In Vitor Schietti’s Impermanent Sculptures, thick treetops and branches are swollen with light that appears to drip down in incandescent rays. Each photograph frames the nighttime scenes in a dreamy, energetic manner as the glowing beams both outline and obscure the existing landscapes. Schietti shot the pieces shown here in February and March of 2021 around his hometown, Brasília, but the ongoing series first was developed in 2015.
Although some of the long-exposure photographs are taken in a single shot, many are composites created from various light paintings. He explains:
Apart from this process and color and contrast adjustments, the result is conceived entirely from real action with fireworks, a performance that shifts between spontaneity and control… To paint with light in a three-dimensional space is to bring one’s thoughts from unconscious realms into existence, only visible as presented through long-exposure photography.
Schietti sees the luminous series as a celebration of the Brazilian city, which he describes as a tree-filled oasis of birds and cicadas that’s “often integrated with the genius architecture of Oscar Niemeyer…Appreciating their hidden expressions, or imagining the life force that pulsates and emanates from them maybe a little less ordinary, so here (the) images play an important role: inspire and foster imagination.”
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With an affinity for bold colors, Willian Santiago documents what he sees around Londrina, the city in southern Brazil where he lives. He utilizes bright blues, greens, and reds to create his illustrations of wild animals and posed female figures that often resemble the geometric shapes and lines of woodblock prints frequently seen in Brazilian art.
“I love exploring,” Santiago said in an interview with WePresent. “It may be the step I spend most of my time on when creating an illustration. Color arouses different feelings in people. I ultimately want my work to create feelings of joy.” With a background in textile and pattern design, the artist says “old Vogue magazine covers, Art Deco and overly posed figures” often serve as inspiration, in addition to being “surrounded by strong women” as a child. Follow Santiago’s striking digital illustrations on Instagram, and check out his available prints on Society6. (via Tu Recepcja)
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Following a devastating fire this September, Google has released a virtual tour of the National Museum of Brazil, the country’s oldest natural history institution. The digital recreation is presented by Museum View (which uses the same functionality as Google Street View), and allows visitors to explore the institution’s key artifacts as they were displayed before this year’s tragic destruction. The online tour includes a view of Luzia (the oldest skeleton found in the Americas), 3000-year-old Brazilian ceramics, a collection of butterflies and moths currently under threat for extinction, and the museum’s mummified cat.
It’s estimated that the museum lost up to 92.5 percent of its 20 million artifacts in the fire—global relics, pottery, and animal specimens that had been collected by the institution since its founding in 1818. Its digital remains are the result of a collaborative project between the museum and Google, which began in 2016. Despite the horrific loss, the museum’s director Alexander Kellner expresses strength and hope for the institution’s future in a letter in Google’s Arts and Culture section. “It is important to stress that the National Museum, despite having lost a significant part of its collection, has not lost its ability to generate knowledge!”
You can view the full digital archive of the museum in Google’s virtual tour, and learn more about the museum’s history in Kellner’s full letter. You can view a preview of the collections’s highlights in the video below. (via Artsy)
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Members of a Brazilian Indigenous Tribe Projected Onto the Amazon Rainforest by Photographer Philippe Echaroux
In a gesture to draw attention to the massive deforestation ravaging the Amazon rainforest, French photographer and street artist Philippe Echaroux projected the faces of indigenous Brazilians onto the forest’s trees. The projected images demonstrate the deep connection between the rainforest and its inhabitants, acknowledging the need for the preservation of their home and resources.
The photographs focus on the Suruí tribe of Brazil which is led by Chief Almir Surui Narayamoga and was asked by the Brazilian government to help replant their section of the rainforest in order to ensure and protect its longevity. Echaroux was invited by Chief Narayamoga to bring attention to the issue, which he highlighted through his projections.
Photographs from this series will be on display in the exhibition “The Crying Forest” at Galerie Taglialatella in Paris opening November 11 and running through December 15, 2016. You can see more of Echaroux’s work on his website and Facebook, as well as a behind-the-scenes making of his work (in French) below. (via PetaPixel)
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For his series of experimental photography titled Impermanent Sculptures, photographer Vitor Schietti worked with fireworks and long-exposure photography to illuminate the branches and stems of trees in his native Brazil. The photos are a mixture of in-camera light painting, and a bit of post-processing that can combine up to 12 shots into a final image. He shares with us about the project:
The series is the result of several years of research on long exposure photography, and the usage of ND filters was vital to find a perfect balance between the fading twilight and the brightness of the fireworks. Only a few attempts were allowed per day, since the time frame during which this balance is possible is very narrow (30 to 50 minutes). The Brazilian central plateau, in a kind of savanna called “Cerrado” was the scenery for most of these experimentations. The margins of the lake Paranoa, the streets and some iconic monuments from Brasilia were also locations for some of the light paintings. It’s important to say the series is an ongoing process, and more will follow in the coming year or so.
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Bird Portraits Painted On Secondhand Books Featuring Their Native Brazilian Habitats Carved from the Pages
Guy Laramée‘s (previously) new series Onde Elles Moran (Where They Live) captures the mystique of the native birds of the Brazilian region Serra do Corvo Branco (Range of the White Raven) through both portrait and carved landscape. The series contains nine sculptures sourced from secondhand bookstores within the country—tomes of the Classicos Jackson which is a series of literature classics published in the ‘50s in Brazil. The rich linen covers inspired the palettes of many of the portraits, the original colors working their way into Laramée’s artistic remodeling.
Although Laramée had originally planned to photograph the vast canyons of the region during his 4-month visit, the diversity, songs, and liveliness of the native birds kept persuading him to eclipse the beautiful scenes with their portraits. The series is dedicated to these birds and their habitat, each book containing a portrait of one on the cover against a faded background and an environmental carving into the pages of the book on the opposite side. The size ratio of the bird to corresponding landscape highlights the creatures’ importance, acknowledging their role as the true owners and rulers of the region.
“Being in the company of these lively beings were one thing, painting them was another story,” explained Laramée while discussing his process. “They became like ghosts on a theater backdrop, posing in front of wallpaper, looking at a vanishing scenery.”
Laramée hopes that this series exudes the stark differences between Man and bird, recognizing that we do not live within the same world. Man’s world has been transformed into an object from which we now feel alienated he explains—we live within our heads and books, not the canyons or earth. “Maybe where they live is where we should live,” says Laramée. “In the solitude of virgin landscapes, we might rediscover our intimate relationships to the world.”
Laramée is represented by JHB Gallery in New York City.
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Highlights below. For the full collection click here.