Art and Craft is a new feature documentary about art forger Mark Landis (previously) who is arguably one of the most prolific art forgers in U.S. history, having tricked over 60 museums in 20 states into believing his masterfully created replicas are authentic artworks. The catch: so far, it appears Landis, who has been diagnosed as schizophrenic, has yet to commit a crime. While he’s caused headaches, confusion, and multi-year investigations, he has never sought to benefit or profit from his forgeries in any way. Instead, he enjoys the performative act of pretending to be a philanthropist who makes donations of obscure artwork to art institutions, many of which unknowingly exhibited the fakes, allowing Landis the secret thrill of seeing his work on display.
Crated is a new online art community and marketplace where you’ll find curated works of art from digital artists and photographers. Choose from poster prints, canvas prints or framed art prints, including exclusive pieces from Karim Rashid, devNgosha and Kal Barteski, or take a look at some of our favorites in this Colossal collection.
Crated is giving away a $1,000 gift certificate to spend on art plus an additional 250 runner-up prizes to Colossal readers.
To enter, just visit the contest page before Aug. 31 and click the “Enter now” button, share the contest page on Twitter or Facebook, and collect 5 or more of your favorite Crated art pieces by clicking the heart icon in the top right-hand corner of the art.
Photographer and filmmaker Milton Tan was given unprecedented access to Singapore Changi Airport in order to film his latest timelapse of planes taking off and landing at night. In an unusual reversal, airport officials saw one of Tan’s earlier films, and immediately invited him to shoot at Changi from several restricted areas. He was at times positioned so close that you can occasionally see his tripod shake from the thrust of the jet engines.
My favorite aspect is that even when the airport appears to be busiest (Changi Airport has a takeoff or landing every minute), the airplanes only appear as abstract orbs and streaks of light moving through the sky. You can see a bit more about how it was made over on PetaPixel, and on Tan’s blog.
While on a recent trip to Iceland, photographer Sarah Martinet had the opportunity to shoot these amazing landscapes from a plane with open windows. You can see much more of her work (as well as more from this trip) on 500px and Facebook.
Australian artist Andy Thomas creates what he describes as “audio life forms,” specifically 3D animations that respond to audio input. For these latest pieces he used archival bird recordings from the Netherlands Institute for Sound and Vision (in addition to one of his own recordings) to create these new digital sound sculptures that animate in different ways in reaction to the songs of each bird. Thomas uses more software tools than we could reasonably share here, but you can learn a bit more over on his website.
Artist Susanne Ussing (1940–1998) was a Danish visual artist and architect who worked in a variety of different mediums from photography and ceramics to large-scale installations and sensory exhibitions. One of her most impactful pieces was this 1980 installation titled I Drivhuset (In the Greenhouse) that was installed at the Ordrupgaard Museum in Copenhagen. The sculpture depicts a female figure who has seemingly grown too large for (or has become trapped by) a very tall glass greenhouse. Constructed from newspaper clippings, wood, and metal chimney vents, the figure is so large that her feet seem to penetrate the brick floor below. If Colossal had a physical manifestation, I imagine it would look almost exactly like this.
A retrospective of Ussing’s work titled “an Exhibition in the Midstream between Dream and Prosaic Reality” opened today at the Den Frie in Denmark. Image courtesy Carsten Hoff. (via Carnival of Dogs)
Architect and environmentalist Peter Bahouth designed and built this beautiful trio of treehouses linked by bridges in an Atlanta forest, which also happens to be his backyard. Inspired by the treehouses and adventures of his youth, the idea was to create a sort of fort for grown-ups. The three houses dubbed “Mind,” “Body,” and “Spirit,” include a living room and bedroom with a special bed that slides out for an improved view of the forest below. The photos here were taken for Jane Field-Lewis’ book My Cool Shed, provided courtesy photographer Lindsay Appel. (via iGNANT, CJ Who)