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Art

Preserved Grasses and Twigs Radiate Outward in Delicately Embroidered Sculptures by Artist Kazuhito Takadoi

June 9, 2021

Grace Ebert

All images © Kazuhito Takadoi, shared with permission

Artist Kazuhito Takadoi (previously) tames the unruly grasses, leaves, and twigs grown in his garden by weaving the individual strands into exquisite radial sculptures. Stitched into paper or bound to wooden discs made of cedar of Lebanon, oak, elm, or walnut, the abstract forms hover between two and three dimensions and utilize traditional Japanese bookbinding techniques to secure the threads. Each artwork, whether an intricately overlapping mass or pair of circular sculptures, is an act of preservation and a study of inevitable transformation: although the materials won’t decompose entirely, subtle shifts in color and texture occur as they age. “As the light changes or the point of view is moved, so the shadows will create a new perspective,” the artist says.

Born in Nagoya, Japan, Takadoi is currently based in the U.K. His meticulously woven works will be on view from June 22 to 29 at Artefact in Chelsea Harbor, and you can find a larger collection of his pieces on Artsy and jaggedart.

 

 

 



Art

A Field of Dried Grass Is Suspended from the Ceiling in 'French Exit' by Artist Tadao Cern

February 26, 2021

Grace Ebert

“French Exit,” (2020-2021). All images © Tadao Cern, shared with permission

In Tadao Cern’s sweeping installation “French Exit,” a cloud of feathery grasses looms over the room. The immersive artwork juxtaposes the ephemeral, dried material with the viewers who stand underneath as it creates a soothing and introspective space to consider the notions of farewells, whether it be the close of a party or more profound experiences, like the end of a relationship or death.

Cern tells Colossal that the title refers to the colloquialism about leaving a social gathering without saying goodbye. “This is something that I usually do because as an introvert, I can not bear with the attention that you get once you say that you have to go. A ping pong game starts of, ‘I have to go,’ and ‘please don’t go,'” says the Lithuania-based artist (previously) says.

 

Emitting a soft glow, the long-stemmed grasses connect to both the organic nature of the life cycle and the human desire to situate ourselves within a broader context, particularly when confronted by aging and death. Cern writes:

I tried to focus more on the aspect of what we would be missing the most during the last seconds of leaving this place.. My guess (is that) it would be something banal, like fields of wheat during the sunset… Banality is a result of such a strong love and affection with something/somebody that you even get sick of it. And hanging everything on the ceiling creates an illusion of floating for the viewer as if you are being taken to the sky.

Cern finished initial sketches for the installation—which also includes CGI elements and a massive arrow pointing downward—just before the first wave of the COVID-19 pandemic. Months later, he was diagnosed with depression and anxiety, coincidental timing that altered his understandings of death and how we collectively say goodbye. “Once the pandemic is over, hopefully, we’ll have a chance to contemplate our farewells in reality. If there is such a thing,” he says.

Purchase prints of the artist’s meditative projects on Patreon, and follow his latest installations on Instagram and Behance. (via Ignant)

 

 

 



Art

Grassy Inclines Embedded in the Ground by Tanya Preminger Throw the Earth Off Balance

April 3, 2020

Grace Ebert

“Round Balance” (2008), soil, grass 900 x 900 x 260 centimeters, Saint-Flour, France. All images © Tanya Preminger, shared with permission

Take a seat on one of Tanya Preminger’s grass-covered artworks, and you won’t be able to right the balance. The Isreal-based artist created immovable slants and indentations embedded in the land that seem like they should tip depending upon the amount of weight settled on either side. For each sloping piece, Preminger employed an excavator to dig a hole and pour the soil into a nearby pile. She then used a shovel, rake, and lengthy ruler to sculpt the slanted earth, covering it with sod at the end.

After seeing a footprint left in a bit of sand, Preminger wanted to express the relationship between give and take that’s inherent in nature. “In physics, an action is equal to its reaction,” she tells Colossal. “The project expresses in material form the philosophical law of balance between opposing sides of one essence.”

The artist produced the first oval impression in 1989 in the fields of the kibbutz Givat Brenner. When organizers of the Chemin d’Art asked her to recreate her original work for their 2008 festival in France, she designed “Round Balance,” altering her oval to a circle “to give a more universal meaning.” (via Design You Trust)

 

 



Art

Dried Grass and Branches are Woven and Stitched into Delicate Sculptural Drawings by Kazuhito Takadoi

January 18, 2019

Laura Staugaitis

Artist Kazuhito Takadoi uses natural materials combined with traditional Japanese art supplies like sumi ink and washi paper to make delicate sculptural works that tread between two and three dimensions. Takadoi cultivates and then gathers grass, leaves, and twigs from his garden to form the meticulous structures that comprise his dimensional drawings. Though these organic findings are secured in place through weaving and stitching, they continue to evolve as they dry and mature, changing in flexibility and color.

The artist, who is originally from Nagoya, Japan, trained in agriculture and horticulture in Japan, the US, and the UK before studying art and garden design in the UK. Takadoi is now based in Britain and is represented by jaggedart gallery in London. His work will be on view at Saatchi Gallery as part of Collect, an international modern craft and design fair, on view in London from February 23 until March 3, 2019.

 

 



Art Photography

Abstracted Dual Landscapes Created Using Cleverly Placed Mirrors

August 23, 2018

Laura Staugaitis

Photographer Sebastian Magnani carefully positions round mirrors in outdoor settings to capture two landscapes at once: the ground below and the sky above. In the ongoing series Reflections, some compositions reflect connected imagery, like blossom-covered grass and a flowering tree. Others juxtapose man-made surfaces like asphalt with organic branches. By removing the usual context of landscape images, Magnani allows the viewer to focus on the textural qualities of the environment, and some images even veer into illusions, as with the cloudy night sky that appears like a full moon.  You can see more from the Swiss photographer, including portraits, on Instagram and Facebook. Magnani has also recently started offering prints of the Reflections series on Society6. (via Bored Panda)

 

 

 



Art

World Tree: A Branching River Etched into the Ground by Krisztián Balogh

June 9, 2017

Christopher Jobson

World Tree, 2012. Soil, water. 10m (32 ft)

World Tree is a 2012 land art installation by Hungarian artist Krisztián Balogh. Dug into the ground like a network of roots or tree branches, the piece measures nearly 32 feet (10m) across and has the uncanny perfection of a digital rendering, though it’s most certainly a physical artwork. You can see more views on Behance.

 

 

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