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Design
Tokyo’s Kadokawa Culture Museum Houses an Arresting Kengo Kuma-Designed Bookshelf Theater

All images © RK, shared with permission
Although it boasts more than 50,000 books, the massive library at the heart of the Kadokawa Culture Museum (previously) isn’t just for bibliophiles or curious readers hoping to stumble upon a new title. Designed by renowned architect Kengo Kuma (previously), the towering venue is more accurately billed as a cultural gathering space than a traditional book collection, which Ryosuke Kosuge, who works as RK, recently documented a new series of photographs.
Just months after its opening, the Tokyo-area library already has hosted a variety of music and theater performances, with the staggered shelving and metal walkways serving as a backdrop. Many of the events—which you can see photographs of on Kadokawa’s Instagram—utilized the available projection mapping technology and embedded screens, creating immersive experiences that illuminate the largely wood-lined space with a candy-colored glow.
To see the multi-purpose venue from above, watch this drone tour, and find more of RK’s architectural photographs capturing city life on Instagram. (via This Isn’t Happiness)

All images © RK, shared with permission

All images © RK, shared with permission

All images © RK, shared with permission

All images © RK, shared with permission

All images © RK, shared with permission
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Photography
Plush Seats and Ornate Balconies Sit Empty in Joanna Vestey’s Unobstructed Photographs of London Theaters

Charlie Jones, Building Services Manager, Royal Albert Hall in London, June 2020. Image © Joanna Vestey, shared with permission
In Joanna Vestey’s Custodians for COVID series, one worker poses idly amid an otherwise unobstructed shot of a historic venue. The Oxford-based photographer has been capturing the empty seats and balconies of London theaters, which have been closed due to the ongoing coronavirus pandemic. For the timely series, Vestey visited 20 venues, including Royal Albert Hall, The Globe, and National Theatre, to photograph the breadth of the vacant architecture.
Prints of the bare spaces are available on Vestey’s site, with proceeds supporting each company. She also shares many of her architectural projects on Instagram.

Deborah McGhee, Head of Building Operations, The Globe, June 2020. Image © Joanna Vestey, shared with permission

Greg Ripley-Duggan, Executive Producer, Hampstead Theatre in London, June 2020. Image © Joanna Vestey, shared with permission

Graeme Bright, Building and Facilities Manager, Theatre Royal Stratford East in London, June 2020. Image © Joanna Vestey, shared with permission

Louise Glover, Theatre Manager, Alexandra Palace Theatre in London, June 2020. Image © Joanna Vestey, shared with permission

Gerhard Maritz, Keyholder, Bush Theatre in London, June 2020. Image © Joanna Vestey, shared with permission

Kieron Lillis, Head of Facilities, National Theatre in London, June 2020. Image © Joanna Vestey, shared with permission

Ruairi McNulty, Technical Manager, Richmond Theatr in London, June 2020. Image © Joanna Vestey, shared with permission
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Design
The Shaolin Flying Monks Temple Blasts Monks Into the Sky Above a Mountainside Amphitheater

All photos by Ansis Starks, courtesy Mailitis Architects
Perched on the Songshan mountain in rural Henan, China, this new temple designed by Latvian architecture studio Mailītis Architects brings a whole new perspective to the legendary Shaolin monks: specifically an aerial perspective. The recently completed Shaolin Flying Monks Temple contains a one-of-a-kind levitation pavilion that houses a vertical wind tunnel designed in part by Aerodium that blasts participants toward the sky in the center of a 230-seat amphitheater.
“The concept is to tell the history of Zen and Kung-Fu through artistic performances and architectural image of the building itself,” says Mailītis. “It serves as a metaphor for mountain and trees and was inspired by Songshan mountain – the natural environment for monks to develop their skills.”
You can see more photos of the new landmark building on Mailītis Architects’ website.
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Design History
A Century-Old Buenos Aires Theater Converted Into a 21,000-Square-Foot Bookstore

Image by Uruguay in Photos
Built in Buenos Aires as a performing arts theater in 1919, El Ateneo Grand Splendid‘s content has undergone several revisions, with its current purpose being a 21,000 square foot bookstore. Despite the switching of functions, the architecture has remained true to the early 20th century vision of Peró and Torres Armengol, the building still boasting ornate frescoed ceilings and detailed trimmings that line the ceiling, handrails, and walls.
The stage and balcony seating is also intact, the spaces now used as reading areas where guests can peruse the store’s many books in front of thick velvet curtains. These attributes were almost destroyed in 2000 when the building was slated for demolition, however before the historic theater could be taken away it was leased to Grupo Ilhsa who built out the bookstore. Now over 1,000,000 people walk through Al Ateneo Grand Splendid’s doors annually keeping the tiered theater very much alive. If you liked this, also check out the Waanders in de Broeren bookstore built inside a cathedral. (via Twisted Sifter)

Image by longhorndave

Image by Phillip Capper

Image by Uruguay in Photos

Image by Liam Quinn

Image by Uruguay in Photos

Image by Uruguay in Photos

Image by Liam Quinn
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Art Photography
Theatrically Composed Scenes Highlight Human’s Impact on Earth

“Logic of Spring” (2015), all images @ Robert & Shana ParkeHarrison / image courtesy Catherine Edelman Gallery, Chicago.
Robert and Shana ParkeHarrison have been a collaborative duo for the last 20 years, mixing Shana’s interest in dance with Robert’s background in photography to produce environments specifically for their combined practice. A constant theme throughout the couple’s two decade long work has been man’s effect on the landscape—showcasing how we are constantly influencing, and more often than not damaging, the Earth.
“We create works in response to the ever-bleakening relationship linking humans, technology, and nature,” says the ParkeHarrison’s artist statement. “These works feature an ambiguous narrative that offers insight into the dilemma posed by science and technology’s failed promise to fix our problems, provide explanations, and furnish certainty pertaining to the human condition. Strange scenes of hybridizing forces, swarming elements, and bleeding overabundance portray Nature unleashed by technology and the human hand.”
Recently the work has reflected the pair’s love of theater and performance, with pieces such as Intermission (2015) and Soliloquy (2015) showcasing stages large and small set inside larger post-apocalyptic scenes. In Riverview (2015) the subject holds a tapestry in front of a rundown carnival, an image of a beautiful river masking what may have paved over its former place. In First of May (2015) the subject listens closely to two megaphones in a hazy field, perhaps searching for wisdom from nature rather than man.
The ParkeHarrison’s exhibition Precipice opens March 11 at Catherine Edelman Gallery in Chicago and runs through April 30, 2016. You can see more of the couple’s work on the gallery’s website.

“Sojourn” (2015)

“Precipice” (2015)

“Intermission” (2015)

“Downpour” (2015)

“Riverview” (2015)

“Soliloquy” (2015)

“First of May” (2015)

“Nature Morte” (2015)
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