drawing

Posts tagged
with drawing



Art Illustration

Haunted Bodies: A Collection of New Hybrid Drawings About Healing and Loss by Christina Mrozik

October 4, 2018

Kate Sierzputowski

Portland-based artist Christina Mrozik (previously) closely observes flora and fauna to create hybrid drawings that unite the two in haunting new forms. In her monochrome work hair springs from hollow snake skins, claws emerge from floral bulbs, and spiders reveal human-like innards. Although there is a nightmarish quality to these unnatural combinations, a graceful undercurrent marks the way each invented creature twists upon the page.

Recently Mrozik compiled a collection of drawings and writings she created while moving through a period of depression. Despite their surreal composition, they express the deeply human emotions of loss and fear. “Merging pieces of organ, flora, and animal, these faceless drawings are an attempt to capture the ‘haunted’ feeling of inaccessibility, expressing an experience outside the clarity of language,” she explains. “Releasing this collection as a book creates a physical reminder both of the reality of a difficult circumstance, and the community moving through the common casualty of life alongside you. It creates the space that only books can, where one can participate whilst in the solitude of their experience.”

Her new book, Haunted Bodies: An Art Book of Poems and Drawings is currently being funded through Kickstarter. You can see more of her drawings, illustrations, and recent ceramic works on her website and Instagram.

Photo by Dana Halferty

Photo by Dana Halferty

Photo by Dana Halferty

Photo by Dana Halferty

 

 



Animation Illustration

A Hand-Drawn Animation of Merging Faces and Morphing Bodies by Daniel Zvereff

September 28, 2018

Laura Staugaitis

Brooklyn-based artist Daniel Zvereff works in a combination of drawing, photography, and videography and all three come into play in an animated short. The three minute long film is a music video for Norwegian singer-songwriter Okay-Kaya‘s song “Emulate”. It is a departure from her other music videos, which usual feature the singer herself in live action scenarios. Throughout the video, pieces of unbound notebook paper show shifting blue drawings. Ranging from moving faces to animals and planets, as well as abstract shapes, the drawings are all executed in simple line work, in a unified blue hue. You can see more of Zvereff’s work on his website and Flickr. (via Vimeo Staff Picks)

 

 



Art

New Sprawling Ink Drawings by Olivia Kemp Explore the Landscapes of Malta and Bavaria

August 27, 2018

Kate Sierzputowski

All images courtesy of Olivia Kemp

British artist Olivia Kemp (previously) creates sprawling, large-scale ink drawings of real world landscapes that are built from photography, observational sketches, and her own memories of the visited destinations. Her two most recent works took a combined nine months to complete, and are pulled from her travels to Malta and Bavaria. Kemp’s drawing “Ascending The High Pass” is inspired by Bavaria’s castles, and is composed of towers, cliffs, and a winding train line that connects the city through a series of bridges and tunnels.

For her other recent piece, she focused more on the plant life of the location. “Unlike with the castles drawing, ‘Melita, Maleth’ was very much a response to selecting a random location and spending time there getting to know it,” Kemp tells Colossal. “I was interested in going to Malta, but didn’t have any particular drawing or architectural style or composition in mind before I went. I loved the variation of plant life on the island, and felt really strongly that the drawing needed to have a full and rich foreground, including all the flora that had most interested me.”

Kemp will often create smaller drawing studies while on location, which she will then incorporate into her larger works. Both “Ascending The High Pass” and “Melita, Maleth” will be included in the group exhibition Early Modern Matters which opens on September 6 at James Freeman Gallery in London and closes September 29, 2018. You can see more of the artist’s work on Instagram and Twitter.

"Melita, Maleth" in process

“Melita, Maleth” in process

"Melita, Maleth"

“Melita, Maleth”

"Melita, Maleth" in process

“Melita, Maleth” in process

"Melita, Maleth" with reference drawings

“Melita, Maleth” with reference drawings

"Melita, Maleth" in process

“Melita, Maleth” in process

Detail of "Ascending The High Pass"

Detail of “Ascending The High Pass”

"Ascending The High Pass" in process

“Ascending The High Pass” in process

"Ascending The High Pass"

“Ascending The High Pass”

"Ascending The High Pass" in process

“Ascending The High Pass” in process

Olivia drawing "Ascending The High Pass"

Olivia drawing “Ascending The High Pass”

 

 

 



Art

Multiple Perspectives Form Elaborately Detailed Cityscapes by Nathan Walsh

August 10, 2018

Kate Sierzputowski

"Pier 17" (2018), oil on canvas, 85 x 50 inches

“Pier 17” (2018), oil on canvas, 85 x 50 inches, all images via Nathan Walsh

British artist Nathan Walsh (previously) creates oil painted cityscapes by combining reference images from a range of perspectives and angles. His latest work Catching Fire was created from a combination of photographs taken during three visits to New York City over a two year period. The painting more accurately captures the feeling of Times Square rather an exact representation, presenting multiple horizon points to make the viewer feel as if they are at the center of the neon-washed environment.

In addition to taking numerous photographs of his chosen location, Walsh also spends time sketching his surroundings in a series of thumbnail drawings. “Of late I’ve found the sketchbook to be of increasing importance even for notes on color or whatever I happen to be thinking about at the time,” he tells Colossal. “This immediate personal response to the environment plays an important role when I’m back in my studio in the United Kingdom and reliant on the photographs taken.”

Once he’s decided on the subject and scale of the painting, he draws in elements in a fairly loose and intuitive way. “Freehand drawing is fundamental to all of my work, allowing me to take full ownership of photographic material,” he explains. “Rejecting the mechanical transfer of imagery forces me to construct each object from scratch and allows for a fluid and inventive approach.”

By selecting segments from a variety of photographs of each scene, Walsh is able to construct his own reality of a space within an urban environment. This includes shifting key elements of his paintings into what he describes as different perspective “zones,” which he explains allows his works to more closely relate to how we experience a city while we are walking through it.

Over the last three years, Walsh’s paintings have begun to focus more heavily on the weather conditions present in a particular location, homing in on the reflective sidewalks produced during a rainstorm or the geometric bands of light that infiltrate an urban space during a bright, cloudless day. You can view of a selection of Walsh’s New York City paintings in his upcoming solo exhibition at Bernarducci Gallery in Manhattan, which opens September 6 and runs through September 29, 2018. More of Walsh’s cityscapes can be seen on his Instagram and Twitter.

"Catching Fire" (2017), oil on canvas, 53 x 108 inches

“Catching Fire” (2017), oil on canvas, 53 x 108 inches

Drawing for "Catching Fire" (2017), oil on canvas, 53 x 108 inches

Drawing for “Catching Fire” (2017), oil on canvas, 53 x 108 inches

"Lake Street' (2017), oil on linen, 34 x 52 inches

“Lake Street’ (2017), oil on linen, 34 x 52 inches

"ZBAR" (2016), oil on canvas, 51 x 115 inches

“ZBAR” (2016), oil on canvas, 51 x 115 inches

"Ed Koch" (2018), oil on canvas, 85 x 56 inches

“Ed Koch” (2018), oil on canvas, 85 x 56 inches

Detail of "Ed Koch" (2018), oil on canvas, 85 x 56 inches

Detail of “Ed Koch” (2018), oil on canvas, 85 x 56 inches

Detail drawing of "Ed Koch" (2018), oil on canvas, 85 x 56 inches

Detail drawing of “Ed Koch” (2018), oil on canvas, 85 x 56 inches

"Peninsula" (2017), oil on canvas, 69 x 133 inches

“Peninsula” (2017), oil on canvas, 69 x 133 inches

 

 



Illustration

Three-Dimensional Paper Doodles Created With Playful Folds and Rips by HuskMitNavn

July 6, 2018

Kate Sierzputowski

Danish artist HuskMitNavn (which translates to “Remember My Name”) is a painter, muralist, and compulsive doodler who creates clever three-dimensional drawings. The simple constructions are made from paper and pen, and depict cartoon characters in humorous situations like Mario avoiding an arsenal of tumbling barrels thrown by a looming Donkey Kong.

“It’s a long (and ongoing) process coming up with the 3D drawings,” HuskMitNavn tells Colossal. “I have been making so many drawing on flat paper my whole life and one day a few years ago I just started to experiment with the paper to see if could add another dimension to it. The idea is to make it very simple only using A4 size paper and a pen. No scissors or glue. I want everybody to join in and also try to 3D drawings at the kitchen table.”

HuskMitNavn has an upcoming solo exhibition titled TEGN at Nikolaj Kunsthal in Copenhagen from August 29, 2018 through January 2019. You can a variety of the artist’s cross-media work on his website and dozens more of his ripped drawings on Instagram.

 

 



Art Illustration

Fantastical Swirls of Strange Hybrid Creatures Fill Vorja Sánchez’s New Illustrations

June 26, 2018

Laura Staugaitis

Insomnia

Spanish illustrator Vorja Sánchez (previously) continues to plumb his imagination to create wildly original drawings and paintings. Constellations of real and invented wildlife, plants, and mysterious critters that seem to be a combination of the two, coexist in the artist’s colorful multi-media illustrations. Sánchez shares his work on Instagram and Facebook, where he also provides details on works for sale and updates on collaborative projects and murals.

Insomnia (detail)

Mediterranean Insects

Mediterranean Insects (detail)

Seaheart

Winter Stroll

Serenity of the Organic Chaos 

La Cosecha

(Untitled)

Invisible Boat (detail)

 

 



Design

Scribit: the Programmable Robot that Draws on Walls (on Purpose)

June 7, 2018

Laura Staugaitis

Invented by MIT Professor Carlo Ratti, the Scribit is a new robot drawing machine that creates text and images using erasable inks. The project’s creators bill it as a useful tool in work environments as well as an easy and interchangeable way to decorate one’s home. The robot draws its imagery either from an app or from files that users upload themselves. Scribit is currently funding on Kickstarter, where it reached its goal within two hours.