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Art Design

Destination Art: A New Guide Looks at 500 Permanent Art Installations to Visit Around the World

January 8, 2019

Kate Sierzputowski

Agnes Denes, Tree Mountain—A Living Time Capsule—11,000 Trees, 11,000 People, 400 Years, 1992–96, Pinsiönkankaantie 10, 39150 Pinsiö. © Agnes Denes. (project 70, page 86) All images courtesy of Phaidon.

Agnes Denes, Tree Mountain—A Living Time Capsule—11,000 Trees, 11,000 People, 400 Years, 1992–96, Pinsiönkankaantie 10, 39150 Pinsiö. © Agnes Denes. (project 70, page 86) All images courtesy of Phaidon.

When traveling, it is a given that I will visit at least one museum dedicated to art. Most often it is someplace new—either an institution that has previously escaped my radar, or one that belongs to a city I have not yet explored. Although I enjoy viewing institutional collections, I am perhaps most drawn to works installed outdoors, especially if they require a bit of extra effort to reach. Phaidon has taken the burden out of researching secluded works and well-known urban installations by compiling some of the best into a new compendium titled Destination Art.

The book is a follow-up to their publication Destination Architecture (2017), and includes 500 artworks installed around the globe in 60 countries and 300 cities. The guide is a great resource for planning your next art pilgrimage to a far off corner of the Earth, or simply narrowing down a piece or two that have been hiding in your own backyard. The global guide is focused on site-specific modern and contemporary works from 340 artists ranging from Yayoi Kusama’s city-based collaboration with Coca-Cola in Matsumoto, Nagano in Japan to Louise Bourgeois’s “Crouching Spider” (2003) situated on a reflective pool outside the Château La Coste in Le Puy-Sainte-Réparade, France. You can buy the book, which includes a wide range of murals, sculptures, sound installations, land art, and more, on Amazon and Phaidon.

A spread from Destination Art: 500 Artworks Worth the Trip, published by Phaidon.

A spread from Destination Art: 500 Artworks Worth the Trip, published by Phaidon.

Yayoi Kusama, Dots Obsession, 2012, Matsumoto City Museum of Art, 4-2-22 Chuo, Matsumoto, Nagano 390-0811, Japan. © Yayoi Kusama (project 45, page 60)

Yayoi Kusama, Dots Obsession, 2012, Matsumoto City Museum of Art, 4-2-22 Chuo, Matsumoto, Nagano 390-0811, Japan. © Yayoi Kusama (project 45, page 60)

Nathan Coley, There Will Be No Miracles Here, 2006, Scottish National Gallery of Modern Art, 75 Belford Road, Edinburgh EH4 3DR, Scotland. Collection of the National Galleries of Scotland. © Studio Nathan Coley (project 81, page 98)

Nathan Coley, There Will Be No Miracles Here, 2006, Scottish National Gallery of Modern Art, 75 Belford Road, Edinburgh EH4 3DR, Scotland. Collection of the National Galleries of Scotland. © Studio Nathan Coley (project 81, page 98)

A spread from Destination Art: 500 Artworks Worth the Trip, published by Phaidon.

A spread from Destination Art: 500 Artworks Worth the Trip, published by Phaidon.

Grayson Perry and FAT Architecture For Living Architecture, A House for Essex, 2015, Black Boy Lane, Manningtree, Essex CO11 2TP, England. Photo: Jack Hobhouse (project 100, page 117)

Grayson Perry and FAT Architecture For Living Architecture, A House for Essex, 2015, Black Boy Lane, Manningtree, Essex CO11 2TP, England. Photo: Jack Hobhouse (project 100, page 117)

Gianni Motti, Success Failure, 2014, Domaine du Muy, 83 chemin des Leonards, 83490 Le Muy, France. Courtesy Ardeis Genève et Domaine du Muy. © Gianni Motti. Photo: JC Lett (project 172, page 192)

Gianni Motti, Success Failure, 2014, Domaine du Muy, 83 chemin des Leonards, 83490 Le Muy, France. Courtesy Ardeis Genève et Domaine du Muy. © Gianni Motti. Photo: JC Lett (project 172, page 192)

Louise Bourgeois, Crouching Spider, 2003, Château La Coste, 2750 route de la Cride, 13610 Le Puy-Sainte-Réparade, France. Courtesy Château la Coste. © The Easton Foundation/DACS, London/VAFA, NY 2018 (project 173, page 193)

Louise Bourgeois, Crouching Spider, 2003, Château La Coste, 2750 route de la Cride, 13610 Le Puy-Sainte-Réparade, France. Courtesy Château la Coste. © The Easton Foundation/DACS, London/VAFA, NY 2018 (project 173, page 193)

A spread from Destination Art: 500 Artworks Worth the Trip, published by Phaidon.

A spread from Destination Art: 500 Artworks Worth the Trip, published by Phaidon.

Cildo Meireles, Inmensa [Immense], 1982–2002, Instituto de Arte Contemporânea e Jardim Botânico Inhotim, Rua B 20, Brumadinho, Brazil. Courtesy the artist and Galeria Luisa Strina, São Paulo. Photo: Tiberio França (project 492, page 535)

Cildo Meireles, Inmensa [Immense], 1982–2002, Instituto de Arte Contemporânea e Jardim Botânico Inhotim, Rua B 20, Brumadinho, Brazil. Courtesy the artist and Galeria Luisa Strina, São Paulo. Photo: Tiberio França (project 492, page 535)

Janet Echelman, Her Secret is Patience, 2009, Civic Space Park, 424 North Central Avenue, Phoenix, AZ 85004, United States. Photo: Christina O’Haver (project 428, page 468)

Janet Echelman, Her Secret is Patience, 2009, Civic Space Park, 424 North Central Avenue, Phoenix, AZ 85004, United States. Photo: Christina O’Haver (project 428, page 468)

A spread from Destination Art: 500 Artworks Worth the Trip, published by Phaidon.

A spread from Destination Art: 500 Artworks Worth the Trip, published by Phaidon.

 

 



Design

Little Tree Library: A Clever Twist on the Donation-Based Community Library Gives New Life to a Big Old Stump

January 7, 2019

Laura Staugaitis

Thanks to the nonprofit Little Free Library, chances are you have encountered a small house-like structure on a public thoroughfare, with a front door that opens to allow passersby to give or take a free book. The program exists in 88 countries, with over 75,000 registered Little Free Libraries. In addition to the goodwill-fueled, donation-based libraries, one of the charms is that each one is customized. Many sport unique paint jobs or even entirely off-the-wall architecture, like the Swedish flag-bedecked Library in the shape of a water tower, which pays homage to the real structure, a beloved fixture in the Andersonville neighborhood of Chicago.

One family in Idaho took their Library design to the next level with a “Little Tree Library,” carved out of a 110-year-old cottonwood tree stump on their property. Sharalee Armitage Howard, you’ll not be surprised to learn, works as a librarian and previously studied bookbinding, according to her Facebook profile. She spearheaded the complex installation on her front lawn, including dentils that, upon closer inspection, are actually miniature books complete with titles. The Library also features interior and exterior lighting, to give the space an extra-homey glow, as well as a “roof” over the top of the stump to help prevent its weathering away.

KREM, the local news station in Coeur d’Alene made a video (below) to give those outside the small town a closer look at the Howard’s new addition. You can find a Little Free Library near you on the organization’s website, which also offers premade kits if you don’t have any large stumps on hand.

 

 



Art

The Life and Works of Jean-Michel Basquiat: A Supersized New Book From TASCHEN

December 10, 2018

Andrew LaSane

Jean-Michel Basquiat, Hans Werner Holzwarth, Eleanor Nairne Hardcover, 29 x 39.5 cm, 500 pages US$ 200 | £ 150 | € 150, All images courtesy of TASCHEN

A new addition to TASCHEN’s art catalog is a massive 500-page edition that showcases the life and works of Jean-Michel Basquiat. Authored by Eleanor Nairne and edited by Hans Werner Holzwarth, the monograph is an oversized hardcover filled with large-scale reproductions of the artist’s drawings, paintings, and notebook pages. Several essays guide the reader year-by-year through Basquiat’s artistic career, from 1978 to his untimely death in 1988.

One of the most popular Black visual artist of all time, and indisputably one of the most successful artists of his era, Basquiat has been a larger-than-life art icon for over three decades. The new TASCHEN book matches that legacy not only with its physical size (which allows owners to get a closer look at some of his most seminal pieces), but with deep analysis and context of his work and the short 27 years to create it. To add a copy to your personal library, visit TASCHEN’s website.

Self-Portrait, 1982 Acrylic and oilstick on linen, 193 x 239 cm / 76 x 94 inches Photo: Rob McKeever, courtesy Gagosian Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Untitled (Skull), 1981 Acrylic and oilstick on canvas, 207 x 175.5 cm / 81 1/4 x 69 inches Photo: The Eli and Edythe L. Broad Collection Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Untitled (Two on Gold), 1982 Acrylic and oilstick on canvas, 203 x 317.5 cm / 80 x 125 inches Photo: Courtesy Galerie Enrico Navarra, Paris Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Black, 1986 Acrylic, oilstick, photocopy collage, and wood collage on panel, 127 x 92 x 21.5 cm / 50 x 36 1/4 x 8 1/2 inches Photo: Courtesy Galerie Enrico Navarra, Paris Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Anthony Clarke, 1985 Acrylic, oil, oilstick, and photocopy collage on wood, 244 x 139 cm / 96 x 54 3/4 inches Photo: Courtesy Lio Malca Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Untitled, 1982 Acrylic and oilstick on linen, 193 x 239 cm / 76 x 94 inches Photo: Courtesy Gagosian Copyright: © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

 

 



Photography

A New Book Reveals a Colorful Side to Vivian Maier’s Renowned Street Photography

November 14, 2018

Kate Sierzputowski

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Nanny and self-taught photographer Vivian Maier (1926–2009) (previously here and here) kept nearly 150,000 photographic images, including street photography and self-portraits, hidden from the world until an estate sale in 2007 revealed a large bulk of her secretive hobby. Since 2010 her photographs have been widely exhibited in galleries and museums across the world, and were the subject of the 2013 documentary Finding Vivian Maier, which was nominated for an Academy Award.

Although her mostly Chicago and New York-based photographs have become infamous in the decade since their discovery, her color images have been less prevalent due to the technical challenges involved in their development and recovery. This month the largest monograph of her full-color photographs was published by Harper Collins, which includes images pulled from the roughly 40,000 Ektachrome color slides spanning the last 30 years of her life. Vivian Maier: The Color Work explores over 150 of her colorful images with details that have been gathered about her story and photographic process. The book also features a forward by photographer Joel Meyerowitz and text by Colin Westerbeck, a former curator of photography at the Art Institute of Chicago.

“Maier was a self-invented polymath of a photographer,” writes Westerbeck in the book. “The one advantage Maier gained from keeping her photography to herself was an exemption from contradiction and condescension. She didn’t have to worry about either the orthodoxy or the approval of her peers.”

Vivian Maier: The Color Work was created in partnership with Howard Greenberg Gallery in New York City, who will be presenting an exhibition of the same title opening November 14, 2018 and running through January 5, 2019. Several of the color photographs included in the exhibition will be presented for the first time. You can see more of Maier’s black and white and color photography on this portfolio site dedicated to her collection, and you can purchase a copy of the new book on Amazon. (via Chicago Magazine)

Self-portrait, Chicago, February 1976. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicago, February 1976. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location unknown, May 1958. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location unknown, May 1958. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

New York City, 1959. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

New York City, 1959. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location unknown, 1960. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location unknown, 1960. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Chicago, 1962. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Chicago, 1962. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Location and date unknown. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicagoland, October 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicagoland, October 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Chicagoland, 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Chicagoland, 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicago, January 1979. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, Chicago, January 1979. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

Self-portrait, 1975. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York

From Vivian Maier: The Color Work, by Colin Westerbeck. Copyright © 2018. Images reproduced here with permission from Harper Design, an imprint of HarperCollins Publishers

From Vivian Maier: The Color Work, by Colin Westerbeck. Copyright © 2018. Images reproduced here with permission from Harper Design, an imprint of HarperCollins Publishers

 

 



Photography

Whimsical Literary Scenes Arranged with Hundreds of Colorful Hardcover and Paperback Novels by Elizabeth Sagan

October 31, 2018

Kate Sierzputowski

Prolific reader and book collector Elizabeth Sagan uses Instagram as a platform to promote the engaging experience of reading physical books. Using her colorful collection of thousands of hardcover and paperback novels, she builds imaginative scenes that transport her audience into the storyline of dozens of literary tales. Over the last few months she has masqueraded as an angel with gigantic book wings, surfed a blue wave of literary titles, and laid at the center of a dazzling star of stacked texts. Sagan also co-runs the account My Book Features with James Trevino, where the pair shares their favorite book art images and novels from around the world. You can see more of her creative book compositions on Instagram. (via My Modern Met)

 

 



Design Photography

Majestic Conservatories and Cozy Private Potting Sheds Showcase the Universal Appeal of Glass Greenhouses

October 16, 2018

Laura Staugaitis

Gardens by the Bay, Singapore. All photographs © Haarkon

Photographer duo India Hobson and Magnus Edmondson (known collectively as Haarkon) celebrate the universal beauty and rich history of glass greenhouses in a new book, Glasshouse Greenhouse. Filled with verdant images of greenhouses from around the world, the book is divided into seven thematic chapters including History, Research, and Pleasure. Haarkon complement the visual storytelling with written reflections that explain each location and their experience in discovering it.

The UK-based pair travels widely for their editorial and commercial work as visual storytellers, and seeking out greenhouses has become a touchpoint in their explorations of new places. In an interview with the Telegraph, Hobson shares, “It’s a fusion of both botanicals and architecture, an odd but extremely satisfying mix of the organic and engineered which I think appeals to a broad range of [people]. To me, they are a universal language in some ways: the fusion of many cultures and countries all under one beautiful glass roof.”

Freshly published by Pavilion Books on October 4th, Glasshouse Greenhouse is Haarkon’s debut book and it is available on Amazon. You can see more from Hobson and Edmondson on their website and Instagram.

Tropical Display Dome, Brisbane Botanic Garden, Mount Coot-tha, Queensland, Australia

The Kibble Palace, Glasgow Botanic Gardens, Glasgow UK

University of Oxford Botanic Garden, Oxford UK

Barbican Conservatory, London UK

Gardens by the Bay, Singapore

Magnus Edmondson and India Hobson

 

 



Art Design

Lust For Light: A New Book of Illuminated Installations, Sculpture, and Images in Contemporary Art

October 15, 2018

Kate Sierzputowski

Liz West

Liz West

Once only used to illuminate a painting or photograph, light is now commonly used as the medium itself—glowing brightly from neon tubes, programmed as an interactive installation, projected to create an intangible feeling of warmth, or flashing as an LED spectacle. In her book Lust for Light published by Gingko PressHannah Stouffer (previously) culls the practices of a variety of artists such as Liz West, Miguel Chevalier, James ClarJun Hao Ong, and Yayoi Kusama to present a wide selection of more traditional and daring examples of light-based work.

Stouffer tells Colossal that while working for the last year and a half on the 376-page collection she was overwhelmed and humbled by the impact of light, while also fascinated by what it represents. “All of the artists in this book are working to recreate its likeness, utilize it as a source of their work, and capture the inspiring glow that it produces,” she continues. “There is both a fascination and familiarity with this elemental, undeniably appealing form of energy, which is both tangible and completely uncontainable.”

There will be a release party with art installations and projections at the Ace Hotel in Los Angeles on October 25th, 2018. You can now find Lust for Life on The Colossal Shop.

James Clar

James Clar

James Clar

James Clar

Phillip K. Smith III

Phillip K. Smith III

Signe Pierce

Signe Pierce

Jun Hao Ong

Jun Hao Ong

Robert Montgomery

Robert Montgomery

Yayoi Kusama

Yayoi Kusama