Tomás Sánchez

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Art

Reality and Imagined Meditative States Converge in Tomás Sánchez’s Tranquil Landscapes

November 16, 2021

Grace Ebert

“Light: Outside, Inside” (2021), acrylic on linen, 100 x 80 centimeters. All images © Tomás Sánchez, shared with permission

Through serene, idyllic landscapes, Tomás Sánchez visualizes his long-harbored fascination with meditation. The practice, the Cuban painter says, is “where I find many of the answers to questions that transcend from the personal to the universal. Meditation is not always a fleeting time. Meditation is not a punctual exercise; it is a constant practice.”

Rather than conceptualize the exercise as a temporary state, Sánchez views mediation as a lens to interpret the world, a recurring theme that has foregrounded much of his work during the last few decades. His acrylic paintings and hazy graphite drawings, which take months if not years to complete, highlight the immensity and awe-inspiring qualities of a forest thick with vegetation or a nearby waterfall and offer perspective through a lone, nondescript figure often found amongst the trees. Distinct and heavily detailed, the realistic landscapes aren’t based on a specific place but rather are imagined spaces available only through a ruminative state.

If you’re in New York, stop by Marlborough Gallery to see Sánchez’s solo show, which is on view from November 18 to January 22. Titled Inner Landscape, the exhibition encompasses multiple pieces never shown before, including the pristine scenes shown here. Until then, explore more of his works on Instagram.

 

“Inner Lagoon…Thought-Cloud” (2016), acrylic on canvas, 200 x 199.3 centimeters

“La batalla” (2015), acrylic on linen, 200 x 250 centimeters

“El río va” (2020), acrylic on linen, 121.3 x 99.1 centimeters

“Aislado” (2015), acrylic on canvas, 199.7 x 249.9 centimeters

“Diagonales” (2018), conté crayon on paper, 30.5 x 40.6 centimeters

 

 



Art

Idyllic Landscape Paintings by Artist Tomás Sánchez Render Nature’s Meditative Qualities

March 27, 2020

Grace Ebert

“Aislarse” (2001), acrylic on linen. All images © Tomás Sánchez

For nearly three decades, Cuban painter Tomás Sánchez has been painting serene landscapes of calm waters and verdant forests full of towering palms and dense shrubs. Now part of a lengthy series, his realistic works focus on nature’s immensity as they contrast massive waterfalls and miles of endless treetops with a nondescript figure, who often can be found seated or standing amongst the lush scenery.

In a statement, Sánchez explained how his practice of meditation informs his work. “The interior spaces that I experience in meditation are converted into the landscapes of my paintings; the restlessness of my mind transformed into landfills,” he writes. “When I paint, I experience meditative states; through meditation, I achieve a union with nature, and nature, in turn, leads me to meditation.”

For more of the Costa Rica-based artist’s projects, head to Instagram, and check out Artsy to see which tranquil paintings you can add to your own collection.

“Orilla y cielo gris” (1995), acrylic on canvas, 23½ x 35½ inches

“Autorretrato en tarde rosa” (1994), acrylic on linen, 30 x 39 ³/₄ inches

“Llegada del caminante a la laguna” (1999)

“Meditación y sonido de aguas” (1993), acrylic on canvas 60.5 x 76 centimeters

“Atardecer,” acrylic on canvas, 109.9 x 149.2 centimeters