If you’re afraid of heights, caves, the dark, suffer from claustrophobia or vertigo, this might not be for you, but if not, a small Welsh town has the perfect subterranean adventure for you: the world’s largest underground trampoline. Just unveiled in Blaenau Ffestiniog, North Wales, Bounce Below is a network of trampolines and slides mounted to the walls of an abandoned slate mine at heights of 20 feet to 180 feet off the ground. Visitors are welcome to climb, bounce, slide, and jump in the netting amidst a technicolor light show. Tickets are available online and the space will open to the public July 4th, 2014. (via My Modern Met)
Three Hyper Island students (Caio Andrade, Rafael Ochoa, and Linn Livijn Wexell) dreamed up the idea of making “Not Available on the App Store” stickers as a friendly reminder to get kids away from the screen and into the real world. Stickers are available for purchase or you can make your own. Purchased!
Danish design firm Monstrum (previously) continues to redefine the modern playscape, constructing numerous fantastical scenes for kids to climb on in locations around the world. Founded by Ole B. Nielsen and Christian Jensen, the award-winning firm has an extensive background in theatrical set design in theaters throughout Copenhagen that strongly influences their groundbreaking aesthetic. Each new playground becomes the backdrop for a dramatic scene, from towering robots to hoards of attacking insects. For their most recent creation in Moscow’s famous Gorky Park, Mostrum constructed a gargantuan octopus overtaking a huge oceanliner, complete with slides, cargo nets and climbing walls (shown above in subzero temperatures). See more recent work in their project portfolio.
Crocheted Jacaré is the latest work from Brooklyn-based artist Olek, who traveled to Brasil for the 2012 SESC Arts Show in order to encase a massive playground shaped like an alligator in her trademark crochet covering. With the help of several colleagues Olek covered the reptilian playscape in North Carolinian acrylic yarn and Brazilian ribbons over a period of several weeks. The SESC show runs through July 29th and you can see much more of Olek’s work on her website. All images courtesy Lost Art. (via designboom)
In the mid 1990s Japanese artist Toshiko Horiuchi MacAdam was showing a large scale crochet artwork at an art gallery when two rambunctious children approached her and asked if the sculpture, resembling a colorful hammock, could be climbed on. She nervously agreed and watched cautiously as her suspended artwork twisted and stretched as the kids climbed on top of it. Suddenly an idea was born. Almost three years later MacAdam would open her first large-scale crochet playground in conjunction with engineers TIS & Partners and landscape architects Takano Landscape Planning. She has since created several additional playscapes around Japan, photos of which were recently made available for the first time online only a few weeks ago.
However the MobileMe site where the projects were hosted seems to be permanently down, but Paige over at the Playscapes blog managed to highlight a few of the most interesting shots. Hopefully a new site will go up before long.
Update: Their website and portfolio is now back up.
Danish firm Monstrum, founded by Ole B. Nielsen and Christian Jensen, are responsible for some of the most brilliant playscapes I’ve ever seen. From life-size blue whales, giant serpents, and wobbly castles, any one of these would have been my dream come true as a child. See many more examples in their project gallery. (via super punch)
The Treeless Treehouse is a cantilevered, inverted octagonal cone treehouse designed by Roderick Romero and constructed in less than two weeks with the help of Ian Weedman, and Jeff Casper. Via email Jeff writes:
The “treeless treehouse” was built high on a hillside site in Bel Air, California. The location lacked trees mature enough to support a structure of this magnitude, so this cantilevered, inverted octagonal cone of wood was anchored into a deep, cubical-shaped concrete foundation. A twisting tornado of Forest Stewardship Council (F.S.C.) certified mixed-species reclaimed Brazilian hardwoods were milled, pre-drilled & mounted around a burly framework of reclaimed vintage Douglas Fir beams. The entrance to this elevated observatory is accessed through a hidden opening in the west facing side of this chaotic, angularly wrapped nest.
I grew up in the Texas hill country amongst similar treehouse-challenged terrain and would have killed to have such an incredible structure. Here’s a video of some additional construction shots. If you liked this also check out the Knit Fort. Thanks to John Casper for the photos! (via core77)