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Art Craft
Wild Personalities Flirt With Their Frames in Calvin Nicholls’s Meticulous Paper Sculptures

All images © Calvin Nicholls, shared with permission
In exacting detail, a giraffe nuzzles its young and a panda noshes on eucalyptus fronds in Calvin Nicholls’s paper sculptures (previously). Working primarily in white and neutral-toned paper, his pieces capture the intricate details of animals’ musculature, fur, and feathers in meticulous cuts and creases. Mounted onto dark backgrounds and situated within a border of mat board, Nicholls’s subjects resist being contained altogether, as a paw, bill, or ear projects just outside the frame. “I often reach out to wildlife photographers and stock agencies to fill gaps in the gestures and moments I’m eager to create,” he tells Colossal, sharing that these kinds of collaborations have led to some of his favorite works.
Based two hours north of Toronto in the Kawartha Lakes region, Nicholls has ample opportunities for walks in nature and viewing wildlife, which inspire an ongoing series called Backyard Birds, along with individual commissions. Find more information on his website and Instagram.
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Art Illustration
Vintage Ephemera Backdrops Mark Powell’s Intimate Ballpoint Pen Drawings

All images © Mark Powell, shared with permission
From playing cards and posters to envelopes and postcards scrawled with notes, the untraditional canvases holding Mark Powell’s artworks are tapestries of memories and experiences past. The Brighton-based artist (previously) sutures scraps of vintage ephemera and draws in ballpoint pen, rendering intimate portraits, birds, and scenes brimming with emotion in realistic detail. Some of his most recent works include monochromatic etchings that capture a heron’s fine, wispy feathers and a diptych of hands, two softly grasping a tulip and another wrapped taught in a rope.
Powell shares glimpses into his process and studio on Instagram, and you can find originals and prints in his shop.
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Art
Anthony Theakston’s Elegant Sculptures Imbue Ceramics and Bronze with Avian Spirit

All images © Anthony Theakston, shared with permission
Known as silent predators of the night, owls possess the beguiling ability to swoop within inches of their prey undetected due to specialized feathers that make their flight almost completely inaudible. It’s no wonder that for millennia, the enigmatic creatures have represented wisdom, helpfulness, and prophecy in myths and folklore around the world. Lincolnshire-based artist Anthony Theakston has always been fascinated by birds and flight, and he summons the mystical beauty of the avians’ elegant wings and tender faces in ceramic and bronze.
Theakston prizes out the essence of each living being in a way that is neither purely abstract nor representational, transforming an inanimate hunk of plaster, ceramic, or bronze into a form poised to launch from its perch at any moment. “My work is as much an abstract sculpture or design that contains some spirit of life in general, and the bird form seems like a pure way to represent this to me,” he tells Colossal. “The barn owl has a particular place in my work, I think, partly because it has an obvious beauty but also because it in some way has a human quality to its facial characteristics and structure.”
To begin a new sculpture, the artist starts by discerning a mood that he wants to convey and searches for imagery that captures that feeling. After sketching loosely, he refines the idea into a formal design. “I am most happy with a simple, uncomplicated expression of the idea, and so much of my time is spent refining and altering every small detail until it seems to work perfectly,” he says. “I like to think of it as an equation which has been expressed in its simplest form.” Once the design is finalized, he sculpts the minimal lines of legs, heart-shaped heads, and beady eyes from a solid block of Herculite plaster and adds a variety of surface finishes to produce an array of patinas and patterns.
Theakston will release a new bronze edition at the end of May and is exhibiting work at Affordable Art Fair Brussels between February 8 and 12 with De Kunst Salon. Find more of his work on Instagram.
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Art Illustration
Folk Art and Bold Geometric Shapes Flourish in Lisa Congdon’s Joyful Paintings

All images © Lisa Congdon, courtesy of Chefas Projects, shared with permission
A sense of lively optimism permeates Lisa Congdon’s work. Through vibrant palettes of yellows, pinks, and blues, the Portland-based artist pairs bold geometries with folk art symbols, rendering abstract compositions or minimal scenes that capture a joyful outlook. Her acrylic paintings are on view now at Chefas Projects as part of The Opposite of Sorrow, a solo show that considers what it means to be positive. “One cannot know joy without also knowing darkness,” Congdon says, sharing that her practice originated as an antidote to depression. “It was through art that I began to see and feel the beauty of life and to feel happy for the first time.”
The Opposite of Sorrow is on view through February 11. If you’re in Portland, Congdon runs a shop with originals, prints, and other goods. Otherwise, find more of her paintings and illustrations on her site and Instagram.
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Art
Through Whimsical Wooden Sculptures, Christian Verginer Explores Childhood Curiosity and Connection

Detail of “The Tree in Me.” All images © Christian Verginer, shared with permission
From large pieces of basswood, artist Christian Verginer carves figurative sculptures that meld the play and wonder of adolescence with the vitality of the natural world. Leafy branches grow like pigtails, a bird perches on the zipper of a hoodie, and two young boys sit on ladders that lead to treetops and clouds. Textured by small gouges, the works contrast realistic renditions of children with fantastical elements, the latter of which the artist tends to paint in a single color like vibrant green, slate gray, or beige.
Verginer is broadly interested in the ways humans and nature intersect, which he conveys through a sense of curiosity and embodied connection between the two. Some sculptures foster such relationships through three-dimensional forms, like the deceased bird the girl pinches between her fingers as in “Different Stories.” Others reference shadows, including “Two Stories” and “Different Time,” which overlay silhouettes of trees and flowers atop the young figures’ bodies.
Based in the Alto Adige region of northern Italy, Verginer works in a studio he shares with his father Willy Verginer (previously) and brother Matt Verginer. Each maintains a distinct practice, although the artist shares that the environment is well-suited for feedback and critique. All three will show together this May at a gallery in Nürnberg, although you can see Christian Verginer’s work this month with Kirk Gallery at Art Herning. Otherwise, find more of his sculptures on his site and Instagram.

“Too far too close” (2023), plinth, limewood, iron wire, and acrylic, 140 x 40 centimeters

“The Tree in Me”

“Different stories” (2021), limewood and acrylics, 135 x 41 centimeters

“Different times” (2022)

“Two stories” (2022), limewood and aluminum acrylics, 68 centimeters
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Design
Dramatic Flares and Organic Swells Burst from Robert Wun’s Avian-Inspired Garments

All images © Robert Wun, shared with permission
The Spring Summer 2023 collection from Robert Wun harmonizes the natural and technologically futuristic. Featuring billowing pleats and bursts of ruffles, the operatic garments reference birding or the act of watching avian creatures in their habitats, an outdoor activity that today is sometimes supplanted by digital viewing opportunities. The collection evokes the graceful, voluptuous silhouettes of swans, cranes, and crows through full skirts erupting like wings mid-flight or pant legs that fall like feathers at rest. 3D-printed titanium jewelry augments the bird-like aesthetic, with single feathers structuring sculptural eyepieces.
SS23 follows another avian-inspired collection, AW21, which honors Wun’s grandmother who died a few years ago. He shares about the pieces in an interview:
It was about playing with material that looked like metal to create the illusion of wearing armour, but it’s actually made out of fabric. The swallow bird detail is because it’s my grandmother’s favourite bird from Hainan Island, China, where she’s from. Through the armour, there’s a softness of a pleat that cuts into a swallowtail shape, so there’s always that mixture between strength and something as delicate and light as a bird’s tail.
Born in Hong Kong, Wun is now based in London, and you can find more of his designs on the brand’s site.
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