A 9,000 square-foot mosaic is set to open this year after its discovery nine years ago during the construction of a new hotel in Antakya, Turkey. Archaeologists at the site believe the geometric work once decorated the floor of a public building in the previous city of Antioch, one of the most important cities in the Seleucid Empire. Although vast segments of the original mosaic are still intact, others have rippled and disappeared due to a series of earthquakes in 526 and 528 A.D.
Archaeologists have been collaborating with architects to preserve the ancient work during the construction of a surrounding museum-hotel. A platform connected to structural columns now hovers above the mosaic and specified viewing points were constructed as a way to let visitors view the masterwork below. You can learn more about the history of the ancient city and the archaeological find on The History Blog.
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Banksy (previously) has emerged this week on the streets of New York, creating at least two new artworks, his first pieces in the city since his ‘residency’ five years ago. In one large work spanning the length of the famed mural space at the corner of Houston Street and Bowery in Manhattan, tally marks form prison bars, symbolically counting the days of imprisonment for artist Zehra Doğan. The Turkish painter is currently serving a nearly three-year prison sentence for the creation of a single painting. The mural is a collaboration between Banksy and street artist Borf.
Doğan, who also worked as a reporter for the now-defunct Dicle news agency, created the painting in 2016 which depicts operations carried out by Turkish security forces against the Kurdistan Workers’ Party (PKK). The artwork, derived from a photograph, shows buildings reduced to rubble, plumes of smoke, and gathered military trucks, all part of a multi-year effort in Turkey’s southeastern towns and cities to clear out PKK militants.
The aspect that the Mardin 2nd High Criminal Court deemed a crime are the Turkish flags that Doğan included, draped over the facades of some of the standing buildings, elements that also appear in the original photo.
As a result of her artistic rendering of the destruction in Mardin province, Doğan may be the only person in the world imprisoned for the act of painting. In Instagram posts about his depiction of Doğan’s sentencing, Banksy is encouraging people to repost her work and tag Turkey’s president, who is also active on Instagram.
Update: A previous version of this article did not attribute Borf as a collaborator.
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An important element of Ottoman architecture in Turkey was the addition of birdhouses affixed to the outer walls of significant city structures, a safe space for regular avian guests to nest outside of mosques, inns, bridges, libraries, schools, and fountains. The birdhouses were not simple concrete structures, but rather elaborate feats of miniature architecture that ranged from one-story homes to multiple-story bird mansions. Each was designed with a similar design aesthetic to the country’s larger buildings, simultaneously providing shelter to sparrows, swallows, and pigeons while preventing bird droppings from corroding the walls of the surrounding architecture.
In addition to providing shelter, the birdhouses fulfilled a religious vision. They were thought to grant good deeds to those that built the tiny homes. Through their abundance and care, the structures encouraged a love of animals in the Turkish public, citizens who adopted several nicknames for the homes over the years including “kuş köşkü” (bird pavilions), “güvercinlik” (dovecots) and “serçe saray” (sparrow palace).
Only some of these bird mansions remain today, however their place is firmly rooted in Turkish history. Nearly every city in the country contains examples of the bird homes, the oldest example, a 16th-century house attached to the Büyükçekmece Bridge, still surviving in Istanbul. (via Jeroen Apers)
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