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Art

Wildflowers, Trees, and Quaint Cabins Spring From Su Blackwell's Book Sculptures

May 19, 2022

Grace Ebert

“Nature in Britain” (2012). Photo by Jaron James. All images © Su Blackwell, shared with permission

The enchanting, imaginative narratives usually bound between the covers of a book burst from the page in the sculptures of Su Blackwell. Often sourcing materials from secondhand shops, flea markets, and library sales, the British artist, who’s based in Hastings, constructs lush gardens of birds and wildflowers and quiet cottages in the midst of evergreens that appear to emerge from vintage volumes.

Imbued with movement in the form of wind or waves, the whimisical works tend to revolve around the fleeting and finding refuge during times of loneliness and mundanity. Blackwell shares with Colossal:

I take my inspiration from fairytales and folklore and use these well-known tales as conduits for modern-day experiences. I often search for stories that relate to my life, whether that be Little Red Riding Hood meeting the big bad wolf or a princess given an impossible task of spinning straw (or in my case ‘words’) into gold, as in the Brother Grimm’s story “Rumplestiltskin. “The themes I explore have a universal appeal, and overall, there is a sense of hope pervading the works.

Blackwell is participating in a group show opening this August at Gustav Lübcke Museum in Hamm, Germany, and has solo exhibitions scheduled for 2023 and 2024 at The Last Tuesday Society and Long and Ryle in London. You can shop prints, cards, and her illustrated book of fairytales in her shop, and follow her practice on Instagram. (via Women’s Art)

 

“Migrating Words” (2014)

“Blue Butterflies” (2022)

“The Lighthouse Keeper’s Cottage” (2014). Photo by Yeshen

Left: “The Painted Lady” (2019). Photo by John Reynolds. Top right: “Weeds.” Bottom right: “Weeds (How to Control and Love Them” (2021)

“To Kill a Mockingbird” (2020)

“The Ship” (2020)

 

 



Art Design Illustration

A Monograph Gathers Dozens of Jolly, Anxious, and Relatable Characters by Artist Jean Jullien

May 18, 2022

Grace Ebert

“Pepe the Weekender” (2018), made for Lieux Mouvants. Image © Nicole Zezig. All images courtesy of Phaidon, shared with permission

It’s easy to recognize the quirky, joyful characters of French artist Jean Jullien. Whether looming over a park or gracing a deck of cards, his dodgy dogssmirking fish, and mischievous tree-climbers are cartoonish in style and emotionally conspicuous with their anxious expressions and good-natured gestures. A forthcoming monograph published by Phaidon celebrates Jullien’s broad body of work, which spans public sculpture, illustration, and design. In addition to his most lauded projects, the 256-page volume also contains early sketches and never-before-seen pieces. Jean Jullien ships on May 25 from Bookshop.

 

Vivi (70 3/4 inches), Bruno (66 7/8 inches) Lili (55 1/8 inches), (2019), acrylic paint on aluminum. Photo © Jean Jullien Studio, courtesy of NANZUKA

“Dog Bench” (2019), limited-edition metal bench produced with Case Studyo. Image © Case Studyo

Sculpture for the show The People (2017), fiberglass, 4 7/8 feet. Image © Computer Graphic Plus Co., Ltd.

Photo collage for a feature published in National Geographic (April/May 2018). Image © the artist and Jean Jullien Studio

 

 



Art Craft Illustration

Seven Artists Crack Open the Art of Printed Matter in 'Bookworks'

May 17, 2022

Kate Mothes

Guy Laramée, “Encyclopedie Larousse” (detail), carved books, pigments, inks, and metal clip. All images courtesy of James Freeman Gallery

Books have beguiled us since they first emerged in the form of ancient scrolls and codices around the world. The way we access, utilize, and enjoy reading material has seen technological transformation over the centuries, from Johannes Gutenberg’s invention of the printing press in the 15th century, to the first dictionary produced in 1532, to the advent of affordable pocket paperbacks in the early 20th century. Paper tomes have had an immeasurable impact on society and our ability to relay knowledge, and even in an age of digital e-readers, the physical volume still embodies an appeal as timeless as literature itself. In a new exhibition in London, the world of reading provides a starting point for the seven artists to explore a wide range of themes and materials, highlighting our perennial fascination with the printed and bound medium.

Cheri Smith, Russell Webb, Guy Laramée (previously), Aron Wiesenfeld, Guillermo Martin Bermejo, El Gato Chimney, and Claire Partington (previously) work across a wide range of styles including sculpture, illustration, painting, and printmaking. In Bookworks, Laramée’s deconstructed reference volumes are transformed into miniature topographical landscapes that challenge our sense of scale. Cheri Smith’s paintings, sometimes painted onto book covers, reference the eccentricity of animals and how they are categorized in natural history catalogues. El Gato Chimney constructs elaborate narrative illustrations in accordion-style publications that follow an eccentric band of characters as they confront giant creatures.

Bookworks is on view at James Freeman Gallery through June 4.

 

Guy Laramée, “Encyclopedie Larousse,” carved books, pigments, inks, and metal clip

Guy Laramée, “Encyclopedie Larousse,” carved books, pigments, inks, and metal clip

El Gato Chimney, “The Frog’s Apparition” (2021), watercolor and gouache on Moleskine notebook

El Gato Chimney, “The Frog’s Apparition” (2021), watercolor and gouache on Moleskine notebook

El Gato Chimney, “Crazy Wind” (2022), watercolor and gouache on Moleskine notebook

El Gato Chimney, “Kyu! Kyu!” (2022), watercolor and gouache on Moleskine notebook

Guy Laramée, “Petit Larousse Illustré” (2019), carved dictionary, pigments, inks, brass clip

Guy Laramée, “Petit Larousse Illustré” (2019), carved dictionary, pigments, inks, brass clip

Aron Wiesenfeld, “Readers” (2021), gouache on paper

Russell Webb, “Portrait of the Artist as an Author” (2022), oil paint and varnish on ply

Cheri Smith, “Sausage” (2020), oil on board 

 

 



Art

Activist Symbols and Witty Scenarios Are Woven into Towering Hair Sculptures by Laetitia Ky

May 13, 2022

Gabrielle Lawrence

All images courtesy of Princeton Architectural Press, shared with permission

Laetitia Ky exercises art activism by braiding African identity into hair sculpture. Born from the lack of representation she experienced growing up on the Ivory Coast, her practice started by cutting the silky straight strands off of her Barbie doll heads and meticulously re-stitching curly extensions as a child. In Love and Justice, Ky’s towering sculptures are embedded into aspects of everyday life. She draws on the strength and durability of Black hair texture to weave traditional instruments, regional wildlife, and bodies in motion into interactive portraits that capture the beauty in common aspects of culture across the continent.

Each image in this 200-page collection published by Princeton Architectural Press makes a statement. Ky explores the roots of this work through the creative shape and design of traditional African hairstyles pre-colonialism. She uses symbols in her sculptures to respond to current struggles like a justice scale balancing gender icons on either side, a uterus with fallopian tubes that transform into middle fingers, or stretch marks on a woman’s body. In her self-love chapter, Ky’s images explore the joys of self-knowledge with acts such as playing a guitar made of hair, toasting a braided wine glass, or wrapping her neck with a life-sized hand that offers the scent of a flower.

Head to Bookshop to purchase this memoir that offers insight into the artist’s journey toward embracing Black beauty, and check out her viral hair sculptures and portraits on Instagram.

 

 

 



Art Photography

PRIME: A Behemoth New Book Surveys A Broad Segment of Millennial Artists Working Today

May 12, 2022

Grace Ebert

Tau Lewis. All images courtesy of Phaidon, shared with permission

Across nearly 450 pages, PRIME: Art’s Next Generation offers a broad and insightful survey of the Millenials defining the future of the art world. As its title suggests, the massive tome is a primer on the innovative, subversive, and category-defying works that are captivating curators and art professionals. The volume is collated based on time period alone, bringing together more than 100 international artists working across mediums who were born between 1980 and 1995—this includes  Jordan Casteel, Tau Lewis (previously), and Firelei Báez (previously)—in a look at what’s emerged from a cultural and creative landscape shaped by the internet and increasing connectivity. PRIME will be released on May 25 and is available for pre-order on Phaidon and Bookshop.

 

Firelei Báez

Amoako Boafo

Buhlebezwe Siwani

Evan Ifekoya

Louia Fratino

Martine Gutierrez

 

 



Photography

A New Book Illuminates the Lives of the Elusive, Pink-Plumed Flamingos in Mexico's Yucatán Peninsula

May 6, 2022

Grace Ebert

The fluid that feeds the nestling is called crop milk. Both adults produce this secretion in the upper part of the intestine. All images © Photo © Claudio Contreras Koob and Nature Picture Library, shared with permission

In the Yucatán Peninsula, the rich wetland environment of the Ría Lagartos Biosphere Reserve is one of the most important sites for flamingos. The pink-pigmented birds flock to the area for breeding each year, with officials registering approximately 15,000 nests and 30,000 adults inhabiting the area in 2021 alone.

A biologist by training, photographer Claudio Contreras Koob has spent years visiting the lanky, big-beaked avians in the reserve and documenting their mannerisms and habits, amassing a broad collection of images now compiled in a book published by teNeues Verla in collaboration with the Nature Picture Library. Flamingo contains 132 of Contreras Koob’s shots spanning from aerial views showing the creatures as rosy dots on the green landscape to intimate glimpses of a chick peeking through its mother’s plumage for a feeding—the photographer shares with Inhabitat that the latter image captures the critically important blood-red crop milk, which parents regurgitate to nourish their young.

Both elusive and widely recognized, the birds are increasingly vulnerable due to pollution, the effects of the climate crisis, and human encroachment, and the photos illuminate the potential loss if they’re left unprotected. Contreras Koob describes the collection as “covering all aspects of the flamingo life cycle: feeding, bathing, migration, courtship, life in the colony, chick rearing, etc. to present a portfolio that allows us to understand the complex life that flamingos go through,” a process that required patience and repeated encounters to encapsulate. He explains:

By far the biggest challenge is to be able to get close to them. They live in muddy, slimy wetlands or in some very salty pools, and you just cannot walk to them and expect to take your images. It is easy to scare them, and once one of them enters in panic mode, all others follow suit. By not taking the time, you could create havoc in a colony.

Flamingo is currently available from Bookshop, and you can find more from Contreras Koob on Instagram.

 

To incubate their eggs, flamingos build nesting sites in their colonies. They consist of mud cones that must be constantly maintained so that rising water does not wash away the eggs.

Right: An aerial view of flamingos on Mexico’s Yucatán Peninsula

“Soon, I see a little white head peek out of the orange plumage. I imagine that this little creature must think the whole planet is orange,” Contreras Koob says.

As they grow, the chicks begin to explore the surroundings of the colony, always under the watchful eye of several adult animals who look after them.

The Celestún estuary is a popular place for flamingos and is near the cenotes, underwater water reservoirs that inject fresh water into the middle of a lagoon as if from a spring.