Tag Archives: painting

A New 100-Day Miniature Painting Project by Lorraine Loots Tackles Vintage Book Covers, the Cosmos, and Furry Animals 

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As a continuation of her impossibly miniature painting project, South African artist Lorraine Loots (previously) has embarked on her latest endeavor for 2015: Potluck 100. The new series involves 100 new artworks painted in four categories: Microcosm Mondays, Tiny Tuesdays (vintage book covers), Fursdays, and Free Fridays (images of anything). All 100 paintings are being auctioned on her Instagram account and a limited edition of 10 prints for each work are being made available on her site. Loots also has an upcoming exhibition in New York at Three Kings Studio in July. (via My Modern Met)

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Hyperrealistic Depictions of a Fictional Mouse-Butterfly Species by Lisa Ericson 

“Bliss”, Acrylic on Wood Panel, 11″x14″

“Bliss”, Acrylic on Wood Panel, 11″x 14″

“Perch”, Acrylic on Wood Panel, 9″x12″

“Perch”, Acrylic on Wood Panel, 9″x 12″

“Gatherer II”, Acrylic on Wood Panel, 8″x10″

“Gatherer II”, Acrylic on Wood Panel, 8″x 10″

"Gatherer I", Acrylic on Wood Panel, 8″x10″

“Gatherer I”, Acrylic on Wood Panel, 8″x 10″

“Hover”, Acrylic on Wood Panel, 13″x16″

“Hover”, Acrylic on Wood Panel, 13″x 16″

“Artista”, Acrylic on Wood Panel, 16″x16″

“Artista”, Acrylic on Wood Panel, 16″x 16″

Lisa Ericson‘s logo is just as enchanting as her hyperrealistic paintings, a tiny mouse with butterfly wings floating between her first and last name. Ericson works as a multi-hyphenate, utilizing her visual talents as an artist, illustrator, and designer to craft meaningful images for both her client and personal practice.

In her newest series Ericson skillfully depicts her invented species of mouse-butterfly while they explore environments filled with detailed mushrooms, forgotten tin jars, and forest brush while sometimes clutching found objects such as acorns and raspberries.

Ericson’s first exhibition, and one featuring this series, is displayed at Portland’s Antler Gallery alongside Heiko Müller and John Casey until April, 27th. During my research I also learned that Ericson illustrated Ramona Ausubel’s website (one of my favorite contemporary authors), and can be seen here. (via This Isn’t Happiness, Hi-Fructose)

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Brooding Seascapes and Marine Vessels Painted by Justyna Kopania 

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Polish painter Justyna Kopania depicts melancholy seascapes and towering ships obscured by mist with liberal applications of oil paint. Crashing waves are depicted with splashes of paint, and sails are formed with the stroke of a palette knife. You can see more over on Saatchi Art and Facebook. (via MEERESSTILLE)

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Hand-painted Ceramic Plate Installations by Molly Hatch 

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Quand on Aime Tout est Plaisir: After Fragonard, USA, 2013

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Quand on Aime Tout est Plaisir: After Fragonard, USA, 2013

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Recite, USA, 2014. 199 hand-thrown porcelain porcelain plates with glaze and underglaze, acrylic paint, hardware.

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Recite, detail.

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Covet Project, 2012.

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Covet Project, 2012.

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Deconstructed Lace: After Royal Copenhagen, USA, 2014. 93 hand-thrown and hand-painted porcelain plates with glaze and underglaze.

Massachusetts-based artist Molly Hatch creates immense installations of hand-built ceramic plates painted with a variety of patterns and scenes. Hatch frequently re-contextualizes historic images used centuries ago by old porcelain manufactures as well as paintings and textiles. Her largest artwork to date, Physic Garden, was installed last year at the High Museum of Art in Atlanta, a monumental installation of 475 plates depicting imagery used on Chelsea Factory plates dating back to the 1750s. Hatch is represented by Todd Merrill Studio, and you can see more work on her website. (via Design*Sponge, My Amp Goes to 11)

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Painted Pedestrian Views of Dark, Urban Scenes by Cristóbal Pérez García 

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Iron Raining. Oil on canvas. 89 x 146 cm

Iron Raining. Oil on canvas. 89 x 146 cm

Lights at the Bus Stop. Oil on canvas. 120 x 120 cm

Lights at the Bus Stop. Oil on canvas. 120 x 120 cm

5ª Avenida.195 x 195 cm

5ª Avenida.195 x 195 cm

Empire State. 146 x 146 cm

Empire State. 146 x 146 cm

Afternoon From High Line Park. Oil on canvas. 120 x 120 cm.

Afternoon From High Line Park. Oil on canvas. 120 x 120 cm.

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Cristóbal Pérez García’s oil painted scenes are those found in twilight or dusk, landscapes encased in smog and the highly trafficked realities of living in an urban metropolis. The vantage points are those of the pedestrian, Garcia’s own view when embarking on a new city to paint. He recently shared a video, Traffic, that gives a short, but intimate glimpse into his process both within the studio and on the street.

Garcia’s highly textured paintings give a nice balance to the blurred masses of city inhabitants and his detailed buses, cabs, and cars. Each painting also has an emphasis on light, either natural or the reflection of vehicle and traffic lights in the crowded streets.

Garcia was born in 1976 in Álora, Málaga and studied painting and sculpture at the Universidad de Granada, Spain. Garcia has upcoming exhibitions at Galería Mar from March 5-18, and Art Expo New York from April 23-26. You can see more of Garcia’s urban landscapes on his website and frequently posted on Twitter. (via This Isn’t Happiness)

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Ghostly Watercolor and Ink Cats Bleeding into the Canvas 

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Serbian artist Endre Penovác renders fluffy felines with stark black watercolors and ink. Penovác heavily dilutes the pigments with water creating small rivers and splotches that perfectly mimic the texture of fur. You can see more of these on his website and over on Miss Moss.

Update: Penovác has prints and originals available through Saatchi Art.

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