embroidery

Posts tagged
with embroidery



Craft

Skies Peek Through Foliage in French Knots in Embroideries that Peer Up From the Forest Floor

June 14, 2022

Grace Ebert

All images © Sew Beautiful, shared with permission

Look up! The vibrant embroideries of the U.K.-based artist known as Sew Beautiful capture the awe-inspiring breadth of the outdoors within a tiny wooden hoop. Layering colorful French knots and long, straight threads in neutral tones, the artist transforms thin organza bases into fiber renditions of forests dense with autumn leaves or aerial shots capturing wide swaths of landscape. The hand-stitched pieces are vivid and tinged with whimsy, and Sew Beautiful has a few works currently available on Etsy. Follow shop updates and new embroideries on Instagram. (via So Super Awesome)

 

 

 

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Craft Food

Fibrous Kale, Broccoli, and Beans Grow From Incredibly Realistic Three-Dimensional Embroideries

June 8, 2022

Grace Ebert

All images © Konekono Kitsune, shared with permission

A glimpse into Konekono Kitsune’s workspace in Tokyo likely resembles a farmer’s market stand more than a fiber studio. Using countless layers of thread and the occasional felt base, the artist stitches curly kale, collard greens, and other fare that bear a striking likeness to their real-life counterparts: dense tufts in green form broccoli florets, a broad bean pod splits open to reveal a soft downy inside, and tight rows line the undulating surface of a sweet potato.

In a note to Colossal, Konekono Kitsune shares that their grandmother frequently embroidered, although they only began working in the medium a few years ago. “I’m not a farmer, and I’m not particularly good at cooking. I happened to embroider vegetables and got convinced. Embroidery threads are great for expressing vegetable fibers,” they say.

For more of the artist’s produce-based works, visit Instagram.

 

 

 



Art Craft

Vivid Compositions in Thread Enliven Hollow Spaces in Diana Yevtukh’s Striking Embroideries

June 3, 2022

Kate Mothes

“Why did they do this to us” (2022). All images © Diane Yevtukh, shared with permission

Ukrainian artist Diana Yevtukh draws inspiration from her surroundings by carefully situating cornucopian floral arrangements made of thread in the hollows of trees. Based in Lviv, her work has assumed more urgency since the invasion of her home country by Russian forces earlier this year, and pieces like “Why did they do that to us” draw on her background in photography and design to spread the crucial message that Ukraine remains under threat.

The artist’s meticulous needlework pieces feature a medley of vibrant flowers like poppies, daisies, and sunflowers, which nestle into the surfaces and appear to effervesce from within. Her works are often juxtaposed with rough or decaying surfaces like old stone walls or rusting metal to “heal” the damage, emphasizing the possibility for beauty and strength in unexpected places.

You can find more of Yevtukh’s work on Instagram.

 

“And the spring will come, and night will be gone”

“Life is breaking out of the mysterious hideaways”

“Stitch by stitch, cracked and forgotten wall blossoms with new life”

“No cage can hold the radiance of hope”

 

 



Art Craft

Elaborately Embellished Heart Sculptures by Ema Shin Reflect On the Anonymous Legacies of Women

May 5, 2022

Kate Mothes

Image © Matthew Stanton. All images courtesy of the artist and shared with permission

Like many Korean families, artist Ema Shin’s relatives maintain a genealogy book called a jokbo, which illustrates their family tree. Shin’s ancestral record spans 32 generations, yet only male members of the family are represented. Born and raised in Japan, and currently based in Melbourne, Australia, the artist describes in a recent statement that “in the society that I was born and raised in, there was a prejudice between men and women, and their roles were predetermined. I always felt uncomfortable with this inequality.” In her series Hearts of Absent Women, she celebrates and recognizes women whose achievements remain obscured by history.

Heart-shaped forms made from fabric are elaborately embellished with colorful threads and beads in an homage to the organ’s connection with emotion and vitality. They are nearly life-size, and the range of woven and stitched textures are captivatingly tactile. Both anatomical and fanciful, the arteries, veins, and ventricles become distinctive expressions in needlework that reflect strength, resilience, and individuality. Since becoming a mother herself, Shin has been particularly interested in honoring women’s lives and bodies, recognizing the anonymous contributions of those in her family and around the world and acknowledging their stories for the future.

Some of Shin’s work can be seen at the Victoria Craft Awards 2021 exhibition through May 21. She has limited-edition prints from the series for sale on her website, and you can also follow her on Instagram.

 

Image © Ema Shin

Image © Matthew Stanton

Image © Ema Shin

Image © Ema Shin

Image © Matthew Stanton

Image © SoulTradr

Image © Matthew Stanton

Image © Oleksandr Pogorily

 

 



Art Craft

Surreal Narratives Unfold in Natural Settings in Michelle Kingdom’s Enigmatic Embroideries

May 3, 2022

Kate Mothes

“Skies have a way of falling” (2022). All images © Michelle Kingdom, shared with permission

Immersed in dreamlike surroundings, figures interact with nature and participate in enigmatic rituals in embroideries by Michelle Kingdom (previously). The Los Angeles-based artist continues to explore what she describes as “psychological landscapes,” portraying a diverse range of figures in ambiguous activities and settings that are intricately composed from thread. Drawing on the rich traditions of needlework, she takes a more freeform approach to the medium in which stitching becomes a tool for sketching, honoring its history while subtly subverting convention.

Often gathered together, Kingdom’s subjects appear to be performing vital tasks or observing fascinating or momentous occurrences, yet their intentions are mysterious. Her compositions combine elements of nature, geometry, and allegory. In her statement she writes, “Memories, histories, and mythologies collide amid an undercurrent of political turbulence. Entwined, these influences explore power, relationships and self-perception.”

The artist is currently working toward a solo exhibition with bG Gallery in Santa Monica in early 2023. You can find more work and follow updates on her website and Instagram.

 

“After all, it was only make believe” (2021)

“Securely Fastened” (2021)

“True Blue” (2021)

“We grow accustomed to the dark” (2021)

“As if they stood under glass” (2021)

“Exchanging Heaven for Earth” (2021)

“No Respite” (2020)

“The Orbit of Paper Moons” (2021)

 

 



Art Craft History Photography

Embroidery Adds Textured Narratives to the Subjects of Flore Gardner’s Stitched Photographs

April 14, 2022

Grace Ebert

All images © Flore Gardner, shared with permission

With a background in medicine, Edinburgh-based artist Flore Gardner fosters a creative practice that explores the body and its untapped potential. She works in an array of mediums from printmaking and ink-based illustrations to mixed-media installations and fiber, pushing the limits of human anatomy into the realm of the absurd or subversive. No matter the material, each work centers on a primary interest in drawing and utilizes the same techniques and principles that fill the pages of her notebooks.

One of Gardner’s series, titled (Her)Stories, overlays vintage, black-and-white photographs largely sourced from flea markets with vibrant stitches. As the name suggests, the collection focuses primarily on women, and the embroidered elements obscure faces with dense patches, add dimension to a subject’s body, or highlight their figures by drawing a contrast to the backdrop.

Revitalized with color and texture, the portraits and posed group shots take on a new narrative with the artist’s thread drawings and “modify the ‘reality’ of the photos, revealing hidden things underneath (eg. unseen naked bodies under wedding clothes, invisible haloes, hidden thoughts) or on the contrary hiding certain details (threads shroud the inevitably dead figures or ‘ghosts’).” She explains further:

The needle is an instrument for hurting and for healing—a photograph (or human skin) can be damaged by its treatment and simultaneously repaired/recreated. This needle makes hundreds of little holes in each photograph, once a precious object, and these, along with the threads, transform the flat, smooth, untouchable photographic support into a relief surface, which can be touched and even, in a certain way, read like Braille.

Gardner currently is working on a publishing project funded by Creative Scotland and a collaborative performance that will be presented at Edinburgh Fringe this August.