with found photographs
Whether depicting a birthday party or a child’s first steps, the expressive murals by Mohamed L’Ghacham (previously) enlarge sincere, unposed moments into monumental celebrations of everyday life. The Moroccan artist recreates vintage photographs as wall-sized artworks in locations across Europe that portray a woman readying for bed or the chaotic minutes before a family portrait at a massive scale.
L’Ghacham tells Colossal that his relationship to the original images has evolved in recent years from a simple juxtaposition of the site and the quiet, unassuming beauty of the domestic scenes to a more complex understanding. “Those first murals were done in abandoned, demolished places or simply on the outskirts of cities and public spaces. The impact of seeing an image of this type painted with a technique closer to classical painting than graffiti in such spaces created a concept by itself for me,” he says.
Today, the Barcelona-based artist sources reference photographs and home videos from neighbors and city archives to connect more directly with the local culture. While his style is unchanged—L’Ghacham continues to use loose brushstrokes and layers of muted tones to achieve the vintage aesthetic—the streetside works reflect those living nearby. “I think (the murals) can be very symbolic and that many people can feel represented even if they are not necessarily the protagonists portrayed,” he says. “Until now my intention was to pay tribute and give visibility to situations that we all live in and that maybe sometimes we find it hard to value.”
Starting next month, L’Ghacham will be traveling around Europe for a few projects and has a solo exhibition at PDP Gallery slated for this summer, which will be comprised of the smaller paintings he’s been sharing on Instagram.
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Dozens of Mushroom Characters Populate a Family Tree in Whimsically Painted Photographs by Jana Paleckova
An affinity for fleshy spores runs in the long line of ancestors laid out in a family tree by Jana Paleckova. The Prague-based artist layers antique photographs with playful oil paintings of spindly enoki or ribbed chanterelle, creating hybrid characters brimming with fungi-fueled personalities. “There are many types of mushrooms, all of which have different characteristics. Just like people,” she says.
In a note to Colossal, Paleckova says she was prompted to start the whimsical project when she was flipping through her family’s atlas of fungi. “Czech people are known mushroom hunters. It’s quite common for families to go out looking for mushrooms together,” she says. This atlas later served as a reference point for the 90 small portraits, which consist of the dozens of vintage photographs that the artist sourced from flea markets, that comprise the sprouted kin.
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An extraordinarily glamorous collaboration graces the pages of ESSENCE’s January/February 2021 issue. The print publication paired acclaimed artist Lorna Simpson and pop icon and businesswoman Rihanna for a striking interpretation of modern beauty.
Within the Of Earth & Sky series are 12 collages and the cover image, which features Rihanna, eyelids coated in bright blue, staring directly at the camera. A diamond collar drapes around her neck, and she’s adorned with a roughly textured crown of crystal derived from 19th-century lithographs.
Many of the superimposed collages feature the Barbados-born singer framed in archival imagery, from star-studded galactic coiffes to bright bursts of watercolor. Others in the collection stray from hairstyle transformations and instead position her against vintage backdrops, including one shot of Rihanna donning an elaborately feathered headdress and lingerie in front of the city skyline.
Brooklyn-based Simpson is known for her kaleidoscopic collages centered on Black women that pull imagery from back issues of Ebony and Jet, a treatment she applies to ESSENCE‘s first-ever commission. The layered works are paired with an essay by the artist’s daughter, actress and model Zora Simpson Casebere, about Rihanna’s lasting influence on her own career. For more of Simpson’s collages that intersect contemporary culture and retro imagery, head to her site. (via Artnet)
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André Schulze scours dusty thrift store bins and private advertisements for vintage paintings and photographs created in the first half of the 20th Century. The German artist restores the found artworks and then dramatically alters them by working directly on the canvas, layering each rendering with boldly new scenes: a stodgy bookworm finds himself in a sea of fish, an elderly woman peers out her window only to see a neighboring home ablaze, and a vintage portrait is transformed into a feathered hybrid creature. The surreal additions are steeped in the artist’s distinct wit and humor that expand the decades-old narratives or that shape a rich and complex account within his original non-vintage pieces.
Schulze’s whimsical paintings are included in Salvage, a group exhibition curated by Colossal’s Founder and Editor-in-Chief Christopher Jobson at Paradigm Gallery + Studio in Philadelphia. Examining how artists are revitalizing fragments of tradition and culture that were destined to be lost, relegated to the periphery, or buried forever, Salvage opens on January 22 with a live talk with Jobson, Schulze, Debra Broz (previously), and Yurim Gough—tickets are available on Eventbrite—and runs through February 20. Take a virtual tour on Paradigm’s site.
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Overflowing with Flora and Fauna, Collaged Paper Installations Comment on Earth's Dwindling Biodiversity
Sprawling across paint-chipped walls and tiny alcoves, the collaged installations of artist Clare Börsch mimic overgrown jungles and whimsical forest scenes. Layers of flora, fauna, and the occasional gemstone or human figure comprise the amorphous paper artworks as they transform spaces into fantastical ecosystems.
In a note to Colossal, Börsch shares that she began her artistic practice as a way to translate her dreams, which are often lucid and informed by memories and a strong tie to nature, into physical objects that others could immerse themselves in. “Growing up in Brazil, I had the ocean, rivers, and jungles that always existed in stark contrast to the industrial cities (I lived in Sao Paulo). So my earliest and most formative memories are of lush, humming tropical ecosystems —and the encroaching industrial landscapes of Brazil’s cities,” she says.
The Berlin-based American artist sources her many of the vintage photographs from open source archives, including the Biodiversity Heritage Library (previously), Pixabay, and Unsplash. Some of the botanical elements she draws or photographs herself before cutting around the organic elements and assembling them in new, sometimes bizarre, compositions.
Despite the vibrancy and lively qualities of the three-dimensional collages, Börsch uses her artworks to reflect on the ongoing climate crisis and destruction of biodiversity, commentary that’s laced with themes of decay and death. She explains:
This came into focus for me when I made a series of collages and then later realized that many of the species in the vintage illustrations had already gone extinct. Humanity has wiped out 68% of all our planet’s biodiversity since 1970, so working with vintage illustrations can be very heartbreaking as much of the diversity in these gorgeous old naturalist prints has been wiped out by human activity.
Since then, Börsch has been collaborating with scientist Louisa Durkin, of the Nordic Academy of Biodiversity and Systematics Studies, to identify ways the artworks can spark awareness and dialogue about environmental issues. “I often say that I do not want my art to be a funerary dirge for everything we could have saved,” she says.
In recent months, Börsch has been working on a commissioned series that will culminate in a forthcoming book, titled Why Do Tigers Have Whiskers? And Other Cool Things About Animals, which is scheduled for release by Thames & Hudson in May 2021. Follow the artist on Instagram to see her latest projects, including an immersive installation commenting on regenerative approaches to tackling problems of biodiversity, which she plans to unveil in early November. (thnx, Elsie!)
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The anonymous pair behind Frank Moth (previously) characterize their layered digital collages as “nostalgic postcards from the future.” Using vintage photographs, the artistic duo merges retro visuals with natural elements like botanics and outer space to create playful composites that range from futuristic to romantic. “Our work almost always revolves around introspection, soul searching, and universal themes like eternity and human vices,” they share with Colossal.
Based in Veria, Greece, the pair sources images of tropical plants and starry expanses from a variety of sources, including library and museum databases and other photograph-centered websites that offer copyright-free works. “We still have our own huge inventory of images that we have been growing and expanding for many years, after endless digging and searching in databases of very old photos and scanned clippings of old magazines from the 60s and 70s,” they say.
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Editor's Picks: History
Highlights below. For the full collection click here.