abstract

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Animation

We: A Shape-Shifting Animation Explores Connection and Constraint

October 13, 2020

Grace Ebert

In Rita Louro and Martina Stiftinger’s “We,” abstract forms undergo a series of transformations that evince both their malleable properties and inflexibility. Two-toned liquids gush into bulbous pools, fabric strips tether a diverse array of solid shapes in a single unit, and a rock-like substance cracks and crumbles into disparate pieces. While the amorphous forms are different in texture, hue, and structure, they overlap and join together in new configurations.

Louro and Stiftinger describe the animation as a visual essay that explores connection through “a metaphorical study of interpersonal relationships and social constraints” and evokes personal experience. Set to serene audio by Los Angeles-based sound designer Ambrose Yu, “We” takes a captivating and calming approach to examining the current cultural moment.

To dive further into Lisbon-based Louro’s projects, head to Instagram, Vimeo, and Behance. Follow Stiftinger, who works and lives between the United Kingdom and Austria, on Vimeo and Behance.

 

 

 



Art

A Prismatic Installation with Giant, Abstract Forms Sweeps Across a Berlin Museum

September 1, 2020

Grace Ebert

“It Wasn’t Us“ (2020), Hamburger Bahnhof – Museum für Gegenwart. All images © Katharina Grosse, VG Bild-Kunst, Bonn 202o. Photos by Jens Ziehe

Katharina Grosse’s latest installation transcends the boundaries of the Hamburger Bahnhof – Museum für Gegenwart as it erupts into a sprawling kaleidoscope. From varicolored surges inside to the vast paintings on the ground and nearby outdoor walls, “It Wasn’t Us” is an expansive artwork on the site of a former railway building. As visitors walk throughout the work, the abstract forms swell in various directions, creating a new visual at each angle. “I painted my way out of the building,” Grosse (previously) said about the site-specific project.

“It Wasn’t Us” will be on view at the Berlin museum until October 1, 2021, and if you can’t experience it in person, watch the immersive video and interview with the artist below. To dive further into Grosse’s work, purchase a copy of her forthcoming monograph or check out her Instagram. (via designboom)

 

 

 



Art Documentary History

A New Hilma af Klint Documentary Explores the Abstract Artist's Historical Legacy

April 15, 2020

Grace Ebert

All images courtesy of Kino Lorber

An effort to rewrite art historical timelines predominately shaped around men, a new documentary spotlights inventive Swedish artist Hilma af Klint (1862–1944). Beyond the Visible: Hilma af Klint considers her colorful, abstract artworks that predate those of widely recognized male artists, like Vasily KandinskyKazimir MalevichPiet Mondrian, Paul Klee, and Josef Albers. Directed by Halina Dyrschka, the corrective documentary follows the Guggenheim’s 2018 retrospective of the artist’s spiritual work that since has secured af Klint’s position as a pioneer of 20th-century art.

Dyrschka discovered the revolutionary artist’s work in 2013, quickly realizing that “here was a woman who consequently followed her own path in life that led to a unique oeuvre. A strong character and despite all restrictions Hilma af Klint explored the possibilities that go beyond the visible.” In addition to art history’s tendency to ignore women, the artist’s groundbreaking projects have been absent from historical discourse in part because she asked that her work not be shown until 20 years after her death.

Having interviewed af Klint’s relatives, historians, artists, and critics for the documentary, the German director is hoping to offer a comprehensive and amended version of af Klint’s legacy that transcends her bold paintings. Her “oeuvre goes even beyond art because she was looking for the whole picture of life,” Dyrschka said. “And with that she comes close to the one question: What are we doing here?”

Beyond the Visible will be available for streaming starting April 17. (via Artnet)

“Altarpiece No. 1” (1915), Altarpieces: Group X

“The Dove No. 2” (1914-1915), from Group IX

 

 



Animation

Geometric Volumes and Humanoid Figures Shape-Shift in a New Animation by Guldies

December 9, 2019

Laura Staugaitis

Malleable sculptures formed from plasticine topple, bounce, and shape-shift between geometric volumes and humanoid figures in UTOPIA, a new stop motion animation. The minimalist short film is set on a plain aqua-toned background with a restricted clay color palette of white, pink, orange, and burgundy. UTOPIA’s tightly controlled aesthetic centers the viewer’s attention on the fast-moving shapes as they transform and interact with each other. The short was created by Alexander Unger, a Swedish animator who goes by Guldies (previously). Watch more animations from Unger on his YouTube channel and Instagram.

 

 



Art

Muralist Elian Chali Envelopes Building Facades in Enormous Abstract Fields of Color

November 5, 2019

Laura Staugaitis

Argentinian artist Elian Chali, who goes by just his first name professionally, creates vibrant murals that balance a simple aesthetic with carefully calculated designs. Elian often incorporates anamorphic shapes into his murals, placing squiggles and squares at the corners of buildings, creating the illusion of floating patterns. Clean lines and flat color fields almost seem to be rendered digitally rather than laboriously hand-painted across hundreds or even thousands of square feet. In addition to his mural projects, the self-taught artist creates smaller gallery-ready paintings and prints, and also works as a freelance curator. Follow along with Elian’s latest projects on Instagram. (via Street Art News)

 

 



Design

Hand-Painted Wood Offcuts Form Colorful Dovetailed Chairs and Benches by Donna Wilson

October 4, 2019

Laura Staugaitis

Textile designer Donna Wilson’s newest body of work is a collection of colorful chairs and benches called Abstract Assembly. The designer, who you may be familiar with through her quirky plush characters like Rita Radish and Lenny Leopard, debuted her new venture into hard goods at this year’s London Design Festival.

The vibrant, multi-part chair backs are translated from Wilson’s watercolor paintings and use offcuts of oak, beech, and Douglas fir wood. Each design is a limited edition of ten. All components are hand-painted by Wilson and then dovetailed together (she partnered with Jon Almond on production). Design Milk quoted Wilson’s creative exploration that sparked the Abstract Assembly collection:

A year ago I embarked on a new direction with the main purpose to satisfy my creativity. I finally managed to stand back from what I was doing with my company and see what I needed to do. With no idea where it would take me, I started drawing and painting in the evenings. The next step was for me to bring these abstract doodle to life and start working in wood, I wanted to make hand-assembled pieces using traditional carpentry techniques and luckily my partner Jon was able to help me develop these pieces into a collection of chairs and mirrors.

See more from the Scottish designer on her website, where you can pick up a chair of your own, or peruse the wide array of Wilson’s fabric-based designs. You can also follow the company on Instagram and Twitter. (thnx, Kate!)