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Art

Magazine Cutouts Form Nature Collages Shaped Like Birds and Butterflies by Jennifer Murphy

November 4, 2019

Andrew LaSane

Toronto-based artist Jennifer Murphy combines cutouts of animals, plants, and other organic objects to create large-scale nature collages. Strung together using gossamer thread, the collages form the silhouettes of birds and surreal outdoor scenes from Murphy’s imagination.

The artist sources images of varying color and scale from nature magazines and textbooks and uses them as the pieces to much larger puzzles. The collages are wall-mounted, often without frames, which makes the oversized butterflies and birds appear as if they are floating in mid-air against the white gallery walls. A series of Murphy’s recent works, The Shadow of Sirius, was exhibited at Clint Roenisch Gallery in Toronto from September 5 through October 12, 2019. Murphy said in a statement that it was the loss of a close friend a decade ago that prompted her shift to making larger scale pieces. “The work was a way to cope with the grief but also an outlet to hope. This series comes at another time of loss, both personal and I believe collective. We now live in a time of ecological mourning and are in desperate need for paths to rediscover hope.”

For a closer look at the creatures and objects that make up Jennifer Murphy’s ecosystems, follow Clint Roenisch Gallery and the artist on Instagram. (via MyModernMet)

 

 



Art

Stretched and Stacked Textures Become Elongated Female Figures in New Work by Johanna Goodman

October 25, 2019

Laura Staugaitis

Towering female figures fill the frame in large-scale collages by Johanna Goodman (previously). Using a range of contemporary and historic materials and visual motifs, ranging from bright red glitter to greyscale photos of classical sculptures, Goodman builds powerful protagonists from disparate materials. Elongated torsos are with clipped vintage photos, contemporary model shots, and even sculptures and paintings. Goodman places each figure in an imagined landscape—often oceanside or celestial—with the open horizon adding to the grandiosity of each “Imaginary Being”.

The multidisciplinary artist uses a combination of her own photographs of everyday objects and places combined with found images. Goodman noted in an interview with Create that she is fastidious about using images that are in the public domain, though it can be limiting particularly when sourcing historical images of diverse women.

Goodman has created almost 400 plates in the “Imaginary Beings” which started nearly four years ago. “It is still going strong, and no one is more surprised than I am!” the artist tells Colossal. “At its inception I had no idea that what I was doing was inventing my own language, or a template, wherein I could endlessly experiment, explore, and process everything in my world.”

She continues to draw inspiration from a disparate range of sources: “I’m inspired by fashion, nature, science, politics, painting, sculpture, traveling, signage, tag sales, architecture, textiles, bugs, outer space, you name it. And the beauty is that there are no rules, no boundaries; I get to play with all of it.” Goodman also touches on current events, particularly stories and issues that center women. She explains to Colossal that in 2018 she created a piece based on Christine Blasey Ford, as well as all the women elected to Congress. More recently, a trip to Los Angeles inspired a series using the photos she took there. “The possibilities are endless and I still feel as inspired and hungry as I felt when the project began,” Goodman says.

See if you measure up to Goodman’s figures—some of which measure six feet tall—at her upcoming solo show. “Selections from the Catalogue” is on view November 21, 2019 through January 17, 2020 at David Weeks Studio in New York City. Goodman also offers prints of her work in an online store, and shares recent projects and artistic inspirations on Instagram.

 

 



Art Photography

Photographs of Animals and Architecture are Sliced and Rearranged into Bizarre Collages by Lola Dupre

August 27, 2019

Laura Staugaitis

Spain and Scotland-based collage artist Lola Dupre (previously) continues to surprise and delight with her unusual composite images. Rather than incorporating unique individual collage elements that contrast with each other, Dupre works with repetition and duplication to build bizarrely proportioned pets, buildings, and human figures. By layering and off-setting shards of the same photo in a sort of visual syncopation, Dupre stretches and bends otherwise familiar subjects into surreal images.

The artist recently exhibited work in the show “The Age of Collage 2” at Feinkunst Krueger gallery in Hamburg, Germany, and currently has a piece in “Lunacy” at Prescription Art in Brighton, U.K. You can see more of Dupre’s collages on Instagram and tumblr, and peruse originals and prints in her online store.

 

 

 



Art Craft

Shimmering Collages and Installations by Sara Shakeel Bring Bedazzled Glamour to Everyday Scenes

July 26, 2019

Laura Staugaitis

Chicago-based artist Sara Shakeel used to have a career as a dentist. But she’s traded in pearly whites for a shiny new medium: crystals. Shakeel incorporates a combination of collage and original photography in her glittering work, and focuses on food, landscapes, and female figures as her primary subjects. Shimmering crystals stand in as skyscraper windows, the chocolate in an ice cream twist, and snake scales. “The Great Supper,” her recent solo show at NOW Gallery in London, afforded Shakeel the opportunity to work in three dimensions. A dining table and chairs laden with plates, dishes, food, and candlesticks were all completed covered in crystals.

The self-taught artist has no formal training, and shared in an interview with Forbes that she has always been creative, but was discouraged from pursuing art school in favor of a more pragmatic career. Despite her meandering route—she tells Forbes she loved being a dentist—Shakeel has found her bedazzled own path to success. You can see more of Shakeel’s work on Instagram, where she shares new images with nearly 1 million followers. (via Hi-Fructose)

 

 



Animation

LUFTRAUM: A Disorienting Aerial Collage of Urban Infrastructure by Dirk Koy

June 28, 2019

Kate Sierzputowski

In his recent short film LUFTRAUM, Basel-based artist Dirk Koy utilized a drone to capture buildings and busy roundabouts from above. These roads and structures were then isolated and stacked to create a perpetually spiraling collage of disorienting urban infrastructure. Koy founded the office Dirk Koy Bild und Bewegung which focuses on experimental films and motion graphics, and over the last few years he has created music videos for Boris Blank and Five Years Older. You can see more of his video mash-ups and edits, such as his playground-based short Time Machine, on Vimeo and Instagram.

 

 



Art Design

A Mural of Swirling Cursors, Dancing Skeletons, and Rainbow Hearts is Set in Motion When Viewed Through a “GIF-iti” App

May 29, 2019

Laura Staugaitis

For the D&AD (Design and Art Direction) festival, recently held in London, Shutterstock commissioned muralist and pattern designer INSA (previously) to create an interactive artwork. When viewed through the graffiti artist’s “GIF-iti” app, the multi-part mural, titled “File Under:Unresolved” springs to life in a looping animation. Multiple working image windows are filled with visual content from Shutterstock’s media library, ranging from cheerful Lisa Frank-esque rainbow hearts to a stock gif of a businessman smashing his laptop. Nestled among the working image windows are three file folders, constantly hovered over by an arrow cursor.

In a statement INSA wrote, “I hope that the work might make creatives consider how they feel about themselves, their work, the endless deadlines and their use of time in life.” This augmented mural is far from INSA’s first: the U.K.-based artist shares his animated artwork on Instagram and Tumblr. (via Fast Company)

 

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Art

Advanced Technologies Hide Below the Surface in New Three-Dimensional Collages by Dustin Yellin

May 24, 2019

Kate Sierzputowski

"Astronauts Building a Rocket Under the Sea" (2017), Glass, collage, acrylic, resin, 16" x 16" x 8.25" and 16" x 15.875" x 8.125"

“Astronauts Building a Rocket Under the Sea” (2017), Glass, collage, acrylic, resin, 16″ x 16″ x 8.25″ and 16″ x 15.875″ x 8.125″

Brooklyn, New York-based artist Dustin Yellin (previously) preserves three-dimensional photo collages in glass bricks to create what he describes as “frozen cinema.” Some of his more recent works feature landscapes only slightly more dramatic than our own natural and manmade world, often with groups of subjects working together to construct grand machines. Humans unite to build rockets under waterfalls and the sea, while a time machine is secretly constructed underneath a car junkyard. No matter the subject, each work explores our fate within the Anthropocene and the lasting impression we will leave on the Earth. You can see more of his scenes encased in glass on his website and Instagram.

"Unicorn Disc" (2017), Glass, collage, acrylic, resin 16" x 16" x 8.25"

“Unicorn Disc” (2017), Glass, collage, acrylic, resin 16″ x 16″ x 8.25″

Detail of "Unicorn Disc" (2017)

Detail of “Unicorn Disc” (2017)

"Building a Rocket Under a Waterfall" (2018), Glass, collage, acrylic, resin, 48.25" x 17.875" x 18.75"

“Building a Rocket Under a Waterfall” (2018), Glass, collage, acrylic, resin, 48.25″ x 17.875″ x 18.75″

Detail of "Building a Rocket Under a Waterfall" (2018)

Detail of “Building a Rocket Under a Waterfall” (2018)

"Ceremony to Build a Rocket on Floating Disc" (2017), Glass, collage, acrylic, resin, 16" x 16" x 8.25"

“Ceremony to Build a Rocket on Floating Disc” (2017), Glass, collage, acrylic, resin, 16″ x 16″ x 8.25″

"Building a Time Machine in Car Mountain" (2017), Glass, collage, acrylic, resin, 15.875" x 15.875" x 7.75"

“Building a Time Machine in Car Mountain” (2017), Glass, collage, acrylic, resin, 15.875″ x 15.875″ x 7.75″

Detail of "Building a Time Machine in Car Mountain" (2017)

Detail of “Building a Time Machine in Car Mountain” (2017)

Detail of "Group Sisyphus" (2017)

Detail of “Group Sisyphus” (2017)

"Group Sisyphus" (2017), Glass, collage, acrylic, resin 16" x 16" x 8"

“Group Sisyphus” (2017), Glass, collage, acrylic, resin 16″ x 16″ x 8″

"The Peace of Wild Things" (2018), Glass, collage, acrylic, resin 48.25" x 18" x 17.5"

“The Peace of Wild Things” (2018), Glass, collage, acrylic, resin 48.25″ x 18″ x 17.5″