yarn

Posts tagged
with yarn



Craft Food

Kitchen Stitching: Pies, Pastries, and Chicken Wings Are Crocheted into Delectable Fiber-Based Cuisine

August 10, 2022

Grace Ebert

Healthy fibers meet delicious decadence in Normalynn Ablao’s crocheted provisions. The California-based crafter and pattern maker is cooking up spring rolls, pies, and party-sized platters of chicken wings, crudites, and dip, all made with yarn. Like her pastas, Ablao continues to serve textured designs that mimic their edible counterparts, although she tends to have a taste for cakes, pies, and other baked goods that you can find on Instagram. Whip up your own by grabbing a pattern from Etsy.

 

 

 

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Art

Loose Threads Dangle in Bright, Bold Gradients in HOTTEA’s Kaleidoscopic Installations

May 2, 2022

Grace Ebert

“John Candy,” Houston. All images © HOTTEA, shared with permission

Suspended from gallery ceilings or strung across an open courtyard, innumerable lengths of yarn comprise the chromatic installations by artist Eric Rieger, aka HOTTEA (previously). He arranges the soft textiles in concentric circles or wide gradients that stretch from wall to wall, creating vibrant fields of color that shift in composition depending on the perspective. Most reflect the artist’s memories or experiences, and in recent years, he’s installed site-specific pieces in cities like Minneapolis, Houston, and Miami.

The tri-colored “Strangers” is HOTTEA’s largest outdoor work to date and was designed for Breve Festival in Belo Horizonte. Drawing on his encounters in the Brazilian city, the massive, uplifting work measures 100 feet long and 30 feet wide, with the individual yarns extending 13 feet. “The word ‘stranger’ often times has a negative connotation,” he shares on Instagram. “I liked the idea of referring to a stranger as a positive thing.”

Currently, HOTTEA is working on several installations for locations in Los Angeles, New York City, and Far Rockaway, New York. He’s also organizing a flash fashion show and collaborative project to create temporary pieces throughout his community in the Twin Cities.

 

“Algebra,” SCOPE, Miami

“John Candy,” Houston

Detail of “Haus,” Minneapolis

“Haus,” Minneapolis

“Strangers,” Belo Horizonte, Brazil

“Serape,” Minneapolis

Detail of “Serape,” Minneapolis

 

 



Art Craft

Rainbow Tapestries by Judit Just Layer Cut and Woven Yarns into Textured Patches

March 31, 2022

Grace Ebert

All images © Judit Just, shared with permission

Asheville-based artist Judit Just of jujujust (previously) transforms twisted ropes, skeins of cotton, and plush, carpet-like tufts into roving, abstract tapestries. Suspended from skinny wooden dowels painted to match their hanging counterparts, the sculptural textiles tend to swell in amorphous patches and curved lines before falling into thick patches of fringe. Just’s color palettes parallel the contrast in textures, with soft, pastel tones alongside bright, neon-like hues.

The artist is currently working on a large-scale tapestry for Culture Object, which opens on May 10 at Culture Object, and plans to release new pieces in her shop this Friday. See more of her process on Instagram.

 

 

 



Art Craft

Social Issues and the Climate Crisis Intertwine in Subversive Crocheted Works by Jo Hamilton

November 15, 2021

Grace Ebert

“I Crochet Portland” (2006-2009), mixed crocheted yarn, 63 x 114 inches. All images © Jo Hamilton, shared with permission

From a mix of wool fibers and yarn made from plastic waste, Scottish artist Jo Hamilton crochets large-scale portraits and architectural landscapes delineated with dangling threads. Her knotted pieces push the boundaries of art and craft traditions, bringing the two together in subversive portrayals of powerful women and metropolises marred by production. Unraveling at the edges, the textured works reflect on interlocking issues like unchecked capitalism, social disparities, and the increasingly urgent climate crisis.

All of the materials Hamilton uses are recycled, whether sourced from estate sales and resalers or created in studio. A few years ago, she started turning grocery bags, videotapes, and other household items into skeins of yarn-like threads—the artist shares some of this process on Instagram—as a way to reduce her impact on the environment, explaining:

We tend to glorify nature as an eternal and everlasting idea, separate from ourselves and our real-life actions. We’ve held on tightly to these ideas during the last few decades in the throes of late capitalism and globalization, and if we don’t change our thinking, policies and behavior immediately it will be too late. So I channeled my anxieties about over-production, pollution, and climate change into my work, using plastic in some of the works in contrast with the yarn.

If you’re in Portland, stop by Russo Lee Gallery to see Hamilton’s most recent works as part of her solo show Transitory Trespass, which closes on November 27.

 

“Cherry Steel Above and Below” (2017), mixed crocheted yarn, 68 x 122 inches

“Shinig Mountain Eclipse.” Photo by John Clark

Left: “Masked Metamorhic.” Right: “Masked Marbled.” Photos by John Clark

“Death Star PDX” (2018), mixed crocheted yarn, 45 x 52 inches. Photo by John Clark

“Isaac Montalvo” (2008), mixed yarn, 23 x 22 inches

“Head & Neck Dietician” (2016), mixed crocheted yarn, 29 x 27 inches

“Groucho Gia” (2013), mixed crocheted yarn, 51 x 36 inches

Hamilton with a 2019 outdoor crocheted mural project on SE Foster Road in Portland. Photo by Kevin McConnell

Hamilton with a 2019 outdoor crocheted mural project on SE Foster Road in Portland. Photo by Kevin McConnell

 

 



Art

An Eclectic Group Exhibition Brings Together Contemporary Interpretations of the Archetypal Vessel

July 15, 2021

Grace Ebert

CHIAOZZA, “Bouquet Sculpture No. 2” (2021), acrylic paint on paper pulp, 36 x 23 x 9 inches. All images courtesy of Hashimoto Contemporary, shared with permission

A group exhibition at Hashimoto Contemporary in San Francisco offers a new perspective on the enduring legacy of the vessel as both standalone object and motif. Spanning ceramic vases, oil-based works on canvas, and sculptures made of paper pulp, the show explores the myriad ways the ubiquitous container has appeared throughout art history and how two dozen artists working today interpret the classic form. Included are the minimal, ritualistic paintings by Laura Berger (previously), Stephanie Shih’s sleek Molotov cocktail inscribed with a strikingly hopeful message, and Katie Kimmel’s zany dogs. We’ve gathered some of our favorite works below, and stop by the gallery before Vessel closes on July 31 to see them in person.

 

Laura Berger, “Vessel 1” (2021), oil on canvas, 42 x 32 inches

Left: Munisa, “La bonga de la vida ‘Josefina'” (2021), clay, wire, and glaze, 18 x 11 x 6 inches. Right: Stephanie Shih, “Molotov Cocktail (A Better World Is Possible)” (2021), 10 x 4.5 x 2.5 inches

Leif Zikade, “Emergence” (2021), acrylic yarn, 24.5 x 16.5 inches

Hilda Palafox, “Cosecha” (2021), high temperature ceramics, 12 x 12 x 12 inches

Left: Katie Kimmel, “Nosferatu vase” (2021), ceramic, 13 x 7 x 3.4 inches. Right: Katie Kimmel, “Camelot vase” (2021), ceramic, 11 x 6 x 3.4 inches

Lorien Stern, “Ready for the Afterparty” (2021), ceramic, 14 x 14.25 x 8.5 inches

 

 



Art Craft

Playful Ocean Life Sprawls Throughout Mulyana’s Immersive, Knit Installations

July 20, 2020

Grace Ebert

“Big Mogus” (2020), yarn and dacron, 96 1/2 × 18 7/8 × 22 1/8 inches. All images © Mulyana, shared with permission

Complete with spiraled tentacles, textured features, and toothy grins, the yarn-based creatures that Indonesian artist Mulyana knits and crochets take a playful, bizarre approach to ocean life. The artist frequently recreates what he refers to as the mogus, or octopus, as a mainstay in his underwater environments. Dotted with multiple sets of eyes, the creature has various iterations ranging in size, color, facial contortions, and number of tentacles. Each billowing mogus is presented suspended from the ceiling, giving it the appearance of floating through the ocean.

While many of Mulyana’s formations are brightly colored, the pieces in his Bety series (shown below) are crafted entirely in white to draw attention to coral bleaching caused by pollution. To maintain his own commitments to sustainability and community, Mulyana re-purposes the yarn that forms his textured corals and ocean life.

If you’re in New York, Mulyana’s sea creatures can be seen at Sapar Contemporary through August 21. Otherwise, keep up with the artist’s vibrant projects on Instagram, and check out where the mogus heads on its next adventure.

 

“Harmony 14” (2019), yarn, Dacron, cable wire, and plastic net, 41 3/4 × 60 5/8 × 17 3/4 inches

Left: “Mogus 39” (2020), yarn and dacron, 14 1/8 × 29 7/8 × 5 1/8 inches

“Bety 1” (2020), yarn, dacron, cable wire, and plastic net, 73 5/8 × 37 3/8 × 20 1/8 inches

Big Mogus” (2020), yarn and dacron, 96 1/2 × 18 7/8 × 22 1/8 inches