Ever wonder where a Lemon Drop got its name? I always thought it was because of the shape, but it turns out that’s not the case. This video from Florida-based candy shop Public Displays of Confection shows off their painstakingly restored 19th century candy drop maker as they make something called a Nectar Drop. Watch all the way through for the super gratifying end. (via Metafilter)
Since the earliest days of her artistic career, Michigan artist Anne Mondro has been captivated by human anatomy, creating her own interpretations of internal organs and body forms through crocheted sculptures. Working with thin steel and copper wire, she spends hundreds of hours on a single artwork, manifesting her own interpretations of hearts, lungs, limbs, and even entire bodies. “Crocheting wire enables me to create interwoven forms that are structurally strong, yet visually and physically light,” Mondro shares. “The forms allude to ethereal silhouettes associated with shadows, ghosts or decay.”
Though anatomy is an ongoing focus for Mondo, she’s also lent her crocheting abilities to the construction of more mechanical objects, namely the recreation of a Model T engine for the 2011 Love Lace exhibition at the Powerhouse Museum.
Late this year Mondo has an exhibition at Ceres Gallery in New York titled Intertwine, and you can explore more of her work here. (via Bored Panda)
Art Director Liam Wong spends his days directing the visual identity of video games at Ubisoft, while his nights are spent exploring the neon-splashed streets of his city of Tokyo, and sometimes London. Wong places these images, that seem to mimic the appearance of a video game themselves, on Instagram. Here he has a huge archive that explores how the digital has embedded itself within the cities’ landscapes, meshing reality with flashing LED lights, scrolling messages, and neon signs. You can also see more of Wong’s imagery on his Facebook, and Society6 where you can buy his prints. (via My Modern Met)
Turkey-based artist Ali Alamedy had been building miniature sets for seven years when he came across documentation of Charles Miner's photography studio from the early 1900s. Inspired by the way sunlight was used to illuminate studio sets, Alamedy decided to build his own version in 1:12 scale. The project took him over nine months, using hundreds of feet of wood, and building more than 100 miniature objects designed specifically to fit the era.
Due to few images being available of photography studios at that time, Alamedy read extensively to figure out what tools, techniques, styles, and colors were used within the studios (all images were in black and white). One of the hardest challenges during the completion of the model was the camera, as each fold in the bellow in real life is just 3 cm. The final 1:12 scale camera has 124 2 mm folds that were all meticulously created by hand.
All images Ugo Rondinone: Seven Magic Mountains, Las Vegas, Nevada, 2016. Photos by Gianfranco Gorgoni. Courtesy of Art Production Fund and Nevada Museum of Art.
Situated just south of Las Vegas in the middle of the desert stands seven stacks of brightly colored boulders— forms which appear to be in a line or cluster depending on how you view their arrangement. From one side the structures line up neatly in a row, while from the other they seem to be positioned in one giant mass. The cairn-like towers are Swiss artist Ugo Rondinone‘s “Seven Magic Mountains” and stand between 30 and 35 feet tall. Each contains between three and six human-sized masses which are all locally-sourced limestone painted an assortment of dayglow hues.
The stacked forms are intended to appear both stable and on the edge of collapse, similar to their duality of being both nature made and artificial. “Seven Magic Mountains is an artwork of thresholds and crossings, of seclusion and gathering, of balanced marvels and excessive colors, and the contrary air between the desert and the city lights,” states Rondinone. “Seven Magic Mountains elicits continuities and solidarities between the artificial and the natural, between human and nature.”
A digital artist and photographer who goes by the name Kagaya recently spotted this unusual sight of a commercial airliner appearing to blast a contrail of rainbows out of its engines. Spotted above Oshino-Mura, Yamanashi Prefecture in Japan, the rare phenomenon is most likely a form of cloud iridescence caused by the perfect convergence of water vapor and sunlight. Kagaya explains that he was nowhere near the event and had to use a long telephoto lens to zoom in on the plane. If you need a few more rainbows today, here’s some more examples of cloud iridescence. (via Neatorama)