In an exquisite if not terrifying act of self-preservation, the Monkey Slug Caterpillar has evolved to disguise itself as a predator, mimicking the form and color of a Tarantula Spider on its back. Nature photographer David Weiller captured this particular specimen while in the Amazon Rainforest of Puyo, Ecuador. He shares:
This mesmerizing caterpillar mimics a hairy tarantula spider with its oddly long hairy arms curling out. When looking at the underside, it looks like a slug with its suction cups prolegs and its tiny legs. This caterpillar is the larvae of the hag moth.
Weiller shares incredible animal and insect discoveries from rainforests in Ecuador, Malaysia, Madacascar and elsewhere on his YouTube channel. Start with the “Walking Soft Ice Cream Bug” or the Lichen Katydid. (via Laughing Squid)
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We’re not crying, you’re crying. Music’s ability to improve the mood and boost cognitive skills in people with dementia has long been documented. “Music is no luxury to them, but a necessity,” wrote neurologist Oliver Sacks in his 2008 book Musicophilia. “It can have a power beyond anything else to restore them to themselves, and to others, at least for a while.” Such is the case in this video of former NYC ballet dancer Marta C. González who was given the opportunity to listen to Tchaikovsky’s Swan Lake, a piece of music we can assume she performed numerous times as shown in the interspersed archival clips from the 1960s. The music seems to awaken the choreography stored deep in her brain as she begins to spontaneously perform from her wheelchair. González founded and directed her own dance ensemble called Rosamunda.
The video was recorded last year in Valencia, Spain and published by Música para Despertar (Awakening Music), a non-profit organization that brings music to patients with Alzheimer’s and other forms of dimensia to help raise awareness of its therapeutic impact. (via Kottke)
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Banksy’s latest artwork can be spotted on a vessel rescuing refugees from north Africa, who are attempting to cross the Mediterranean to find safety in Europe. The anonymous British artist, whose work we’ve talked about extensively, used the proceeds from the sale of an artwork to purchase a former French Navy boat, which is named after anarchist Louise Michel. With a fire extinguisher, Banksy sprayed the exterior with pink paint and adorned it with a version of the iconic “Girl with Balloon.” This iteration outfits the child with a lifevest and swaps the red heart with a pink flotation device.
The project was conceived of in September 2019 when Banksy contacted Pia Klemp, who led several missions with NGO boats to rescue refugees. “Hello Pia, I’ve read about your story in the papers. You sound like a badass. I am an artist from the UK and I’ve made some work about the migrant crisis, obviously I can’t keep the money. Could you use it to buy a new boat or something? Please let me know. Well done. Banksy,” the artist wrote, according to The Guardian.
Now, Klemp and a professional rescue team helm the 31-meter lifeboat, which already has brought aboard hundreds of refugees. Capable of at least 27 knots, the boat is faster than most ships, allowing it to reach people faster and “hopefully outrun the so-called Libyan coastguard,” Klemp says. The project’s mission is explained on its site:
It might seem incredible there is need for a homemade emergency vehicle in one of Europe’s busiest waterways, but there is. The migrant crisis means that European states are instructing their Coastguard not to answer distress calls from ‘non-Europeans’ leaving desperate people to drift helplessly at sea. To make matters worse authorities prevent other boats from providing assistance, arresting crews and impounding boats that do.
This past weekend, the Italian Coast Guard responded to distress calls from the vessel after it became overloaded with passengers, at one point carrying 219 refugees and 10 crew members on the main ship, with 33 people still in rafts floating alongside. The agency evacuated 49 migrants along with the boat Sea-Watch 4, which brought aboard another 150.
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Plunge into the serene depths of the Indian Ocean through new 4K footage from the Schmidt Ocean Institute’s recent dive into the Ningaloo Canyons off the western coast of Australia. Previously unseen by researchers, the exploration captures aquatic life and swaths of the seafloor that have gone unexplored for years. Spanning 180 hours in total, the underwater adventure led to the discovery of more than 30 new aquatic species, in addition to the longest animal ever recorded. A member of the Apolemia genus, the record-breaking organism reaches an unprecedented 154 feet.
The humanless dive used the ROV Sebastian, a robotic underwater vehicle that can bear the pressure of 14,750 feet below water for lengthy durations, far more than people are capable of. See more of the institute’s mesmerizing videos on YouTube and find an extensive collection of deep-sea footage on its site. (via PetaPixel)
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A unique program in New York City created by the Center for Court Innovation offers people who have committed a low-level crime like trespassing or criminal mischief the opportunity to completely divert their case out of the traditional court system. Instead, participants in the Project Reset initiative meet in group settings with teaching artists to share a dialogue about works of art over a three-hour course. Upon successful completion of the program, the case is declined by the local district attorney’s office, the arrest record is sealed, and the individual never sets foot in a court room.
The program was piloted about six years ago at Gavin Brown’s gallery in Manhattan; artists Derek Fordjour and Shaun Leonardo were involved in developing and leading the curriculum. Currently, Project Reset operates in partnership with the New Museum in Manhattan and the Brooklyn Museum. At the latter, the focus is on two paintings: Titus Kaphar’s “Shifting the Gaze” and “Judgement” by Bob Thompson.
In a conversation with Colossal, Criminal Justice Director Adam Mansky explains that they have seen incredible success with the program. Initially limited to first-time offenders ages sixteen to seventeen, Project Reset has incrementally expanded over the years. It now serves a wider age range, as well as people who have had previous encounters with the court system.
“What we’ve observed is that some of the older participants get even more out of it,” Mansky tells Colossal. “There is a conceptual and performance aspect to participating in the course,” he explains, prompting reflection and active engagement on issues like systems of power and social perceptions.
“Conceptually, we do things that allow people to use arts to reflect on their behavior and the injustices of the system, that it can be a constructive experience for people,” says Mansky. Project Reset is effective because it matches the systemization of traditional court processes, while also centering the individual’s circumstances and potential for improvement and change for the future, rather than punishment for the past.
Since 2015, more than 1,750 people have participated in the program, and avoided a criminal record. The program has a 98% completion rate, with 96% of participants recommending it to others and a significant decrease in recidivism one year later. Project Reset also offers expediency: the 3-hour program helps cases, on average, be resolved 186 days sooner than traditional prosecution.
In addition to Project Reset, the Center for Court Innovation engages in a wide array of participatory and creative programming. The organization offers youth photography workshops, as well “a tremendous amount of place-making work”, Mansky explains. Much of their programming incorporates design and urban planning, as well as creative technology.
Find out more about the Center for Court Innovation on their website. The organization is also hiring for dozens of roles if you’re interested in getting involved professionally. You can also keep up with the non-profit and learn more about their impact on Facebook, Instagram, and Twitter.
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Over 100 Stitchers are Collaborating Across the U.S. to Complete an Unfinished Embroidered Quilt by Late Crafter Rita Smith
Chicago-based fiber artist and activist Shannon Downey has a particular affinity for unfinished projects. She seeks them out at estate sales, helping women who’ve passed complete their work. Although this has long been an area of interest for Downey, one recent discovery has catapulted to the front page of news sites around the world.
On a visit this September to a Chicagoland estate sale sale, Downey happened upon a framed embroidery (pictured above) that maps out the United States and illustrates all fifty state flowers. A casual conversation with the cashier at the sale led to Downey finding a large-scale project related to the framed work. An unfinished queen-sized quilt was meant to incorporate another U.S. map along with hexagons featuring each state’s bird and flower along with the year they entered the union.
Rita Smith of Mount Prospect, Illinois, had begun the project a few decades ago, according to her son, whom Downey subsequently connected with. Smith, who was a nurse, passed away recently at the age of 99. “I have an annoying habit of having to purchase and finish unfinished projects if I think that the person has passed on … but usually I’m just buying a half-done pillow that needs half an hour’s worth of stitching and then it’s done,” Downey told Block Club Chicago. “But this one was massive and it just felt really significant for some reason. And so I bought it.”
Downey has a substantial following thanks to her work as a community organizer and resource for people looking for an alternative to digital distractions. The self-described ‘craftivist’ tells Colossal that after running a digital marketing company for a decade, she was burned out and needed a break from technology.
I started stitching to find some digital/analog balance. I was hooked. I am an activist and I quickly fused the two. At first, it was about creating space for myself to think substantively and reflect on various issues and topics. As I started to share my work and thoughts, I found a community of folks on Instagram who were engaged and engaging. I have found ways to move those communities offline and into real life communities through my stitch-ups. Those communities are what inspire me to keep going, level up, find new ways of building and connecting, having hard conversations and tackling challenging topics.
Once Downey shared her unexpected find on Twitter, inquiries from potential collaborators began flooding in. Now she is coordinating between dozens of stitchers across the country who are volunteering their time to complete Rita’s masterpiece. Downey describes the effort as a strongly feminist project. “It is an opportunity for folks to consider how we define and assign value and meaning to craft,” she tells Colossal. “So many of the stories that people are sharing with me on twitter after reading about #RitasQuilt are about memories and connections that they have to the women in their lives who are/were makers and the significance that their art has come to have for them.”
The National Quilt Museum in Paducah, Kentucky will be displaying the completed quilt, and Downey hopes that it will be able to come with her for a planned 2020 craftivist tour around the U.S. Keep up with Downey on Twitter and Instagram to see how you can get involved in craftivism in your community, and follow along with the #RitasQuilt hashtag.
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