Photographer Sebastian Erras‘s Paris-based project has only one perspective—down. This vantage however, never fails to delight as it is captures the ornate mosaics of Parisian floors, brightly patterned tiles and scenes that exist underfoot. Each shot within Parisian Floors (@parisianfloors) is uniform, a cropped image of Erras’s own shoes and the surrounding tile decorations. This repetitive shot ensures we keep our focus on the tiles, highlighting the exquisite forms that make their way below the photographer’s feet.
Inspiration for the project began when Erras took a trip to Morocco, bringing his love of mosaics back with him to France. Here he became aware of the beautiful floors that graced Paris, coming back to the city with a fresh eye to start his Instagram-focused project.
“After a while being in Paris and wandering around the city, the main attractions and sights become a given,” Erras told Colossal. “Now looking down more often I get to see a whole new side of this city! It has been a good motivation to rediscover Paris again.”
Placing the project on Instagram also allows Erras to map the city of Paris through geotags, building comprehensive map of images and allowing the photographer to see which areas of the city he has yet to discover. (via My Modern Met)
No this isn’t a clip from the latest Miyazaki anime, this is the first sighting of a real fluorescent turtle.
Marine biologist David Gruber of City University of New York, was recently in the Solomon Islands to film a variety of biofluorescent fish and coral, when suddenly a completey unexpected sight burst into the frame: a glowing yellow and red sea turtle. The creature is a critically endangered hawksbill sea turtle, and until this sighting last July, the phenomenon had never been documented in turtles, let alone any other reptile.
Biofluorescence is the ability for an organism to reflect blue light and re-emit it as a different color, not to be confused with bioluminescence, where organisms produce their own light.
Many undersea creatures like coral, sharks, and some shrimp have shown the ability to show single green, red, or orange colors under the right lighting conditions, but according to National Geographic, no organisms have shown the ability to emit two distinct colors like the hawksbill. As seen in the video, the coloring appears not only in mottled patterns on the turtle’s shell, but even extends within the cracks of its head and feet. Gruber mentions this could be a mixture of both glowing red glowing algae attached to the turtle, but the yellow fluorescence is undoubtedly part of the animal.
Watch the video above to see the moment of discovery and learn more on Nat Geo.
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It’s been over a year since we last checked in with artist duo Deepti Nair and Harikrishnan Panickerof Hari & Deepti, who construct elegant cut paper dioramas inside backlit light boxes. The medium is perfect for depicting the depth of thick forests, pools of water, or subterranean caves inhabited by spirits and fantastic creatures.
Over the last year Hari & Deepti relocated from Denver to Mumbai where they just completed work for their first European show at Blank Space Gallery in Oslo titled ‘We Are All Made of Stars.’ Like previous exhibitions the event was held in a darkened gallery with the only light emitted from their artwork to better emphasize the themes of travel and adventure depicted in their light boxes.
As companies like Crayola dream up more inventive and brandable colors for their crayons like “inchworm” or “mango tango,” a young designer duo from Japan created this alternative way of exploring colors by doing away with names altogether. Nameless Paints are a set of 10 paint tubes designed by Yusuke Imai and Ayami Moteki that replace more familiar color names (which can be a tad more ambiguous, see: “jazzbery jam!”) with visual depictions of the primary colors magenta, yellow, and cyan mixed inside. The visual labeling system also relies on proportion to depict more or less of different colors to create additional shades of green, orange, or blue.
“By not assigning names to the colors we want to expand the definition of what a color can be, and the various shades they can create by mixing them,” says Imai.
While using written names may ultimately prove more useful (and more fun) in the long run, Nameless Paints are a fun way to explore how color works. The design originally won a 2012 Kokuyo Design Award, and has undergone refinements over the last few years. The set finally go on sale in October of 2015 in Japan for roughly $15. (via Spoon & Tamago)
Walking into a hotel ballroom, say, and considering a gigantic glass chandelier suspended from the ceiling, you probably fall into one of two camps: “Wow, that chandelier is totally incredible.” OR “Wow, if that fell from the ceiling it would be totally incredible.” Regardless of which camp you fall into, you’ve probably never considered the process behind creating a genuine glass chandelier from raw materials. Lucky for us, the Science Channel went behind the scenes to film the elaborate glass-working process required to build the fanciest 150-pound lighting mechanism imaginable. Unfortunately this clip fails to credit the studio and artists shown on screen. Anyone know? (via Sploid)
Update: This is a peek inside the Baccarat crystal studio… because it’s written on their shirts. (thnx, Laurent for helping us read words)
Matthias Jung (previously) creates worlds of surreal architecture that inhabit vast photographed landscapes. The works merge together different elements of photography to create unusual compositions, structures you might vividly remember from a dream. By placing the composite structures in commonplace landscapes the German-based graphic designer preserves their believability, allowing us to momentarily trick our brains into thinking these places actually exist in environments we have not yet explored.
Jung refers to the works as “architectural short poems,” a perfect description for how they are visually consumed by the eye. You can see more of his surreal architectural collages on his website gallery here.