installation

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Art

15,000 Black Paper Butterflies Swarm the Fondazione Adolfo Pini for Carlos Amorales’s Latest Installation of ‘Black Cloud’

April 17, 2019

Kate Sierzputowski

Photographs: Andrea Rossetti

Hordes of black butterflies of various sizes and species cover the grand staircase, mirrors, walls, and doors of the Milan-based Fondazione Adolfo Pini. The dark and vast swarm is a part of the more than 10-year series Black Cloud by Mexican artist Carlos Amorales (previously) as a part of his solo exhibition THE ACCURSED HOUR. The butterflies surround an installation of paper cut-outs from his series Life in the folds, a project of gray-toned human and tree silhouettes which address the nature of human violence against other humans. The exhibition opened April 2 and continues through July 8, 2019. You can see more of Amorales’s projects on his website and Instagram. (via designboom)

 

 



Art Design

Interactive Beams of Light Examine Movements of the Human Body During Milan Design Week

April 11, 2019

Kate Sierzputowski

All images by David Zanardi

Ergonomic design company Humanscale analyzes the structure of the human body to create health-conscious furniture that eases tension during long office hours. For this year’s Milan Design Week the company invited collaborator Todd Bracher to design an interactive installation that would speak to how our bodies operate in space. The piece, appropriately titled Bodies in Motion, mirrors the movements of its guests with 15 spotlights that swirl in tandem with users’ limbs.

The work is a reinterpretation of the original scientific method of motion perception developed by Swedish psychophysicist Gunnar Johansson in 1973. Johansson observed movements by placing lights on different points of actors’ bodies and then recording their movements in the dark so he could interpret their actions without distraction. Bodies in Motion uses a more complex system developed by Studio TheGreenEyl to bring the experiment into the 21st-century. The collaborative installation is open from 10 AM – 6 PM daily through April 14, 2019 at Salon del Mobile. (via dezeen)

All images by David Zanardi

 

 



Art

Dozens of Mirrored Prisms Respond to Movement with Dazzling LED Lights

April 2, 2019

Kate Sierzputowski

All images © Alan Tansey

All images © Alan Tansey

Mirror Mirror, a recent commission by the Alexandria, Virginia’s Office of the Arts, is a reflective semi-circular structure which hides a prismatic array of mirrors at its center. The multi-colored panels are placed at sharp angles within the round sculpture, and refract dazzling, geometric patterns of light as the sun hits its interior. The work was produced by New York-based design studio SOFTlab, who was inspired by the lens used in the city’s historic 19th-century lighthouse. The Fresnel lens was an advanced technology at the time, and uses a series of prisms to create a bright and direct light source as a navigational aid.

In addition to reflecting Alexandria’s waterfront and the surrounding urban environment, the outdoor installation has LED fixtures that respond to visitors’ voices and bodies. Each vertical component of the structure is activated to produce light, allowing the work to be brilliantly illuminated, even after the sun sets. A demonstration of how the sculpture reacts to human movement can be seen in the video below. You can view more works by SOFTlab on their website and Instagram. (via designboom)

 

 



Art

Follow Nectar-Hungry Birds as They Soar Through New Automated Flip Books by Juan Fontanive

March 26, 2019

Kate Sierzputowski

Artist Juan Fontanive (previously) constructs ornithology-oriented flip books which constantly loop with the help of a few hand-built mechanics. The still images are sourced from 18th and 19th-century natural history illustrations, and when combined imitate the motion of a bird in flight. Although these works were completed this year, Fontanive has been working on the series since 2004 while he was studying at the Royal College of Art. Previous animation explorations have featured butterflies and birds drawn with graphite and colored pencil. You can see more of his automated sculptures on his website and Vimeo.

 

 



Art

KAWS Floats a Massive Inflatable Sculpture in Hong Kong’s Victoria Harbour

March 22, 2019

Kate Sierzputowski

Photo Credit: @AllRightsReserved

Photo Credit: @AllRightsReserved

COMPANION, a 121-foot-long inflatable sculpture by street artist KAWS, launched today at Victoria Harbour in Hong Kong. The reclined, monochrome figure is the largest to date for the American artist, with recent previous iterations of the project installed at the Chiang Kai Shek Memorial Hall in Taipei, Taiwan, and on Seokchon Lake in Seoul, South Korea. The figure was purposefully designed to be in a peaceful repose, its crossed-out eyes gazing at the sky above.

“I was thinking of all the tension in the world, and I wanted to create work that would make people think about relaxing,” KAWS recently told TIME. “And there’s nothing more relaxing than lying on your back in water and looking up at the sky.”

To get the monumental work far enough into the water, tugboats pulled the sculpture from Wanchai to the waterfront off Tamar Park until it reached the Central Harbourfront. The event was celebrated with a water spray performance by the Hong Kong Fireboat 1 Elite. The work was launched by Hong Kong-based creative studio AllRightsReserved for the annual Hong Kong Arts Month, and will continue to occupy the harbor until March 31, 2019. (via Artsy)

Photo Credit: @harimaolee

Photo Credit: @harimaolee

Photo Credit: @NK7

Photo Credit: @NK7

Photo Credit: @cheukyh

Photo Credit: @cheukyh

Photo Credit: @AllRightsReserved

Photo Credit: @AllRightsReserved

Photo Credit: @AllRightsReserved

Photo Credit: @AllRightsReserved

Taipei installation, image via #AllRightsReserved

Taipei installation, image via #AllRightsReserved

Taipei installation, image via #AllRightsReserved

Taipei installation, image via #AllRightsReserved

 

 



Art

Over 10,000 Tree Samples Compose a Modular Cave-Like Installation at the Royal Fort Gardens

March 21, 2019

Anna Marks

Credits: Katie Paterson & James Cohan, New York. Photos by Max McClure

Credits: Katie Paterson & James Cohan, New York. Photos by Max McClure

Situated within the Royal Fort Gardens at The University of Bristol, British designer Katie Paterson and architects Zeller & Moye collaborated on Hollow, a wooden installation that illustrates the diversity of tree species found across the globe. From the outside the sculptural work appears as a series of rectangles made from a similar, light colored sample of wood, yet when one enters the modular elements break into wooden blocks of all shapes, sizes, and hues. Clustered rectangular structures emerge from the ceiling and floor of the cave-like public art piece like stalactites and stalagmites. The structures are composed of a range of wood samples, including ones that evolved millions of years ago to far more recent examples. 

During three years of research and sourcing Paterson collected over 10,000 tree samples from various sources, including the Royal Botanic Gardens, Kew, the Arnold Arboretum at Harvard University and Yakushima, known as one of the wettest, forest-filled islands surrounding Japan. The collection also features a piece of wood from the Indian Banyan Tree, a fig tree where Buddha achieved enlightenment, the Japanese Ginkgo tree, and the Metuselah tree, found in the White Mountains in eastern California, which at 4,850 years old, is believed to be one of the oldest trees in the world.

Hollow is an ethereal environment for both play and meditation, and resembles a forest canopy with patches of light dappling in from the ceiling. The construction illustrates the detailed beauty of the natural world, and is poignant reminder of the importance of appreciating and maintaining our fragile natural environment. To step virtually into the permanent installation, visit Hollow‘s website

 

 



Art

Interactive Sculptures Mirror Visitors’ Movements in Shimmering Fabrics and Cracked Clay

March 8, 2019

Kate Sierzputowski

Israeli-American artist Daniel Rozin (previously) creates performative objects that interact with the audience through mirroring. In his recent piece Cracked Mud (2019), a mound of clay pieces undulate and upturn in response to visitors’ movements below a low-hanging orb. The suspended light mimics the sun, hovering over the manipulated and cracked earth below. Another piece, Fabric Mirror (2019), uses a digital camera and 400 motors to capture the movements of those who walk past, imitating their gestures in twisting gold and red fabric. Both works allude to how the sun interacts with our bodies and the earth, the former representing a barren future, while the later explores our reflection bathed in shimmering gold. Each are included in Rozin’s solo exhibition Sol at bitforms gallery in New York through March 17, 2019. You can see more of his interactive sculptures and installations on his website. (via Hyperallergic)