insects

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Photography

A Dazzling Series of Photos Captures the Soft Glow of Firefly Mating Season in Japan

March 2, 2021

Grace Ebert

All images © Daniel Kordan, shared with permission

An enchanting series by Russian photographer Daniel Kordan (previously) frames a sea of flickering fireflies as they populate a dense bamboo forest. Captured in pockets and trails of light, the insects radiate across the thick vegetation on Japan’s Kyushu Island, which Kordan visited back in 2019 during their mating season.

The beetles search for partners from about May to July, with the males first producing the flashes of light and the females generating responses. Generally swarmed together, the exchanges have a twinkling effect that emits a continuous soft glow across the area. “Fireflies are very sensitive. They need clean water nearby, warm humid air (but not rain), and no lights,” Kordan says. “Not a single photo can show how beautiful it is—shimmering and blinking forest full of little stars.”

Kordan shares technical details about his equipment and timing for the magical shoot on Instagram, and if you’re interested in adding the radiant images to your collection, pick up a print in his shop. (via designboom)

 

 

 



Art

Oversized Butterflies, Moths, and Beetles Cloak Vintage Books in Paintings by Rose Sanderson

January 27, 2021

Grace Ebert

All images © Rose Sanderson, shared with permission

Worn copies of World Books, agricultural texts, and classic novels become canvases for Rose Sanderson’s insect studies. Now a few years old, the expansive series boasts more than 100 paintings featuring beetles, moths, and butterflies that splay across the printed material. Each specimen is enlarged to showcase the details of their bodies as they wrap around the tattered spines.

In a note to Colossal, Sanderson shares that her process is more cyclical than linear as she’s constantly resurfacing themes, materials, and methods from earlier works or those she previously set aside. While her focus currently is on abstract interpretations of the lichens found near her home in West Wales, she draws a connection between the intricacies of the organisms she paints today and the insects of her book series.

Keep an eye out for Sanderson’s work in Issue #24 of Create! Magazine that’s curated by Colossal’s Editor-in-Chief Christopher Jobson. You can follow her specimen-centric projects, which include forays into miniature and 3-D, on Instagram.

 

 

 



Illustration

The Blue Hour: Lyrical Illustrations Catalog a Menagerie of Specimens in Earth's Rarest Pigment

January 21, 2021

Grace Ebert

All images © Isabelle Simler, shared with permission

French illustrator and author Isabelle Simler deftly renders the liminal time surrounding dusk through a poetic exploration of Earth’s rarest color. The Blue Hour winds through the natural world on a journey to spot the pigment, from a bluejay resting on ice-coated branches to robin’s eggs to midnight skies and ocean depths. Simler focuses on “this time of day, when daytime animals enjoy the last moments before nighttime animals wake up. This in-between where the sounds and smells are denser and where the bluish light gives depth to the landscapes.”

Arranged like a color chart, Simler’s richly cross-hatched drawings display myriad nuances in time, species, and scenery of our ocean-blanketed planet. Because the pigment isn’t naturally occurring—plants, insects, and animals that appear blue are simply reflecting that portion of the spectrum rather than emitting it—the illustrations spotlight the uncommon specimens that populate the world with indigo, turquoise, and azure.

The Blue Hour is available on Bookshop along with a few of Simler’s other illustrated titles. Currently, she’s working on Topsy Turvy, a book that focuses on mimetic insects, which you can follow on her site and Instagram. (via Brain Pickings)

 

 

 



Animation

Freeze Frame: A Meditative Stop-Motion Short Explores Preservation and Decay Through a Tedious Ice Harvest

December 30, 2020

Grace Ebert

Brussels-based director Soetkin Verstegen bills her methodical and nostalgic animation “Freeze Frame” as a “miniature cinema inside an ice cube.” Produced in a grainy, vintage style, the black-and-white short loosely follows workers as they harvest and attempt to preserve the frozen blocks. Amidst scenes of the monotonous, assembly-line efforts are insects, frogs, and various creatures swimming across the frames and eventually, crystallizing into skeletal ice sculptures.

In a conversation with Short of the Week, Verstegen spoke to the difficulty of using such a transient material, calling it “the most absurd technique since the invention of the moving image.” The tedious nature of stop-motion further matches the repetitive movements of the film’s subjects, forming “a playful puzzle with formal ideas around early cinema, decay, and preservation.”

You can find more of Verstegen’s short films that experiment with animation techniques on Vimeo.

 

 

 



Art

Contemplative Artworks of Cicada Wings, Hair, and Thorned Branches Evoke Rebirth and Change

December 11, 2020

Grace Ebert

“Velo de luto (Mourning veil)” (2020), magicicada wings, sewn with hair, 32 x 47 x 2 inches. Photo by Robert Chase Heishman. All images © Selva Aparicio, shared with permission

Woven throughout Selva Aparicio’s cicada veils and fringed floor coverings are the complexities of rebirth, transition, and beauty’s ability to endure. Organic ephemera—human hair, thorned branches, scavenged wings—become poignant installations and smaller artworks that ruminate on a myriad of global issues, including the climate crisis and the infinite failures of the medical establishment.

Aparicio shares that her explorations of life and death began during childhood when she watched the natural world cycle through growth and decay in the woods outside of Barcelona. This lasting fascination has crystallized in the artist’s body of work, particularly in pieces like “Velo de luto (Mourning veil),” which sews together 1,365 seventeen-year cicada wings with strands of hair taken from two generations of women. The shrouds typically are worn to honor a spouse who’s died, and Aparicio notes the material and form exemplify that “as the fragility of the veil of wings decay so does the patriarchal veil of history that it represents.”

 

“Childhood Memories” (2017), hand-carved rug into utility oak wood floor, 657 square-feet. Photo by the artist

Overall, the artist says that her “practice has evolved beyond the individual to encompass environmental, social, and political activism and evoke the change and rebirth I witnesses in nature.” “Childhood rug,” for example, merges personal memory and a domestic object with larger themes of covering and exposing trauma.

Similarly, Aparicio cites her own experiences in “Hysteria,” an installation that surrounds an antique gynecological table with a curtain of thorned branches. Commenting broadly on the unjust power dynamics inherent within traditional healthcare, the artwork draws a direct correlation between the invasive and painful processes of medicine for women and their ability to bring new life into the world.

Although she spends half her time in Barcelona, Aparicio is currently in Chicago and has work on view at two locations: her piece “Hopscotch” is part of MCA’s group exhibition The Long Dream, while her solo show Hysteria is at the International Museum of Surgical Science, where the artist is in residence. Both are slated to close on January 17, 2021. Head to Instagram for glimpses into Aparicio’s process, as well.

 

“Velo de luto (Mourning veil)” (2020), magicicada wings, sewn with hair, 32 x 47 x 2 inches. Photo by Robert Chase Heishman

“Childhood Memories” (2017), hand-carved rug into utility oak wood floor, 657 square-feet. Photo by the artist

“Hysteria” (2020), thorn branches woven with ligature and Hamilton obstetric table from 1931, 9 x 4 x 6 feet. Photo by Robert Chase Heishman

“Hysteria” (2020), thorn branches woven with ligature and Hamilton obstetric table from 1931, 9 x 4 x 6 feet. Photo by Robert Chase Heishman

“Velo de luto (Mourning veil)” (2020), magicicada wings, sewn with hair, 32 x 47 x 2 inches. Photo by Robert Chase Heishman

“Hysteria” (2020), thorn branches woven with ligature and Hamilton obstetric table from 1931, 9 x 4 x 6 feet. Photo by Robert Chase Heishman

“Hysteria” (2020), thorn branches woven with ligature and Hamilton obstetric table from 1931, 9 x 4 x 6 feet. Photo by Robert Chase Heishman

 

 



Art Illustration

Gemstones, Delicate Filigree, and Mechanical Gears Encase Steeven Salvat's Insect Specimens

November 18, 2020

Grace Ebert

All images © Steeven Salvat, shared with permission

Steeven Salvat (previously) evokes the glass-covered entomological studies of rare butterflies, beetles, and moths with an additional layer of protection. The French artist armors the singular insects with precious gemstones, silver and gold filigree, and rotational gears. Even elements of luxury watches, like Breguet’s Reine de Naple and an intricate dial from Vacheron Constantin, cloak the critters’ outer shells.

In a note to Colossal, Salvat writes that the growing collection of drawings is an “allegory for the preciosity of biological systems. A way to drive attention to our smallest neighbors on this planet—we need to preserve them because they are worth much more than all the gold and jewels I dressed them with.” Each intricate drawing is rendered with China black ink and watercolor and takes at least 50 hours to complete.

Pick up a limited-edition giclée print of an encrusted creature in Salvat’s shop, and follow his latest projects merging nature, history, and science on Behance and Instagram.

 

 

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A post shared by Steeven Salvat (@steevensalvat)