinski gives into by bottling up the rich, swirling gradients the cloak the sky at day’s end. Her ongoing Canning the Sunset project, which the New Hampshire-born artist began in March of 2020, layers hand-colored sand in reused glass jars to capture the last hours of light before they descend into dusk.

Now stored in hundreds of vessels in various shapes and sizes, the grainy compositions range from subtle pastel palettes to vibrant oranges and yellows, rationing the short-lived hues “for times of scarcity,” Glovinski says. “The sunset marks the sky with color in a fleeting moment each day, slipping down behind the horizon like grains of sand through an hourglass. To try and capture it, contain it, or possess it is a futile, and impossible gesture. ”

Canning the Sunset is on view through December 4 at Untitled Art Fair Miami with Morgan Lehman Gallery, and Glovinski shares more of her paintings, sculptures, and other projects on Instagram. You also might enjoy these calming sunrises by Sho Shibuya.

 

 

 

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Craft

Billowing Clouds and Rainbow-Hued Sunsets Created With Textured Embroidery Thread by Vera Shimunia

September 7, 2018

Laura Staugaitis

Russian embroidery artist Vera Shimunia began her landscape embroidery practice in 2015. She tells Colossal that it is the perfect medium for her because it requires less patience than cross-stitch and is more exciting, in her opinion, than painting. The Saint Petersburg-based artist is self-taught (Shimunia studied economics in college) and she shares that she imagines the needle as a brush. Her richly-hued mountainscapes, sunrises, and skies are crafted on palm-sized embroidery hoops using a variety of textured threads. Although Shimunia uses a unified color palette over a small surface area, she distinguishes different landscape elements using various stitch and knot styles, as well as thin, thick, and even three-dimensional fibers. You can see more of her embroideries on Instagram, and purchase work in her Etsy store.

 

 



Art

Vibrant Sunsets Hover Inside Abandoned Scottish Castles and Homes by Andrew McIntosh

October 17, 2017

Kate Sierzputowski

Scottish painter Andrew McIntosh (previously) paints bridges, castles, and forgotten homes, repurposing the structures’ windows and arches as vibrant portals into another world. The deep red and orange sunsets found in these negative spaces serve as the heart of each work, which each cast an intense glow into the surrounding desolate landscapes. The works are centered around scenes found in his native Scotland, areas that don’t necessarily elicit awe or intrigue from the average viewer.

“McIntosh is drawn to the plain and ordinary – a Victorian lodge, a simple tower house, or an unremarkable castle set in scenery that is not immediately picturesque or inspiring – subjects that wouldn’t usually attract an artist’s attention,” writes Dr. Richard Davey in an essay about McIntosh’s paintings. “They are born from deep knowledge of the land, painted by an artist who wants to probe the limits of landscape painting, who knows that nature is much quieter than it is more usually portrayed, and that capturing the undramatic, ordinariness of nature, is more difficult than it may seem.”

The confined sunsets serve as secretive elements of power to each crumbling form of architecture. McIntosh intends for these private moments to remind the viewer of everyday wonder, and to search for these moments during the mundane aspects of the day-to-day. The painter has an upcoming solo exhibition of his work at Beaux Arts London opening October 19 and running through November 18, 2017.


 

 

 



Art Photography

Three-Dimensional Landscapes Formed with Layered Acrylic Photographs by Nobuhiro Nakanishi

June 6, 2017

Kate Sierzputowski

© Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Susanne Hakuba

Japanese artist Nobuhiro Nakanishi creates sculptural works that attempt to preserve a singular moment in the natural world, capturing deeply pigmented sunsets and brightly-lit forests in a series he’s titled Layer Drawings. To produce the three-dimensional installations, Nakanishi first photographs an environment over a period of time. He then mounts selected images from his documentation on panels of acrylic in chronological order, allowing slight variation from frame to frame.

“We are all subject to the passing of time, yet each of us feels and perceives it in our own way,” says Nakaniski, “Time itself has no shape or boundary and cannot be fixed or grasped. When we look at the photographs in these sculptures, we attempt to fill in the gaps between the individual images. We draw from our physical experiences to fill in missing time and space, both ephemeral and vague. In this series, I attempt to depict time and space as sensations shared by both viewer and artist.”

Nakaniski is represented by Yukimo Chiba Associates in Tokyo. You can see more of his layered works on his website.

 

Installation view: Transparent view, Aomori Contemporary Art Centre, Aomori, Japan (2011), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Tadasu Yamamoto, Photo Courtesy: Aomori Contemporary Art Centre, Aomori, Japan

Installation view: Transparent view, Aomori Contemporary Art Centre, Aomori, Japan (2011), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Tadasu Yamamoto, Photo Courtesy: Aomori Contemporary Art Centre, Aomori, Japan

Installation view: Transparent view, Aomori Contemporary Art Centre, Aomori, Japan (2011), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Tadasu Yamamoto, Photo Courtesy: Aomori Contemporary Art Centre, Aomori, Japan

Installation view: Saturation, Osaka Contemporary Art Center, Japan
 (2006), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Seiji Toyonaga

Installation view: Saturation, Osaka Contemporary Art Center, Japan 
(2006), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Seiji Toyonaga

Installation view: Saturation, Osaka Contemporary Art Center, Japan 
(2006), © Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Seiji Toyonaga

© Nobuhiro Nakanishi, Courtesy of Yumiko Chiba Associates, Photo: Susanne Hakuba

 

 



Art

Radiant Sunsets and Landscapes Hidden Inside Forgotten Places by Andrew McIntosh

January 2, 2017

Christopher Jobson

Scottish painter Andrew McIntosh (aka Mackie) takes ubiquitous structures often abandoned on rural homesteads like travel campers or sheds and reveals hidden worlds within: radiant sunsets and expansive skies that appear like portals into another place. Drawing inspiration from a childhood spent in the Highlands of Scotland, the London-based painter gives unexpected life to derelict buildings set against the backdrop of mist-filled woods and frozen mountains. From his artist statement:

My paintings are an exercise in attraction. Through them I am constantly searching for new ways of communicating with the viewer. By seducing them with my imagery, I try to create a new visual language with the power to pique their attention and make them stop to ask: why? Desolate landscapes, decrepit houses, and incongruous moments of glory come together to suggest the presence of a narrative that exists as much in the viewer’s mind as in the painting. This is how I aim to use my works: as the space for an imaginary dialogue between strangers.

McIntosh most recently exhibited a new body of work with bo.lee gallery last month titled “Where we Belong” at Pulse Miami. You can see many more recent paintings in his online portfolio.

 

 



Art

Neon Sunsets and Technicolor Landscapes Painted by Grant Haffner

September 8, 2015

Christopher Jobson

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Deeply influenced by a childhood spent growing up on Long Beach in Sag Harbor, N.Y., artist Grant Haffner tries to capture the color and feeling of sunsets burnt into his memories. Haffner works primarily with a mixture of acrylic, marker, pencil and paint pen on wood panels to create vibrant neon depictions of Long Island landscapes from the viewpoint of roadways punctuated with power lines. He shares about his paintings:

The East End of Long Island has been my home for most of my life. I spent many years exploring the trails through the woods, cruising the quiet country roads, and hanging out on the beaches. My childhood here, surrounded by nature and water, was an experience that I cherish. Now that I am older, I can see how the landscape is changing and am reminded that it will never be the same. Hopefully, my paintings will capture the memory of that landscape before it fades.

Haffner is represented by Damien A. Roman Fine Art where you can see more of his recent work.

 

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