One of my favorite portrait artists, Andrew Salgado (previously) who lives and works in London has completed a number of new works in advance of his second solo show, The Misanthrope, which opens at Beers.Lambert on October 11, 2012. You can see see much more of his recent work on his website.
I can’t remember the last time I saw the actual use of a rubber date stamp, most libraries exchanged them for fancy barcodes and other digital systems a decade ago. But Italian artist Federico Pietrella (previously) who lives and works in Berlin has a fantastic use for them in his paintings made from thousands of densely stamped ink dates. In his enormous ink artworks Pietrella always stamps the current date, thus each of his pieces contains a clear timeline of the days he worked on it, often spanning two months. You can see much more on his website and watch a brief interview with artist courtesy of Deutsche Welle. (via visual news)
Artist Adam S. Doyle who recently relocated to Hong Kong creates beautiful gestural paintings of birds, where the seemingly incomplete brushstrokes form the feathers and other details of the animal. In some strange way it reminds me of the story of the Renaissance painter Giotto who is rumored to have been able to draw a perfect circle without the aid of a compass, as if Doyle just picks up a dripping paint brush and in a few seconds paints a perfect bird. In reality his work demonstrates a profound control of the paintbrush and careful understanding of the mediums he works with. Via email he tells me:
Yes, what you see is what it appears to be—strokes of paint. I’ve always loved unfinished paintings because you could see the alchemic process of surface and paint transforming into a living person. With my paintings, it does take quite a bit of working and reworking to arrive at the place where every brush stroke fits into a fluidly flowing whole. It’s important to me to find a balance between an elegance of form that holds both visible marks of paint and a representation of ‘energy within’. I’ll just add that the painterly craft of my images, which I consider secondary to investigating ideas and concepts, came about after a lifetime of expressive image-making, followed by doggedly exploring the aforementioned transformation in grad school. I realized during that same formative period that I was also captivated by trying to visualize energy, which I was quite familiar with having grown up with a dad who practiced Eastern medicine.
Doyle most recently had a show at Skylight Gallery in 2011 and is now currently working on a new body of work in Hong Kong. You can see much more of his work on his website.
Brazilian-born artist Harding Meyer lives and works in Berlin and Karlsruhe where he paints these stunning, large-scale oil portraits. I imagine nothing short of standing in front of these giant canvases truly does them justice, but you can see them in extremely high resolution over on Meyer’s blog. His work will appear in a number of group shows later this year at Würth and the Arts and Museum Dr. Guislain in Gent, and you can see much more of his work at Galerie Voss.
Korean artist Lee Kyu-Hak creates beautiful mixed-media paintings (mosaics?) by wrapping small wooden wedges with colored newsprint that mimic the brushstrokes of famous artists. Lee’s artworks appear mostly to be reinterpretations of pieces by Vincent van Gogh, but I think I see a few original compositions as well. See much more over at Yesong gallery.
Musician Michael Andrews (best known for his cover of the Tears for Fears song “Mad World” recorded with Gary Jules for the Donnie Darko soundtrack) just completed this fantastic collaboration with over 100 students from Dan Diego-based High Tech High International who drew over 3,000 frames for a video for his new single “Bubbles in Space”. I can’t think of anything I did in high school art that approaches anything this awesome. Great job guys. See the making of here.
Artist Brad Kunkle lives and works in New York where he paints these extraordinary, dreamlike scenes of women swathed and shrouded in layers of leaves. The leaves often form the backdrop of his images functioning as water, wind, blankets, earth or perhaps all of the above. Via Arcadia Fine Art:
Brad was searching for an unnatural quality in his paintings, and it was ironically discovered by reducing his processes to the elements of painting he felt came most natural to him. His minimal palette is inspired by the grisailles of early European masters and the haunting quality of antique photographs and daguerreotypes. “Grisaille has a mysterious quality to it, and that mysterious quality is also at times carried into the way I will treat an object or a dress. Sometimes I like to give just enough information for the viewer to finish the details of what they are seeing.”
Brad had his most recent solo show at Arcadia Fine Art back in April, and is currently working on a new body of work that will be shown at the LA Fine Art Show in 2013.