Czech artist Jakub Geltner (previously) has been clustering groups of technological equipment in public spaces since 2011, creating installations that address the heightened state of surveillance in our contemporary world. Arranged as ‘nests,’ the sculptures interrupt both natural landscape and urban environments, making the viewer innately aware of how closely they are being watched.
One of Geltner’s latest installations is Nest 06, is a group of cameras installed alongside a pathway leading to the beach in Sydney, Australia created for Sculpture by the Sea. Attached to a curved pole, the devices stare directly down at any passersby with over a dozen watchful eyes. Nest 7, another recent work, dots the side of an aging brick building at Chateau Třebešice, bringing surveillance to the countryside rather than a bustling urban setting.
Though it’s clearly not raising the debt ceiling, this giant pair of feet appears to be breaking right through it. The temporary installation titled “Ego Erectus” was created earlier this year by artist Mario Mankey as part of “The Haus,” an ambitious project undertaken by some 175 artists to transform the inside of an abandoned 5-story Berlin bank into a wild art attraction before its destruction. Mankey is known mostly for his two dimensional works, mostly paintings and murals depicting somewhat sinister and disheveled clowns. You can follow more of his work on Instagram. (via Visual Fodder)
Artist Janaina Mello Landini (previously) continues to produce dizzyingly complex installations and canvas-based sculptural works comprised of unbraided ropes that branch out like tree roots. The fractal-like artworks have developed over a period of six years as part of her “Ciclotrama” series, a word she coined that combines the root word “cycle” and the Latin word “trama” meaning warp, weaving, or cobweb. Via Zipper Galeria:
Janaina Mello Landini aggregates her knowledge of architecture, physics and mathematics and her perception on time to develop pieces that travel through different scales. The labyrinthine architecture has been the central axis of her research in the “Ciclotramas” series, made with ropes that break down into minimal threading, and “Labirintos Rizomáticos”, works in satin that result in the construction of multifocal perspectives, nullifying the traditional construction.
Landini has created numerous pieces for several shows and installations over the past year, most notably for an exhibition at Galleria Macca last June. You can see more of her recent work on Artsy and Zipper Galeria. (via Visual Fodder)
Three white inflatable installations protrude from the landscape in Scotland’s Mellerstain’s House and Gardens, works that inhabit two aging structures and a lake that belongs to the estate built in 1725. The installations, which are collectively titled XXX, are by environmental artist Steven Messam (previously) and aim to present a contemporary twist on the marble sculptures that were meant to originally decorate the home’s grounds.
As of this year the grounds have been opened as a site for open-air contemporary works, with Messam’s pieces creating the first exhibition at the newly opened Borders Sculpture Park. Scattered, a series of 6 to 13-foot spheres bob on the surface of the lake, available for investigation by the small canoes one can rent on site. Pointed, a spiked protrusion from the former gatehouse of the estate, fills the center of the building, extending out only from the roof in a series of 28 10-foot peaks. Finally, Towered juts from the center of a crumbling old laundry building in a series of tubes, its columns reaching over 26-feet-high.
The County Durham-based artist mainly works outside of the gallery, producing ephemeral installations like 2015’s PaperBridge which spanned a small English creek with 22,000 perfectly stacked pieces of bright red paper. You can see more from his XXX installation, and view future Border Sculpture Park exhibitions on the park’s Instagram. (via DesignBoom)
The Parthenon of Books, 2017.
Steel, books, and plastic sheeting.
19.5 × 29.5 × 65.5 m. Commissioned by documenta 14, with support from the Ministry of Media and Culture of Argentina.
South American conceptual artist Marta Minujín has just installed a towering new architectural installation in Germany called The Parthenon of Books, a scaffold replica of the famous Greek temple clad in 100,000 copies of banned books. The piece is currently on view in Kassel, Germany as part of a 100-day art exhibition called Documenta 14.
Minujín worked with students from Kassel University to identify 170 titles that have been historically banned worldwide by various institutions, and then sought help from the public to obtain donated copies. The books were then wrapped in a protective plastic coating to shield them from the elements while allowing visitors to easily identify each title.
An earlier version of The Parthenon of Books was first installed in 1983, referencing an event in Minujín’s native Argentina where books where confiscated and locked up as part of a military junta. This new iteration rests on a site where Nazis burned books by Jewish and Marxist writers in 1933 as part of a broad campaign of censorship.
The Parthenon of Books will be on view through mid-September and you can see more photos at the Instagram hashtag #parthenonofbooks. (thnx, Alice!)
If you have a late-night hankering for some felty gefilte fish or a bottle of fermented fabric, be sure to stop by 8 ‘Til Late, the newest temporary installation by British artist Lucy Sparrow known for her felt recreations of everyday objects. Located in Manhattan at The Standard, High Line, the bodega is filled from floor to ceiling with thousands of objects you might find at a typical corner store from breakfast cereals, a deli counter brimming with meats, frozen foods, and spirits—all made from felt and a bit of paint. And just like a real store, every last thing is for sale.
Over the last few years Sparrow has exhibited her felt objects in galleries and art fairs around the world including Art Basel, Scope Miami, and the New York Affordable Art Fair. 8 ‘Til Late is a companion piece to her 2014 installation in London titled The Corner Shop with a similar concept but with Eurocentric products. We have word that lines stretched around the block the last few days and every object in the store has since sold. While originally scheduled to be open through June 30th, the exhibition is ending early, specifically 10pm tonight. So if you’re nearby, now’s your chance. Maybe?
You can see the finer details of some 400 individual items from 8 ‘Til Late on Sparrow’s website.