collage

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Art Illustration

The Past, Future, and Playful Collide in Digital Collages by Anonymous Duo Frank Moth

October 14, 2020

Grace Ebert

All images © Frank Moth, shared with permission

The anonymous pair behind  Frank Moth (previously) characterize their layered digital collages as “nostalgic postcards from the future.” Using vintage photographs, the artistic duo merges retro visuals with natural elements like botanics and outer space to create playful composites that range from futuristic to romantic. “Our work almost always revolves around introspection, soul searching, and universal themes like eternity and human vices,” they share with Colossal.

Based in Veria, Greece, the pair sources images of tropical plants and starry expanses from a variety of sources, including library and museum databases and other photograph-centered websites that offer copyright-free works. “We still have our own huge inventory of images that we have been growing and expanding for many years, after endless digging and searching in databases of very old photos and scanned clippings of old magazines from the 60s and 70s,” they say.

Pick up one of Frank Moth’s prints from Society6, and follow the latest digital assemblages on Instagram and Tumblr.

 

 

 



Art Photography

Hundreds of Collaged Photographs Form Rich, Botanical Worlds by Artist Catherine Nelson

August 21, 2020

Grace Ebert

“Pachira,” 59 x 59 inches.  All images © Catherine Nelson, shared with permission

A decade ago, Catherine Nelson compiled hundreds of photographs of barren, snow-covered landscapes and autumnal forests for her project Future Memories 2010. The Australian artist, who lives and works between Ghent and Amsterdam, recently revisited that series to create a new body of work with similar world-building techniques. “With the tumultuous events of 2020 still unfolding and the undeniable links to the destruction of the natural world by mankind, it felt timely to return to the themes from that series, which talk about our planet and the importance of protecting what we have,” she says.

Composed of photographs captured during three years and across four continents, Future Memories 2020 spans “from the lush, tropical flora of Costa Rica and Far North Queensland and the fertile, volcanic mountains of the Azores, to the rolling hills of the Greenland tundra,” Nelson writes. Many of the orb-like digital assemblages feature thick brush and foliage around the outside, while the less-populated centers appear to bulge out. The organic spheres hover effortlessly against a cloudy backdrop, highlighting the rich colors and incredible diversity of every environment. Each piece serves as a reminder that “it is in the flourishing variety of the local that the fate of the world resides,” the artist says.

Nelson’s work is on view through September 22 at Michael Reid in Sydney and will head to Gallerysmith in Melbourne early next year. Those unable to experience the complexly assembled worlds in person can see more on her site.

 

“Cubali,” 59 x 59 inches

“Sarapiqui,” 59 x 59 inches

“Terra Nostra,” 59 x 59 inches

“Tortuguero,” 59 x 59 inches

“Tropic,” 59 x 59 inches

“Tundra,” 59 x 59 inches

“Cartago,” 59 x 59 inches

 

 



Art Food

Berries, Cookies, and Salami Slices Anonymize Vintage Portraits by Digital Artist Harriet Moutsopoulos

July 9, 2020

Grace Ebert

“Idaeus,” 20 x 24.01 inches. All images © Harriet Moutsopoulos, shared with permission

Telling someone that there’s an errant herb stuck between their teeth or a dot of sauce just below their lip is likely to spur embarrassment, so noting that they’re covered in egg or raspberry or a gloopy mound of ketchup might be too much to bear. Harriet Moutsopoulos, though, helps her subjects save face by completely masking their distinct features with singular bites of fruit, bowls of ice cream, and slices of salami, ensuring their anonymity.

The Australian artist, who works under the name Lexicon Love, combines found portraits and edibles into strange collages. Although her techniques are digital, Moutsopolous often considers analog practices, preferring basic technologies to programs like Photoshop or Illustrator. She also imposes limits of two or three elements to maintain the integrity of each piece. “The most significant challenge for me is giving each artwork the slight imperfections of hand and the general look and feel of being made entirely from traditional, analog practices,” she says.

Moutsopolous tells Colossal that she’s “drawn to the surreal and unsettling and try to inject that into my work where possible, always seeking out the unexpected connections between humor and tragedy.” At times both comical and unsettling, the bizarre compilations inspire questions about the subjects’ identities. “On the surface, this absurd combination appears to reject any sense of reason (an extension of my own twisted sense of humor). However, obscuring the faces of my portraits with food is designed to not only challenge traditional notions of beauty but also to provoke, tease, and confuse the observer,” the artist says.

Pick up one of Moutsopoulos’s prints on her site, and follow her future food-covered assemblages on Instagram. (via Inag)

 

“Protogonus,” 20 x 24.01 inches

“Carry on Regardless,” 20 x 24.01 inches

“Cancelled,” 20 x 24.01 inches

“You Win Again,” 20 x 20 inches

“First Love,” 20 x 24.01 inches

“Lorem Ipsum,” 20 × 24.01 inches

“Dog’s Balls,” 20 x 24.01 inches

 

 



Art Photography

Women in Motion Energize Dreamy Photographs by Kylli Sparre

May 22, 2020

Grace Ebert

“Wonder Wheels.” All images © Kylli Sparre, shared with permission

Often blurring or concealing the faces of her dramatically posed figures, Kylli Sparre (previously) captures magical portraits of young women and girls. The fine art photographer, who is based in Tallinn, captures her lone subjects amidst swirling swaths of fabric or perched atop a towering mass of bicycle wheels. Many are in motion, whether dancing against hazy landscapes and or scooting across calm waters.

Sparre tells Colossal that she’s begun to experiment with technical aspects of her process by using a scanner, piecing together images in collages, and experimenting with movement and exposure time. Although she notes that many of her forays into underwater photography “will never see the light of day,” she’s “trying to be as open as I can… I think what has demanded me to grow, is the wish to keep finding the “something” in an image, that would touch a chord in me. Because what I find interesting, slightly changes over time. It is not always an easy task to be truthful to this inner scale, but still essential.”

To see more of Sparre’s conceptual projects focused on the female figure, head to Instagram.

 

“Disquiet”

“Learning Wheels”

“Modest Troubles”

“Mismeeting”

“Wild Things in Mild Wind”

“Line in Time”

“Excusing Shadows”

 

 



Art Photography

Homegrown Botanics Collaged into Conflict-Ridden Figures by Artist Meggan Joy

May 11, 2020

Grace Ebert

All images © Meggan Joy, shared with permission

For Meggan Joy to begin creating her flowery assemblages, she first has to plant the seeds. The Seattle-based artist cultivates a plot in a community garden throughout the summer months, tending to each fern and vibrant petal. Once her patch is in full bloom, she captures thousands of individual photographs of her rooted plants before combining them into allegorical digital collages of the female body. Birds, butterflies, and other visitors to her garden make an appearance, as well.

Her latest series, Battle Cry, depicts women in the midst of conflict. Imbued with action, each figure is comprised of layers of the living world that are derived from both the opened flowers and the powerful bodily poses. “Color and texture form each woman’s shape, and from the photographs of once-living individual things, portraits of ethereal beings begin to emerge,” the artist says. A snake wraps itself around one figure’s neck, while two others are twisted among flowing ribbon, merging notions of natural beauty and strength.

Joy’s work will be on view at J. Rinehart Gallery in Seattle from June 13 to July 25, with a virtual opening on June 13. Take a peek at her studio, which includes a walk through her garden plot, in the video below, and follow her textured compositions on Instagram.

 

 

 



Art

Picasso-Inspired Portrait Sculptures Rendered by Digital Artist Omar Aqil

March 15, 2020

Andrew LaSane

All images © Omar Aqil

Pakistan-based art director and illustrator Omar Aqil (previously) continues his Character Illustrations series with more collaged portraits made from stacks of 3D objects. Using digital software including Adobe Photoshop, Cinema 4D, Octane, and Adobe Illustrator, Aqil creates Picasso-esque faces and places them into random, casual scenes.

The shadows, highlights, and colors make Aqil’s rendered sculptures and plinths appear as built-objects in a physical location. Implied facial features give each character a personality that is helped by humorous expressions and mundane scenarios. “Making this series I have explored the new simplicity of shapes and forms to make a character’s inner expression which told the whole story,” Aqil writes on Behance. He adds the while the main sources of inspiration for the experimental project are Picasso’s portraits, the work also is inspired by random situations that he and other designers face.

To see more of Aqil’s portraits, check out the illustrator’s portfolio on Behance and follow him on Instagram.