With a background in medicine, Edinburgh-based artist Flore Gardner fosters a creative practice that explores the body and its untapped potential. She works in an array of mediums from printmaking and ink-based illustrations to mixed-media installations and fiber, pushing the limits of human anatomy into the realm of the absurd or subversive. No matter the material, each work centers on a primary interest in drawing and utilizes the same techniques and principles that fill the pages of her notebooks.
One of Gardner’s series, titled (Her)Stories, overlays vintage, black-and-white photographs largely sourced from flea markets with vibrant stitches. As the name suggests, the collection focuses primarily on women, and the embroidered elements obscure faces with dense patches, add dimension to a subject’s body, or highlight their figures by drawing a contrast to the backdrop.
Revitalized with color and texture, the portraits and posed group shots take on a new narrative with the artist’s thread drawings and “modify the ‘reality’ of the photos, revealing hidden things underneath (eg. unseen naked bodies under wedding clothes, invisible haloes, hidden thoughts) or on the contrary hiding certain details (threads shroud the inevitably dead figures or ‘ghosts’).” She explains further:
The needle is an instrument for hurting and for healing—a photograph (or human skin) can be damaged by its treatment and simultaneously repaired/recreated. This needle makes hundreds of little holes in each photograph, once a precious object, and these, along with the threads, transform the flat, smooth, untouchable photographic support into a relief surface, which can be touched and even, in a certain way, read like Braille.
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