collage

Posts tagged
with collage



Art Photography

New Perspective-Bending Collages by Lola Dupré Distort and Reconfigure Pets and Portraits

March 19, 2021

Grace Ebert

“Cleo” (2020), 8.2 x 11.6 inches. All images © Lola Dupré, shared with permission

Glasgow-based artist Lola Dupré (previously) continues her practice of slicing and rearranging photographs and art historical works into cleverly surreal collages. Her newest manipulations include a blockheaded Léon Bonnat, an entire row of irresistible puppy eyes, and a twisted rendition of George Stubbs’s “The Kongouro from New Holland.” Dupré’s cat, Charlie, still finds himself as fodder for the unusual works—see two pieces centered on him below—and the artist is currently in the process of creating her 33rd portrait of the orange-and-white feline. Find more of the Dupré’s compositions in the latest issue of Standart Magazine, shop originals and prints on her site, and see the distorted works in person at Portland’s Brassworks Gallery later this year. You also can follow along with the contorted creations on Instagram and Behance.

 

“Kayack” (2020), 11.6 x 8.2 inches

“Roo after Stubbs” (2021), 8.2 x 11.6 inches

Left: “After Leon Bonnat” (2021), 8.2 x 11.6 inches. Right: “The Community” (2020), 8.2 x 11.6 inches

“Charlie 32” (2021), 8.2 x 11.6 inches

“Hardy” (2020), 16.5 x 11.5 inches

Left: “Cat after Nathaniel Currier” (2021), 8.2 x 11.6 inches. Right: “Rand” (2021), 11.5 x 16.5 inches

“Charlie 31” (2021), 11.6 x 8.2 inches

 

 



Illustration Photography

Meticulous Digital Works Layer Petals, Leaves, and Natural Textures into Fantastic Creatures

March 9, 2021

Grace Ebert

Detail of “Kulu.” All images © Josh Dykgaaf, shared with permission

Melbourne-based artist Josh Dykgraaf has a discerning eye for matching two seemingly disparate elements. In his ongoing Terraforms series, autumn leaves become feathers, magnolia petals wind into scales, and plumes form fins that swish through water. Each illustration merges flora and fauna into an entirely new fantastical creature, and a single piece can take days to complete, with the pair of Tawny Frogmouths, for example, clocking in at 55 hours and more than 3,000 layers.

“My process for how I pair natural textures with animals is usually a bit like cloud gazing—like as a kid, did you ever stare up out the clouds and make out different forms and shapes among them?” Dykgraaf says, noting that he takes all of his own photographs of the source materials on hikes or walks around his neighborhood. Once he returns to his studio, he painstakingly collages the extraordinary creatures, coating a closed beak in bark or an echidna in regrown brush following the East Gippsland fires.

In the coming months, Dykgraaf is shifting to a portrait series focused on Indigenous people around the world. His digital works will be included in The Other Art Fair in Sydney from March 18 to 21 and the virtual edition, which runs March 23 to 28. Until then, see a larger collection of the intricately constructed creatures on Behance and Instagram, and pick up a print from his shop. (via designboom)

 

Detail of “Tawu Tawu”

Detail of “Burooli”

“Bunyjul”

Detail of “Kulu”

Left: “Burooli.” Right: “Thaumus”

“Kulu”

“Tawu Tawu”

“Tjirilya”

 

 



Art Photography

Six Quirky Houseplants Made from Collaged Photos Spring from a Pop-Up Book by Daniel Gordon

March 9, 2021

Grace Ebert

From Daniel Gordon: Houseplants (Aperture, 2020). All images © Daniel Gordon/Aperture, photographs and video by Black&Steil/Aperture

Say goodbye to the days of buying succulents only to watch them wilt and shrivel. Just flip open a pop-up book by photographer Daniel Gordon, and find a collection of forever-perky shrubs and greenery sprouting from the pages.

Published by Aperture, Houseplants features quirky still lifes of potted vegetation and fruit that Gordon developed using photographs found online, a process that’s central to his overall practice. The obviously constructed forms, which were created by self-described paper engineer Simon Arizpe, juxtapose the realistic nature of the plants with saturated colors and unusual depth, resulting in scenes that are distinctly informed by the internet and the melding of digital and analog techniques. “The seamlessness of the ether is boring to me, but the materialization of that ether, I think, can be very interesting,” Gordon says in a statement.

To add the sculptural greens to your collection, pick up a copy of Houseplants from Aperture or Bookshop, and explore more of the Brooklyn-based photographer’s vibrant, collaged projects on his site and Instagram. (via Juxtapoz)

 

 

 



Art Photography

Lorna Simpson Photographs Rihanna in an Elegantly Collaged Collaboration for ESSENCE Magazine

January 25, 2021

Grace Ebert

“Of Earth & Sky (Blue Cumulus)” (2020), collage and ink on paper. All images © Lorna Simpson, courtesy of the artist and Hauser & Wirth

An extraordinarily glamorous collaboration graces the pages of ESSENCE’s January/February 2021 issue. The print publication paired acclaimed artist Lorna Simpson and pop icon and businesswoman Rihanna for a striking interpretation of modern beauty.

Within the Of Earth & Sky series are 12 collages and the cover image, which features Rihanna, eyelids coated in bright blue, staring directly at the camera. A diamond collar drapes around her neck, and she’s adorned with a roughly textured crown of crystal derived from 19th-century lithographs.

Many of the superimposed collages feature the Barbados-born singer framed in archival imagery, from star-studded galactic coiffes to bright bursts of watercolor. Others in the collection stray from hairstyle transformations and instead position her against vintage backdrops, including one shot of Rihanna donning an elaborately feathered headdress and lingerie in front of the city skyline.

Brooklyn-based Simpson is known for her kaleidoscopic collages centered on Black women that pull imagery from back issues of Ebony and Jet, a treatment she applies to ESSENCE‘s first-ever commission. The layered works are paired with an essay by the artist’s daughter, actress and model Zora Simpson Casebere, about Rihanna’s lasting influence on her own career. For more of Simpson’s collages that intersect contemporary culture and retro imagery, head to her site. (via Artnet)

 

“Of Earth & Sky (Nebula)” (2020), collage on paper

“Of Earth & Sky (Cover)” (2020), collage on paper

“Earth & Sky #24” (2016), collage on paper

“Of Earth & Sky (Bivalve)” (2020), collage on paper

“Of Earth & Sky (Moving Planets) “(2020), collage on paper

“Of Earth & Sky (Bridge)” (2020), collage on paper

 

 



Art

Daily Newspapers Are Meticulously Cut into Lace Collages by Artist Myriam Dion

November 30, 2020

Grace Ebert

“Floristic procession – California Blazes, The Wall Street Journal, Saturday / Sunday, August 22-23,” collage of newspapers and Japanese papers cut with X-Acto knife, 84 centimeters diameter. All images © Myriam Dion, shared with permission

For Myriam Dion, a newspaper’s narrative qualities go beyond the text on the page. The Montreal-based artist accentuates the daily briefs and profiles in publications like The Wall Street Journal, Financial Times, and Le Monde by overlaying broadsheets with painstakingly cut newsprint. Brilliantly hued flowers veil an issue focused on the wildfires raging across California, while masked subjects appear in the foreground of a piece about the post-COVID economy. Each tableau centers on one narrative, supporting the journalism with intricate motifs and trimmed photographs spread across the unfolded issue.

Masking the text-based print with color and woven sections has been a recent addition to Dion’s practice. “This operation often doubles or triples the working time, but it helps solidify the works (which are already quite fragile) and gives more depth and possibilities to the patterns that I choose and invent,” she writes, noting that weaving thin strips through whole editions visually aligns her works more closely with fiber arts.

More often utilizing vintage copies of North American newspapers than she had previously, the artist has identified a through-line in many of the editions. “For a long time, and even today, the print media has been a forum articulated by and for the male sex, where women have occupied a limited place, and interestingly enough, the newspaper articles I have accumulated document the perception of women in the mass media over the last century,” she says.

Dion will be an artist in residence at the NARS Foundation in Brooklyn in 2021, where she plans to create 8-10 new pieces that merge these historic narratives with traditionally feminine art forms, like lacework and embroidery. The idea is subversive and pays “homage to the female public figures represented in these old newspapers, but more particularly to ordinary women to whom the recognition of any artistic contribution, both from a technical and conceptual point of view, has long been denied by the politics of art.”

View more of Dion’s elaborately collaged projects on her site and Instagram.

 

“Red Square, Moscow – Containment compliance is controlled thanks to an ‘intelligent surveillance system,’ March 31, 2020, Le Devoir,” collage of newspapers and Japanese papers cut with X-Acto knife, Japanese paper weaving, 60.5 x 59 centimeters

Detail of “Madrid, martyr capital of a grieving Spain, Le Monde, Saturday, April 4, 2020,” collage of newspapers and Japanese papers cut with X-Acto knife, 55.5 x 37.5 centimeters

Detail of “On a marche sur la lune, La Presse, Monday, July 21, 1969,” collage of newspapers and Japanese papers cut with X-Acto knife, Japanese paper weaving, gold and copper leaf, 91 x 63 centimeters

“Coronavirus – China’s risky plan to revive the economy, Financial Times, 11 March 2020,” collage of newspapers and Japanese papers cut with X-Acto knife, Japanese paper weaving, 30.5 x 46 centimeters

Detail of “Coronavirus – China’s risky plan to revive the economy, Financial Times, 11 March 2020,” collage of newspapers and Japanese papers cut with X-Acto knife, Japanese paper weaving, 30.5 x 46 centimeters

“On a marche sur la lune, La Presse, Monday, July 21, 1969,” collage of newspapers and Japanese papers cut with X-Acto knife, Japanese paper weaving, gold and copper leaf, 91 x 63 centimeters

Detail of “Floristic procession – California Blazes, The Wall Street Journal, Saturday / Sunday, August 22-23,” collage of newspapers and Japanese papers cut with X-Acto knife, 84 centimeters diameter

“Madrid, martyr capital of a grieving Spain, Le Monde, Saturday, April 4, 2020,” collage of newspapers and Japanese papers cut with X-Acto knife, 55.5 x 37.5 centimeters

Detail of “Madrid, martyr capital of a grieving Spain, Le Monde, Saturday, April 4, 2020,” collage of newspapers and Japanese papers cut with X-Acto knife, 55.5 x 37.5 centimeters

 

 



Art Illustration

The Past, Future, and Playful Collide in Digital Collages by Anonymous Duo Frank Moth

October 14, 2020

Grace Ebert

All images © Frank Moth, shared with permission

The anonymous pair behind  Frank Moth (previously) characterize their layered digital collages as “nostalgic postcards from the future.” Using vintage photographs, the artistic duo merges retro visuals with natural elements like botanics and outer space to create playful composites that range from futuristic to romantic. “Our work almost always revolves around introspection, soul searching, and universal themes like eternity and human vices,” they share with Colossal.

Based in Veria, Greece, the pair sources images of tropical plants and starry expanses from a variety of sources, including library and museum databases and other photograph-centered websites that offer copyright-free works. “We still have our own huge inventory of images that we have been growing and expanding for many years, after endless digging and searching in databases of very old photos and scanned clippings of old magazines from the 60s and 70s,” they say.

Pick up one of Frank Moth’s prints from Society6, and follow the latest digital assemblages on Instagram and Tumblr.