installation

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Art

Take a Walk Through Yayoi Kusama’s ‘Narcissus Garden’ Inside an Abandoned Factory in the Rockaways

July 20, 2018

Andrew LaSane

All images: Rockaway! 2018 featuring a site-specific installation of Narcissus Garden by Yayoi Kusama. Artwork ©YAYOI KUSAMA. Artwork courtesy Ota Fine Arts, Tokyo/Singapore/Shanghai; Victoria Miro, London/Venice; and David Zwirner, New York. Image courtesy MoMA PS1. Photo: Pablo Enriquez.

All images: Rockaway! 2018 featuring a site-specific installation of Narcissus Garden by Yayoi Kusama. Artwork ©YAYOI KUSAMA. Artwork courtesy Ota Fine Arts, Tokyo/Singapore/Shanghai; Victoria Miro, London/Venice; and David Zwirner, New York. Image courtesy MoMA PS1. Photo: Pablo Enriquez.

The Rockaway Peninsula in Queens, New York has a reputation for being a popular destination for those seeking respite from the oppressive heat and congestion of the city during the summer months. Those venturing out to parks and beaches between now and Labor Day (September 3) will have the opportunity to experience a site specific installation of Narcissus Garden by Yayoi Kusama (previously), presented by MoMA PS1 as a part of the Rockaway! 2018 free public art festival.

The installation is situated inside of an old train garage at Fort Tilden and is comprised of 1,500 mirrored stainless steel spheres. The spheres reflect the graffiti-covered walls and rusted beams of the dilapidated building, so while the viewer is walking among the shiny garden, they are also seeing the destruction that Hurricane Sandy caused to the structure and to the region back in 2012. Rockaway! 2018 is the third iteration of a festival said to be a “celebration” of the recovery efforts that have taken place over the years, but the state of the building chosen for Kusama’s installation shows that things are still not back to normal after the devastating natural disaster.

Narcissus Garden was first presented in 1966 as a part of an unofficial performance at the 33rd Venice Biennial. The silver spheres were then made of plastic, and Kusama stood among her garden with a sign that read “Your Narcissism for Sale.” “What was most important about Narcissus Garden at Venice was my action of selling the mirror balls on the site, as if I were selling hot dogs or ice cream cones,” Kusama once said in an interview. The spheres were sold for $2 each.

The current installation is not for sale, but it is free and open to the public Friday through Sunday and on Labor Day from noon to 6pm. (via Hyperallergic)

 

 



Art

The Coralarium: An Immersive Sculptural Installation Semi-Submerged in the Indian Ocean

July 19, 2018

Kate Sierzputowski

All photographs shared with permission of the artist Jason deCaires Taylor

The Coralarium is the newest aquatic sculpture by artist Jason deCaires Taylor (previously here and here). Built in a large developed coral lagoon in the Maldives, the semi-submerged installation is positioned so both human and marine visitors can interact with sculptural elements on the skyline, inter-tidal waterline, and seabed.

To reach the Coralarium, island guests traverse about 500 feet (150 meters) of shallow water, seascaped with underwater poplars and endemic corals. About 20 feet (6 meters) tall, the open-air stainless steel cube is designed based on natural coral structures and allows tidal water and marine life to pass through. Within the structure, which provides some refuge from the ocean’s currents, are several figurative sculptures that merge human, plant, and coral shapes, based on endemic species of the island and its surrounding reefs. Additional sculptures sit and stand atop the cube’s roof to unite the interior elements with the horizon.

The aquatic destination is accessible via small group tours led by marine biologists that are on staff at the Fairmont Maldives Sirru Fen Fushi resort. You can see more of Taylor’s work on Facebook and Instagram, and the video below shows the creation of the Coralarium. (via Web Urbanist)

 

 



Art Photography

Temporary Installations Create Winding Paths Through a Forest in the South of England

July 17, 2018

Kate Sierzputowski

For her 2011 series Come With Me, UK-based artist Ellie Davies (previously) constructed pathways through the New Forest in the South of England where she grew up. The pathways, built from wool, powder, paint, and mounds of dirt, follow the natural curvature of the trees and create a weaving line through space. The installations are each created with an intuitive spontaneity, and incorporate the labor as a central concept to the work. Davies carefully cleans up all the materials after she documents each trail. The photographer recently had a solo exhibition titled Into the Woods with A. galerie in Brussels. You can see more of her forest-based installations and digital compositions on her website and Facebook. (via Ignant)

 

 



Art

Organic Shapes Emerge in New Installations of Intertwined Rope by Janaina Mello Landini

July 13, 2018

Laura Staugaitis

Ciclotrama 115 (writing) (Homage a Baron Marcel Bich). 2018. Dimensions: 180x260cm Materials: 80m of 24mm nylon rope, sailcloth Photo: Emilie Mathé Nicolas

Using lengths of colored nylon rope, installation artist Janaina Mello Landini (previously) creates complicated networks of intertwining threads. The unwound rope ends tangle and reach in a giant game of Twister, resulting in sculptural installations that bring to mind the natural patterns found in neural networks, blood vessels, and tree roots. One recent piece, Ciclotrama 50, is a permanent installation at Foundation Carmignac, a French island museum that opened this spring.  You can explore more of Landini’s portfolio on her website and Instagram.

Ciclotrama 115 (detail)

Ciclotrama 115 (alternate view)

Ciclotrama 50. Permanent Site-specific Foundation Carmignac, Porquerolles, France. Photo: Janaina Mello Landini Dimensions: 5,5m x 1,4m x 12m. Materials: 20m of 24mm diameter nylon rope, golden nails

Ciclotrama 50 (alternate view)

Ciclotrama 50 (alternate view)

Ciclotrama 50 (alternate view)

CICLOTRAMA 114 (2018) Photo: Gui Gomes. Dimensions: 2 x 3m. Materials: 15 m of nylon rope 24mm diameter on embroidered sailcloth, stainless cleat

 

 



Art

The Walls of a Fortress City in Southern France Ripple With Bright Yellow Concentric Circles

July 9, 2018

Laura Staugaitis

James D. Morgan/Getty Images

Twenty years ago, the fortress city of Carcassonne in southern France was named a UNESCO World Heritage Site. In celebration of the important anniversary, Swiss artist Felice Varini (previously) was commissioned by France’s Centre des Monuments Nationaux to install a massive illusion of concentric yellow circles on the city’s border. The installation, titled “Concentric Concentric,” was installed this spring and will remain up through September, 2018.

Although at first glance the striking yellow marks appear to be painted directly on the surface of the ancient stones—a somewhat alarming gesture for a declared historic site—the circles are actually very thin pieces of colored aluminum, which were carefully adhered to the city’s walls and turrets by local art students. Varini’s bold installation has garnered quite a bit of attention, not all of it positive. In a video interview, included below, the artist explains how he conceived of this particular work. You can see more of his colorful illusions on Facebook. (via Arrested Motion)

James D. Morgan/Getty Images

James D. Morgan/Getty Images

James D. Morgan/Getty Images

James D. Morgan/Getty Images

 

 



Art

A 65-Foot Hand-Crocheted Tree Gives Visitors to Zurich’s Train Station a Full Sensory Experience

July 6, 2018

Kate Sierzputowski

Ernesto Neto, "GaiaMotherTree" (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto, “GaiaMotherTree” (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Brazilian Conceptual artist Ernesto Neto manifests sensorial experiences in highly trafficked public spaces, encouraging passersby to slow down their everyday movements to interact with, smell, and relax in his temporary installations. His most recent work was created in partnership with the Fondation Beyeler in the concourse of Zurich’s main train station. The 65-foot green and orange work, GaiaMotherTree, extends to the ceiling, while its base creates a temporary oasis in the middle of the bustling station.

The sculpture was created with a finger-crocheting technique that took 27 people several weeks to complete. The surface of the structure is fragile, yet like all of his installations, Neto encourages visitors to touch and experience their physical forms. In addition to activating touch, he has also hung over 1300 pounds of aromatic ground spices such as turmeric, cloves, cumin, and black pepper in bags that surround and counterbalance GaiaMotherTree. These smells add to a feeling of relaxation which Neto hopes serves as a respite for visiting travelers.

The work is inspired by a spiritual connection with nature practiced by the Huni Kuin, members of an indigenous community in the Amazon region of Brazil. Neto has been working closely with the group since 2013, and their values, sense of community, and craft has been a large influence into his recent practice.  “This work is all about intimacy,” Neto explains in a short video that explores the process below. GaiaMotherTree will be on display in Zurich Main station through July 29, 2018. You can see a list of public programming associated with the installation on Fondation Beyeler’s website. (via Designboom)

Ernesto Neto, "GaiaMotherTree" (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto, “GaiaMotherTree” (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto, "GaiaMotherTree" (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto, “GaiaMotherTree” (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto, "GaiaMotherTree" (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto, “GaiaMotherTree” (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto, "GaiaMotherTree" (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto, “GaiaMotherTree” (2018) at Zurich Main Station, Fondation Beyeler, photo by Mark Niedermann

Ernesto Neto during the installation of Rui Ni / Voices of the Forest at Kunsten Museum of Modern Art Aalborg, Denmark, photo by Niels Fabaek/Kunsten Museum of Modern Art, Aalborg

Ernesto Neto during the installation of Rui Ni / Voices of the Forest at Kunsten Museum of Modern Art Aalborg, Denmark, photo by Niels Fabaek/Kunsten Museum of Modern Art, Aalborg

 

 



Art

Painted Street Carpets Connect Modern Cities to Ancient Ornamentation by Arthur-Louis Ignoré

June 29, 2018

Kate Sierzputowski

Arthur-Louis Ignoré, also known as Ali, paints white patterned carpets on public sidewalks and passageways in cities across the world, including recent installations throughout France and Finland. The works are inspired by both geometric and botanical patterns found in ancient ornamentation from a wide range of cultural contexts. By combining the patterns into public works, he showcases the diversity found in our modern cities while providing a domestic aesthetic that contrasts the often brutalist feel of urban environments.

Currently the artist lives in Rennes, France, where a few years ago he painted his largest installation to date. The 10,000-square-foot mandala was painted on the roof of the Social Welfare Family Allowance building, and visually created links between works Ali produced in both Montreal and New York City. You can see more of his painted carpet installations on Instagram and Behance.

 

 

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