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Art

Between Wounds and Folds: Suspended Cow Carcasses and Tree Stumps Reveal Layers of Discarded Fabric by Tamara Kostianovsky

October 11, 2021

Christopher Jobson

Photo © Etienne Frossard. All images courtesy the artist, shared with permission.

Working with the tattered remnants of consumer culture, artist Tamara Kostianovsky (previously) asks us to question the origins, process, and disastrous results of our seemingly unquenchable desire to buy and waste. Four distinct bodies of the artist’s work spanning fifteen years have been gathered at Smack Mellon in DUMBO, Brooklyn to form Between Wounds and Folds. The textile ecosystem of cow carcasses harboring new life, vibrantly hued cross-sections of trees, and colorful birds of prey, are constructed from repurposed fabrics and discarded textiles. In this final state, the soft pieces function as an echo of their concealed beginnings. Smack Mellon shares in a statement:

Through alternating softness and aggression, her installations identify the nuances of violence that exist between a personal encounter and its normalization on a social and ecological level. Kostianovsky’s work asks for a re-imagination of human rights and environmental redemption models in order to consider the resultant violence as part of a larger, inseparable system.

Between Wounds and Folds is on view until October 31, and you can explore more of the Brooklyn-based artist’s work on Instagram.

 

Photo © J.C. Cancedda

Photo © Roni Mocan

Photo © Etienne Frossard

Photo © J.C. Cancedda

Photo © Etienne Frossard

Photo © J.C. Cancedda

Photo © J.C. Cancedda

Photo © J.C. Cancedda

The artist in her studio © J.C. Cancedda

 

 



Art Illustration

A Poetic Book Illustrated by Tiffany Bozic Explores the Vast Diversity of Trees with Childlike Curiosity

August 16, 2021

Grace Ebert

All images © Tiffany Bozic, shared with permission

In her first body of work geared toward children, artist Tiffany Bozic (previously) showcases the naturally occurring whimsy and wonder of the outdoors through saturated color, texture, and unusual perspectives: An upward glance frames towering redwoods with rugged bark, elusive flying squirrels cling to a branch, and dried leaves, fungi, and berries form a thick, colorful layer of groundcover. “I wanted to inspire children to notice how beautiful and important nature is and recognize that we are also animals, a part of nature. We only protect what we love. Trees are a great place to start because everyone has access to them, even in urban areas,” she tells Colossal.

In the last two decades, the Marin, California-based artist has created hundreds of paintings on maple panel, often leaving the wood grain fully exposed or peeking through a thin veil of acrylic.  Bozic’s detailed interpretations highlight the singularity of individual plants and animals as she adeptly applies a surreal twist to her otherwise faithful portrayals—her earlier books Drawn by Instinct and Unnatural Selections show the breadth of this style—while Trees relies on a more realistic approach. Paired with a lyrical story written by Tony Johnson, the illustrated book is a reminder to celebrate the earth’s diversity with a sense of childlike admiration and curiosity.

Trees is available for pre-order on Bookshop. You can follow Bozic’s new works, some of which will be informed by her research into the ways fire affects biodiversity in Tahoe earlier this summer, on Instagram. Find limited-edition prints and originals on her site.

 

 

 



Animation

A Kind Pine Cone Helps an Elderly Man Survive a Cold Winter in a Heartwarming Stop-Motion Animation

July 28, 2021

Grace Ebert

Sometimes help comes from unexpected sources, especially when you need it most. That’s the central message behind a heartfelt stop-motion short written, directed, and animated by Dunedin, New Zealand-based Claire Campbell. “Winter’s Blight” follows an elderly man named Bill, who struggles to heat his home during a harsh cold spell. After he runs out of wood entirely, he’s forced to chop down the lone evergreen still standing in his yard, only to encounter an enthusiastic pine cone that begs him to stop.

Produced by Jon Wilson of Shine on Films with music by Hanan Townshend, the animation took more than five years to complete and is replete with meticulously crafted details, like Bill’s hand-knit sweaters and an elaborate set built true to scale. Watch this making-of video and check out Campbell’s Instagram for a behind-the-scenes look at how it came together.

 

 

 



Photography

Sunlight Filters through Misty Spruce Forests in Enchanting Photos by Kilian Schönberger

July 21, 2021

Grace Ebert

All images © Kilian Schönberger, shared with permission

In 2020 alone, a combination of droughts and a raging bark beetle infestation spurred by the climate crisis diminished Germany’s spruce tree population by record numbers. The European nation lost an estimated 4.3 percent of the evergreen species, which tend to grow in both commercial and naturally established forests in the Bavarian Alps and along the southeastern border. Photographer Kilian Schönberger (previously) visited these regions in the early part of 2021 to shed light on the enchanting beauty of the wooded areas that are undergoing substantial transformations.

Endorsement for Spruce Forests captures the species’ ethereal nature as sunlight filters through fog and morning mist, casting a warm candy-colored glow on the landscape. Pink light illuminates the barren branches that splay outward alongside trees covered in needles, while other shots show the rough, labyrinth-like paths that wind through the hilly terrain. Despite their durable material, the spruce take on a delicate, gentle quality in Schönberger’s photos, which are informed by his understanding of the trees’ natural rhythms:

Huge woods were destroyed by the bark beetle within a few weeks. Since the lowlands are not the natural habitat of the spruce the bark beetles just restored the balance of nature… In the Eastern Bavarian mountain ranges with higher precipitation, I was looking for natural spruce forests and found a wood wonderland. That’s the area where almost homogeneous spruce forests will also grow in the next decades.

Schönberger frequently travels from his home in the Bavarian Alps across Europe, and you can follow his adventures on Instagram. Prints of Endorsement for Spruce Forests are also available on his site.

 

 

 



Craft

Embroidered Landscapes Capture the Stillness of Pastoral Life through Dense Knots and Stitches

July 9, 2021

Grace Ebert

All images © Katrin Vates, shared with permission

French knots, chain stitches, and straight lines become peaceful countrysides and abandoned shacks overrun by moss and vines in Katrin Vates’s embroideries. Using bleached canvas as a base, Vates works with thread in natural color palettes of greens or autumnal hues that she lays in variable lengths and thicknesses: she conveys a glistening ocean through flat, even stitches in blues and white, while tufts of neutral tones become cropped fields and dried bushes. Vates rarely sketches a preliminary design and never attaches a hoop, which allows more freedom to adjust both the image and the ways weather and sunlight impact the scenes.

The Rockville, Maryland-based artist plans to release some of her pieces on Etsy in the coming months, and you can follow that launch, in addition to her forays into three-dimensional embroideries, on Instagram. (via Kottke)

 

 

 



Art

Future Returns: A Plasma-Cut Forest Reclaims an Oil Tanker in a New Sculpture by Dan Rawlings

June 21, 2021

Christopher Jobson

“Future Returns” by Dan Rawlins. All photos by Mark Bickerdike, shared with permission

In perhaps the not-so-distant future, sculptor Dan Rawlings (previously) imagines a world where machinery from the unsustainable energy industry is now a relic of the past, slowly overtaken by nature in a state of decomposition. In his latest sculpture titled “Future Returns,” the artist uses his trademark plasma-cutting style to etch a sizeable canopy of foliage that emerges from the steel shell of a reclaimed oil tanker. The work is currently housed inside a 19th-Century church in Scunthorpe in Lincolnshire, England. From a statement about the project:

“Future Returns” invites us to examine our own part in commercialization and the resulting changes to our natural environment. Rawlings believes it is easy to demonize industry but we must acknowledge that it has allowed life as we know it to bloom. It is our ability to design, create and produce that has put towns like Scunthorpe on the global map. He also believes oil companies have much to answer for, from the state of our environment to mistrust of science.

“Future Returns” will be on view at 20-21 Visual Arts Centre through September 25, 2021, and you can book free viewing times on the center’s site. (via Creative Boom)

 

 

 

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