Ah yes, the majestic pigeon. An unlikely source of inspiration for such dominating murals, but at the hands of Dutch street artist Stefan Thelen aka Super A (previously) these ubiquitous urban dwellers are turned into something surprisingly beautiful. His latest piece at top was just completed for Mural Goes in Goes, Netherlands. Check out more of his paintings and other works on his website. (via StreetArtNews)
Oskar Zapirain's photographs capture eerie forests cast in thick fog, hazy light descending upon the foliage in the same green shade that blankets the floor in moss. Zapirain has been attracted to this landscape for years because of the homogenous light as well as the way it forces the viewer directly into a mystical atmosphere.
The forest Zapirain features is a beech forest in Oiartzun, Basque Country in Northern Spain. This particular forest is unique due to the history charcoal production within the region. Instead of clearcutting like we do today, the trees were instead pruned to preserve the trees and maintain the integrity of the forest across generations. The trees have since regrown with short trunks and dramatically long limbs that shoot outward like arms from almost every angle, adding a ghostly feel to each of Zapirain’s photos. You can explore more of his work on Flickr.
Photographer Stephen McMennamy merges his original photography in humorous ways to create what he calls #ComboPhotos: two photos paired to create unexpected situations, usually involving huge constrasts in scale. Tractors and heavy machinery are turned into giant mechanisms for food delivery, while an ice cream cone becomes an actual snowy mountain top. McMennamy is also a creative director at BBDO Atlanta and you can see more of his work here. (via Colossal Submissions)
Brazil-based artist duo Janaina Mello and Daniel Landini of Mello + Landini create tree-like installations with untwisted ropes fastened to the walls of galleries. Titled Ciclotramas, the artworks have gone through 17 different iterations since 2010, each involving some form of ropes that seem to branch through the air and splay onto surfaces like fractals or a network of neurons. The artists say they are interested in creating metaphors surrounding organic structures composed of both interrelated and independent parts, as well as the passage of time, and the “choreography of intertwining lines.” You can follow more of their work here. (via Artsy, My Modern Met)
Photographer Marc Simon Frei snapped these interesting photos by arcing objects to a Tesla coil. He’s also been experimenting with different kinds of LED-illuminated clouds (not unlike what we’ve seen from Richard Clarkson), and some fun shots of wool clouds sprouting tiny lighting storms. You can see more over on his Google+ page. (via The Awesomer)
This exceedingly clever animation by artist Alan Warburton transforms two compositions from J.S. Bach’s The Well Tempered Clavier (Prelude and Fugue in C Major) into a visual interpretation of music. Warburton used a form of graphical notation manifested as thousands of fluorescent light bulbs mounted around a gallery space and parking garage. As each light pops on in sync with the music, the bulb shape correlates with with length and pitch of each note.
You can learn more about how Warburton and a team of programmers and sound designers created the piece over on Sinfini Music who commissioned the piece. Music performed by Pierre-Laurent Aimard.
Stefanie Rocknak’s pieces are slightly larger than lifesize, torsos and heads twisted into intense expressions that can be seen in both the face and body. Each work is incredibly serious, the pupil-less eyes seeming to look right through the viewer.
The Swimmer is one of Rocknak’s most active pieces, her subject carved into an environment of rough waves, fighting for a breath while they are caught mid-stroke. Details can be seen down to the swimmer’s wristwatch and veins, palpable adrenaline coursing through the subject’s body.
The New York-based artist’s sculptural practice is highly influenced by her many trips to Europe, especially by Michelangelo, Donatello, and Bernini who she experienced in Rome. Although trained as a painter, she fell in love with the warmth and unpredictability of wood, preferring three dimensional work over two. Rocknak likes to stick to the detail of the work’s physical creation explaining that “conceptual art leaves me cold. So my figures, quite intentionally, are immediate and obvious; ideally, they do not need a theory to do their talking.”
Rocknak has a solo exhibition this spring at the The New York Sculptors Guild Gallery titled The Royal Family. (via Artist a Day)